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Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
monoton – Nibi (Interactive MV) - 映像作家: monoton
3DCGCodingGenerative ArtInteractiveMusic videoReal-time GraphicsWeb

monoton – Nibi (Interactive MV)

2026
00:02:35
This is the music video for the original song “Nibi,” released in 2026. I created the song, the visual system, and the web app. “Nibi” refers to a dull grayish color. In this work, I made ink-like coloration the basis of the visuals. Particles in the four CMYK colors drift through 3D space, repeatedly gathering into and dispersing from the shapes of lyrics and motifs to construct the imagery. For the overlapping colors, I used subtractive color mixing calculations; the denser the particles become, the darker they sink as the inks blend together. Although the work is presented on a display, a texture like dynamic printed matter emerges, as if halftone dots on paper were dancing. The particles converge from flat shapes, noise, pendulums, and other geometric patterns into letters, then scatter once again. Rather than a continuous sequence of completed letters, the transitions of gathering and dispersing themselves are the main visual attraction. All of the visuals in this work are rendered as a continuous video within a web app, and the MV video was exported as a single uninterrupted shot with no cut editing. The lyric text is placed in 3D space and is framed by the camera angles set by the creator. I released this web app itself as a viewer, allowing viewers to freely move the camera in the browser and explore areas beyond the viewpoints selected for the MV. This is an attempt to open up both the production process of the visual work and the experience of the creator’s selection of viewpoint itself. The source code is also available on GitHub. For the particle physics calculations, I used Three.js WebGPU’s TSL compute shaders to enable real-time GPU processing of a large number of particles. In environments that do not support WebGPU, it falls back to WebGL 2 and also works on smartphones. MV website https://monotonmusic.com/nibi/
HODO STATION Opening Video - 映像作家: okahiromu
Motion graphicsTV

HODO STATION Opening Video

2021
00:00:18
This stop-motion animation was created by printing digitally produced graphics and filming them one frame at a time. It uses a risograph, a type of silkscreen printing machine, and six kinds of paper with distinctive textures. When printed with a risograph, irregularities and misalignments occur in the prints. In the film, these factors created a unique feel and texture. As a result, the visuals of the data created digitally and the printed data changed significantly. This phenomenon can be applied to “information.” For a single fact, different outputs—such as the angle from which it is framed or the way it is communicated—can create inconsistencies and shifts in impression even when the content is the same. In addition, when information passes through the filters of the receiver’s emotions, culture, and stance, an entirely different interpretation is ultimately produced. These are not negative things, but positive elements that generate new visual forms and interpretations. Isn’t ambiguity, rather than black or white, the diversity required in the coming era? This film translates such ideas into visual expression and has been completed as a work that suits the new post-COVID era.

Movies

Direction
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Art / Styling
Post Production
CG / Visual
Animation
Sound / Music
XR / Interactive
Artist
Technical / Engineering
17 Works
FUTURE IDOL – NANIMONO - 映像作家: harukateramoto
3DCGLive actionMusic video

FUTURE IDOL – NANIMONO

2025
00:03:57
Description: At some point in time, humanity vanished from Earth in an instant. Countless pieces of space debris are scattered across Earth’s orbit. Among that debris, an optical disc happens to slip into a player, and the track begins to play. The thoughts left within the music take on the physical phenomenon of vibration and rain down upon the Earth. Parabolic antennas on the ground listen to the vibrations, and radio towers transmit radio waves of their own accord. Signage in an abandoned city displays the performer’s image, obscured by noise, while a three-dimensional hologram is projected onto a sandy beach. Waves gently brush against feet, and a semi-transparent body traces out the choreography. A roadside cathode-ray tube set bears a face mottled with static, hallucinating seven figures who should not be there. When the track ends, the player ejects the optical disc. The Earth glows, and the debris continues to circle in orbit.
Listening to Thoughts Growing Distant - Nagase Yuka - 映像作家: harukateramoto
2D animation3DCGExperimental filmLive actionMusic video

