Recently, we’ve been seeing them more and more in everyday life—adorable, fluffy, and mysteriously charming fluffy animals.

A promotional video for the release of Volume 37 of Weekly Shonen Jump’s HUNTER×HUNTER. In sync with the series’ resumption in the magazine, the Dark Continent arc is revisited only minimally, with a structure designed to intuitively convey the “stirring intentions” of the various characters. To preserve the feel of the original artwork, no coloring was applied, and the complex, multifaceted breadth of the story was expressed through chromatic aberration and analog-style color shifts.

In March 2025, TAKANAWA GATEWAY CITY, a new urban district directly connected to JR Takanawa Gateway Station and one of the largest in central Tokyo, opened to the public. On the same site, THE LINKPILLAR 1 and Takanawa Gateway Station also fully opened. The remaining buildings will be completed and the grand opening will take place in spring 2026. From March 27 to June 28, the “Future Experience Theater” was open to the public at THE LINKPILLAR 1. WOW was responsible for planning, directing, and producing the film screened in this theater. Under the mission of “experiencing TAKANAWA GATEWAY CITY through film,” we chose an approach centered not on explanatory direction, but on storytelling that encourages emotional engagement. Featuring a modern-day boy as the protagonist, the story is set as a time-travel journey through Takanawa’s memories and the future envisioned for this city. Through the boy’s eyes, it portrays urban life and human connections born from history and culture, with the aim of creating a story that would inspire people who may one day live here to feel hope and anticipation for TAKANAWA GATEWAY CITY. The music was commissioned from the alternative rock band hitsujibungaku. The immersive experience of the full 3DCG film projected in a 180-degree cylindrical theater, combined with the world of the film woven by hitsujibungaku’s music, created an even more emotional viewing experience. (Courtesy of JR East)

A promotional video created to coincide with the release of Volume 20 of Jujutsu Kaisen, synchronizing 13 digital signage displays in front of Shibuya Station. A simulator recreating the area in front of Shibuya Station was built in Unreal Engine, with careful attention paid to the placement and staging within a space seen from different perspectives and angles. The sound is arranged in surround, making this a promotional piece that turns the area in front of Shibuya Station into a theater-like experience, where the way the music is heard changes depending on where you stand.