Set in Japan during the economic boom of the 1980s. One day, a 1960s-style furniture television that had been used for many years is thrown away in a junkyard. It tries to carry on... An original animated tragicomedy that parallels the TV’s bizarre fate with that of a human life. Winner of the Excellence Award in the Animation Division of the Japan Media Arts Festival. Winner of the Audience Award and the Asian Light Award at the 2013 Seoul International Cartoon and Animation Festival.

This piece expresses the process of a logo taking shape as a parallel to the growth of an organization. The scattered elements of the logo are likened to diverse members and projects, depicting the path by which they intersect and merge, gradually coming together into a single form. It visualizes the moment when new value emerges through collaboration that transcends boundaries.

Using a variety of visual techniques, including stop motion, hand-drawn animation, photogrammetry, motion graphics, and life-size panels, I portrayed Misuzu Hataya scattered across parallel worlds.