Listening to Thoughts Growing Distant - Nagase Yuka

2025
00:06:01
Commentary: In representing Mr. Nagase, who exists across the dimensions of media, what I had in mind was to show the moment of crossing between dimensions. The passage back and forth between dimensions gradually accelerates, until eventually it crosses dimensions frame by frame. So rapid that the temporal arrangement can be mistaken for spatial contact, and with a movement of flicker that is too fast to stop and yet seems to stand still, the translucent body placed within it can touch you on the retina, between frame and frame. The haze that only becomes visible through motion was also fitting for a melody that feels as if carved out of a raging current—or perhaps written automatically—gentle / eerie / light. Listen to the blur, like a lump of light, with your eyes and ears.
9 Works
5 Works
3 Works
Cold Shark｜BUGLOG_001 - 映像作家: samezame
AnimationMusic video

Cold Shark｜BUGLOG_001

2025
00:03:49
1st single “Samezame” “Samezame” symbolizes an entity that overlaps with a frozen, numbed emotion and a shark that can survive only by continuing to swim. It sharply portrays an attachment to life, a sinking sensation, and the heart wavering between life and death. A destructive and emotional song where self-denial, frustration toward society, the desire for recognition, and a sense of emptiness intersect. Intense yet delicate words vividly capture the manic-depressive swings of emotion. Through the coexistence of bold yet delicate visuals that seem to have captured those fluctuations, analog-style animation that amplifies emotion, and sophisticated lyric design, it creates the world of “Samezame.”
The Monster Circus｜BUGLOG_002 - 映像作家: samezame
2D animationAnimationIllustrationMusic videoOriginal

The Monster Circus｜BUGLOG_002

2025
00:03:33
2nd single "Circus of Monsters" Anger, loneliness, self-loathing. Hatred toward others, and a sense of unease so deep that you no longer even understand yourself. These unspeakable emotions are conveyed through sharp, unhinged lyrics, a destructive sound, and awkward, dizzying visuals. Beneath the provocative expression lies a painfully clumsy yet honest truth. It is a requiem for those who were forced to live as “monsters,” and a song that speaks for people carrying feelings they want to express but cannot.
Introduction｜BUGLOG_000 - 映像作家: samezame
AnimationConcept MovieMovie

Introduction｜BUGLOG_000

2025
00:00:30
A person who had grown cold and indifferent toward life (had given up) rises again, continuing to feed on the negative energy that they habitually sink into pessimistically. Mania and depression are human bugs. The logs left behind through creation become the energy to keep running all the way to the end credits. “Samesamegure” is a project and creative collective that expresses raw, intense emotions centered on the themes of mania and depression through music, video, and various other media. This concept film portrays “Samesamegure” swimming through the bugs, blending scenes of reality and unreality, and combining analog and digital techniques.
24 Works
Zettakun - "Aspara feat. Eiichi Kogure (the band apart)" Official Lyric Video - 映像作家: ong_
2D animationMotion graphicsMusic video

Zettakun - "Aspara feat. Eiichi Kogure (the band apart)" Official Lyric Video

2025
00:02:58
Lyric video for Zettakun’s “Aspara feat. Eiichi Kogure (the band apart).” I was in charge of the direction, design, and motion. I turned “Aspara,” the title of the song, into a character to match the song’s relaxed mood, and created the video so that the character appears to be strolling around town. To balance the client’s request to “crop it for use as a vertical video” with the fact that it is a horizontal lyric video, I set it up so that the horizontal version looks like “filming Aspara-kun walking around with a smartphone,” while the vertical version looks like “the filmed video has been uploaded to social media,” allowing the smartphone section in the center to be used as-is as a vertical video.
6 Works
Drama “ROLLING” - 映像作家: kantaigawa
Short film

Drama “ROLLING”

2025〜
Only Image
A drama centered on the encounter between a woman who once gave up her child and a young girl who brought life into the world through surrogacy, portraying a relationship that cannot be reduced to blood ties or systems. Through night streets and the repetitive landscapes of everyday life, it carefully traces the shifts in the time and distance the two share, bringing to light the ambiguity inherent in the concepts of “motherhood” and “family.” This work looks at the possibility of people who carry both choice and loss still continuing to live on. Starring: Mami Shibuya, Yume Takamura. Screenplay: Kisa Ito. Responsible for planning, direction, and editing.
Short Film "Koisan in Arima" - 映像作家: kantaigawa
Short film

Short Film "Koisan in Arima"

