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Music video

Catwalk – Tanaka

2025〜

00:03:49
Catwalk – Tanaka
Player 5：Tanaka
Director & Edit：Takeru Taniguchi
2nd camera：manimanium
Production designer：Atsushi Omori
Set decorator：Ameda 3:00
Stylist：Yuki Tsuchida
Hair & make-up：Kana Miyajima
Production manager：Kana Kitty
Driver：Takahiko Hirano
This work is the second chapter of the Taniguchi × Tanaka collaborative trilogy, following “Re:Game.”
A “flight” depicted as a one-shot-style POV horror. The camera becomes the protagonist’s eyes, dragging you down from the audience seats and turning you into the “escapee,” along with the rising breathlessness and the fear of proximity.

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T Tanaka unverified Player A Atsushi Omori unverified Production Designer T Takeru Taniguchi unverified Director / Editor A Ameda unverified Set Decorator m manimanium unverified Cinematographer y Yuki Tsuchida unverified Stylist K Kana Miyajima unverified Hair / Makeup K Kana Kitty unverified Production Manager T Takahiko Hirano unverified Driver

Other Works by 写楽街（Sharaku Town）

Conflict – Tanaka - 映像作家: sharakutown
Music video

Conflict – Tanaka

2025〜
00:02:19
Following “Re:GAME” and “Catwalk,” this work portrays “release” as the final chapter of Tanaka’s three-part music video trilogy. While carrying on the fictional world built in the previous works, it incorporates the relationship between Takeshi Taniguchi and Tanaka himself, as well as the creative process, adding a documentary-like perspective. Though it is a music video, it also serves as a meta work that looks back on the trilogy itself, depicting the conflict and sense of release embodied in the song, somewhere between reality and fiction.

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Ichigo Rinahamu "To the Fullest" - 映像作家: tomotakawakumoto
2D animation3DCGMusic video

Ichigo Rinahamu "To the Fullest"

2022
00:03:14
Description: ◆Movie Concept “An energy drink song that leads the listener into an invincible zone” With “immersion” as the key word, we aimed to create a work that awakens people through listening to and watching it, leading them to enter an invincible zone. In this work, viewers experience a deep dive into Rina Hamu’s thoughts, structured in 12 layers, and it stands as an existence that gives them the dream that the world they “imagine” can be “created.” Carrying her own life theme—“I want to stay a child forever, and I want to keep making all the things I wish for come true”—the work combines Shibuya, Harajuku, and Akihabara, merging and condensing every culture into a new-era Japanese gyaru icon, composed as a work that can be embraced both in Japan and abroad.
VOQ「fallon」(PROGRESSIVES FOrM) - 映像作家: chikaramatsumoto
2D animationAnimationArt workInstallationMusic videoStopmotion

VOQ「fallon」(PROGRESSIVES FOrM)

2013, 2018
Only Image
Musician VOQ created this as a music video for “fallon,” a track from his second album, VEILS, released by PROGRESSIVES FOrM in November 2018. Although it is a music video, it is also a “painting of time” that repeatedly draws similar images, and an attempt to create a visual expression as a painter that seeks to see the nonlocality of where images reside. This work was made for a friend’s child, with the hope of becoming a video that would remain in someone’s mind, like something seen in childhood and remembered into adulthood, after participating in the exhibition “O-bake to Pants to Ohoshisama—A Place Where Children Can Be Children” (2013) at the Museum of Contemporary Art Tokyo. It is also a recreation of the installation of the drawing-animation work Nanashi no Nagame (2013), which was made together with an early version of VOQ’s song “fallon.”