2022〜
00:10:55
A short film based on Jun’ichiro Tanizaki’s novel *The Makioka Sisters*, depicting an aspect of Hanshin modernism. It portrays the romance between Taeko, the free-spirited fourth daughter of the Makioka family, and Miyoshi, a bartender, as Taeko “Koisan” falls in love freely and recklessly. The date scenes were filmed at locations such as Isoshian (Tanizaki Jun’ichiro’s former residence) and Hotel Hanakomichi, which also appears in the original work, depicting a natural time-slip into Kobe and Arima Onsen.
CCS records. / MY FRIEND VESPA - 映像作家: kantaigawa
Music video

CCS records. / MY FRIEND VESPA

2023〜
00:03:47
Description: A world on the brink of collapse, with only CCS left behind. In a city with no one in it, time at a standstill, and landscapes quietly weathering away, this work depicts the relationship between the smallest unit of connection: the self and companions. Because people are lonely, they think of others, and through that feeling, paradoxically, they strengthen the outline of their own existence. In this world, there is no clear answer, nor words that define the meaning of life. Even so, by thinking of someone, people can continue to remain faintly connected to the world. This work traces the love that dwells within loneliness, and the loneliness hidden deep within love.
“Blendy® CAFE LATORY®” “A Touch of Happiness Recharge with Cafelatory: Today I Like You” Edition - 映像作家: kantaigawa
CMTV-CMWebWeb CM

“Blendy® CAFE LATORY®” “A Touch of Happiness Recharge with Cafelatory: Today I Like You” Edition

2025〜
00:00:30
A tie-up commercial between ABEMA’s “Kyo, Suki ni Narimashita.” and Blendy® CAFE LATORY® Stick. With the theme of a gentle dose of happiness, it portrays the small thrills and moments of richness that CAFE LATORY brings to the everyday lives of two people their age. While staying close to the world of the program, the piece was crafted so that the product’s texture and the sense of happiness at the moment of drinking it come across naturally.
87 Works
UHA Gummy Supplement "Kento AI ~Ceramide~" Version - 映像作家: kooki
3DCGAnimationTV-CM

UHA Gummy Supplement "Kento AI ~Ceramide~" Version

2026
00:00:31
KOO-KI’s Toichi Shirakawa directed and produced this commercial for UHA Gummy Supplement. The music is an arranged recording of Kocchi no Kento’s hit song “Hai Yorokonde,” created specifically for this commercial. The illustrations are newly drawn by Oshushi Muromuki. To achieve a subliminal effect, the production was designed so that the product package appears in every cut. To present it without being intrusive, the team added touches such as well-timed coordination with the music, a pleasing sense of progression, and small playful elements (the gummy pieces) to keep it engaging and prevent it from becoming dull.
GUNZE “Unreadable, GUNZE.” Calligraphy Edition - 映像作家: kooki
Live actionPromotionWeb CM

GUNZE “Unreadable, GUNZE.” Calligraphy Edition

2026
00:00:16
A web commercial produced as part of GUNZE Limited’s 130th anniversary project, marking the company’s 130th year in August 2026. Taking advantage of the fact that some younger viewers may not even be able to read the company name “GUNZE,” the film vividly brings the catchphrase “Unreadable, GUNZE.” to life. The concept was developed by a team centered on KOO-KI’s younger staff, who themselves are among those on the “unreadable” side. KOO-KI’s Tatsushi Yuu, known for his wide range of directing styles, transformed their wildly free-spirited ideas into an entertaining visual piece. In addition to the “Calligraphy” version, the web commercial also includes a “Vision Test” version.
Asahi Solar “East — The Power of the Sun, Blue Sky” Edition - 映像作家: kooki
AIAnimationTV-CM

Asahi Solar “East — The Power of the Sun, Blue Sky” Edition

2025〜
Directed and produced by KOO-KI’s Tatsuhiro Momen, this TV commercial was made for Asahi Solar, a pioneer in solar water heating systems. A sumo wrestler jumps off a roof and dives straight into a bathtub. A shot that would normally require an elaborate setup is rendered realistically yet in a humorous ukiyo-e style using generative AI. In addition to the “East — The Power of the Sun / Blue Sky” version, there is also the “West — Leave It to Us, Peace of Mind / Gold” version.
61 Works
Sculpture Without Mass or Form - 映像作家: teamlab
Art workInstallationMovie

Sculpture Without Mass or Form

2020 ~
00:01:24
Floating in the air, a colossal sculpture is born from a sea of foam, transcending the concept of mass. It neither sinks to the ground nor rises all the way to the ceiling, but drifts somewhere in the middle of the space. The outline of this floating sculpture’s existence is ambiguous; it can break apart into smaller pieces or merge together into a larger mass. Even if a person enters it with their whole body, its existence is maintained, and even if it is broken by people, it repairs itself. However, when the mass is destroyed beyond the range it can repair on its own, the repairs cannot keep up and it begins to collapse. And even if people try to push it or move it aside, they cannot move this sculpture; if people fan wind at it, the sculpture will scatter. No physical action by humans can even move this sculpture. Pebbles, and things humans have made up to now, are objects, and objects have stable structures in themselves. A pebble continues to exist even if placed in a sealed box cut off from the outside world. By contrast, a vortex born in the sea disappears instantly when moved into a closed box. In other words, a vortex does not maintain a stable structure of its own. A vortex is an existence within the flow created by its environment, formed by water that continuously flows from outside the vortex to inside, and from inside to outside. Sustained by the structured order generated by that flow, the vortex continues to exist and changes along with the flow. And the outline of its existence is ambiguous: both the vortex and the outside of the vortex are made of water, with no material difference at all. Instead of creating objects, by creating a special environment, existence is created through the order of energy generated by that environment. Let us call existence formed by this order of energy “Higher-Order Sculpture.” It cannot be separated from its environment and changes as the environment changes. It transcends the conventional understanding of existence based on objects, maintains its presence in midair, and has an ambiguous outline. Even if a person enters it with their whole body, its existence is maintained, and if it is broken, it repairs its own existence. It is a sculpture premised on an open system. In this space, the only matter that exists is water, air, and ordinary soap. By filling the space with foam, creating a singular environment, and generating an order of energy within it, a colossal mass is born from the sea of bubbles, rises up, and remains suspended in midair. In current biology, it is not possible to define life strictly, but for convenience, living things are called organisms if they are composed of cells, metabolize, and can self-replicate. In other words, all living things are made of cells. And all cells are enclosed by cell membranes composed of lipid bilayers. The outside of the bilayer is hydrophilic, the space between the layers is hydrophobic, and both the outside and inside of the enclosing sac are water. Soap bubbles are similarly enclosed by membranes made of lipid bilayers, and the bubbles that constitute this sculpture are structurally the same as cell membranes. However, unlike cells, the outside of the bilayer in a bubble is hydrophobic and the space between the layers is hydrophilic, so both the outside and inside of the sac are air. In other words, if a cell is a sac-like membrane in water, a bubble is a sac-like membrane in air. This sculpture is created from matter with the same structure as cells, the basic units of living organisms, and from the order of energy generated by the environment. Life, too, takes in matter and energy from outside as food, expels matter, and dissipates energy outward while forming ordered structures. Like a vortex, life is an existence within the flow of matter and energy created by the external environment, and the outline of its existence is ambiguous. The structure of life is the order of energy created by that flow, and life may be a miraculous phenomenon found within the flow of matter and energy. Artwork page: https://www.teamlab.art/jp/ew/masslesssculpture-kyoto/kyoto/
Catch and Collect: The Forest of Extinction - 映像作家: teamlab
Art workInstallationInteractiveMovie

Catch and Collect: The Forest of Extinction

2025
00:02:15
An educational project conceived as a way to explore, discover, catch, observe, gather knowledge, and expand curiosity with one’s own body. In the Forest of Extinct Animals, extinct animals live. When you approach or touch the animals, they run away or turn around. You catch various kinds of extinct animals, observe them, and build your own collection encyclopedia. Using the smartphone camera, you look at the animals walking through the space, and when you cast the “eye of observation” at the animal visible on the screen, it flies into the real space. When the “eye of observation” hits the animal, it disappears from the space and enters your smartphone, where it is collected. When you swipe a captured animal to a place visible through the camera, it is released and returns to that spot. Also, if you cast an “observation net” wherever you like, an “observation net” will be spread at your feet. Working together with the people around you and using your body to drive the animals into the “observation net,” the animals disappear from the space and are collected in the encyclopedia in the same way. The collection encyclopedia fills in more detailed information the more times you catch the same animal. Work page: An educational project conceived as a way to explore, discover, catch, observe, gather knowledge, and expand curiosity with one’s own body. In the Forest of Extinct Animals, extinct animals live. When you approach or touch the animals, they run away or turn around. You catch various kinds of extinct animals, observe them, and build your own collection encyclopedia. Using the smartphone camera, you look at the animals walking through the space, and when you cast the “eye of observation” at the animal visible on the screen, it flies into the real space. When the “eye of observation” hits the animal, it disappears from the space and enters your smartphone, where it is collected. When you swipe a captured animal to a place visible through the camera, it is released and returns to that spot. Also, if you cast an “observation net” wherever you like, an “observation net” will be spread at your feet. Working together with the people around you and using your body to drive the animals into the “observation net,” the animals disappear from the space and are collected in the encyclopedia in the same way. The collection encyclopedia fills in more detailed information the more times you catch the same animal. Work page: https://www.teamlab.art/jp/ew/collecting-forest-planets/planets/
Levitation Void - 映像作家: teamlab
Art workInstallationMovie

Levitation Void

2025
00:00:55
Description: This being slowly rises from the ground and comes to a stop in the air. It is not being suspended, nor does it have any power source of its own. This being transcends the concept of mass, and remains still in midair, neither on the ground nor at the ceiling. At times it rises, at times it sinks, and at times it stays motionless in the air. At times it moves abruptly, and at times it falls to the ground. Yet as if restoring its own state, it slowly rises again and comes to rest in the air. It creates a special environment, and through that environment, it produces an order of energy at the center of space. And through that order of energy, it creates a being. Let us call this being created by the order of energy “High-Order Sculpture.” It cannot be separated from its environment, and changes as the environment changes. It transcends the conventional understanding of existence as objects, maintains its presence in midair, and restores its own state. It is a sculpture premised on an open system. Work page: https://www.teamlab.art/jp/ew/levitationvoid-phenomena/phenomena/
A Massless Sun and a Sun of Darkness - 映像作家: teamlab
Art workInstallationInteractiveMovie

A Massless Sun and a Sun of Darkness

2022〜
00:01:45
We do not perceive the world we see. We see the world we perceive. Countless spheres of light. As people approach the spheres of light, they shine more intensely, and the surrounding spheres respond in turn, continuing one after another. If you widen your field of view and stare, spheres of darkness, like lumps of darkness that has solidified, also begin to appear. However, these spheres of light and darkness do not exist. The spheres of darkness do not even appear on camera. Nothing such as glass or any other object is present on the surface of the spheres of light; these spheres are made only of light. There is no material boundary surface, and the boundary between the sphere and the body remains ambiguous in perception. However, in this universe, light does not solidify, and it never forms into spherical masses by itself. In other words, these spheres of light do not exist. These spheres are not present in the physical world, but are sculptures that exist in the world of perception: "Cognitive Sculpture / Sculptures of Perception." Their material consists of light, the environment, the body, and perception. Shaped by the experiencer’s own dynamic body and perception, they appear and exist in the experiencer’s own perceptual world. When they exist in perception, that is existence. And the spheres cannot exist even in the world of perception on their own; they are created by the environment. The phenomena produced by the environment are the existence of the work. Work page: https://www.teamlab.art/jp/ew/masslesssuns-phenomena/phenomena/
19 Works
4 Works
["Touhou LostWord feat. KAFKA SHISHIDO × Butaotome"] "Gira Gira Good day" Full Ver. - 映像作家: REOakaJOKER
Music video

["Touhou LostWord feat. KAFKA SHISHIDO × Butaotome"] "Gira Gira Good day" Full Ver.

2026
00:02:37
In the Touhou LostWord MV Project, this is the music video for Jo’on Yorigami’s theme song, “GiraGira GoodDay.” The character’s dual nature—her extravagance and hedonism—is broken down into three distinct worlds: the bubble era, the present day, and a fantasy space, each symbolized through highly ornamental visual design. By incorporating effects and shot transitions synchronized to the music, the work aims to evoke the exhilaration of a live VJ performance. The entire screen is designed as a virtual stage, building a visceral rhythm through motion graphics and compositional changes that respond to the beat and the dynamics of the vocals. Although it is a character MV, this work aspires to express an image that contains the experience of a live performance.
6 Works
4 Works

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