「このひとひらの欠落と」無色透名祭にて公開された楽曲のMV

We made a music video by gathering various “suspicious” things from the internet.

A hyper-express-style, delightfully absurd cheer song that gives a full-throttle push to the backs of people who are “seriously obsessed” with something and giving it their all. With its exhilarating melody and fiery lyrics, it powerfully encourages people around the world who are passionately absorbed in something to go “super! seriously!”

タイムトラベル設定を背景に、70年代テレビスタジオを舞台に構成したダンスビデオ

I was in charge of planning and directing the video for UNIQLO’s short-sleeve knit campaign. It was produced as a five-version series.

"The one in that house isn’t my sister." In the distant future, Kagamimi Village is a mountain village on the outskirts, left behind by the densely developed science and technology of urban areas. “If you’re not a good child, your double will come for you.” Akane Higurashi, a middle school student living in this village steeped in old legends, has been looking forward to reuniting with her older sister, Sui Higurashi, who has just been discharged from the hospital after a year. But soon after her sister’s return home, Akane receives a phone call. "The one in that house isn’t my sister." The “Oneechan Gokko” series is a long-form animated work and a series of VOCALOID songs, with each episode running about 25 minutes, for a planned total of 3 episodes. Starting in January 2026, the songs and each episode will be released one after another, with the goal of completing the project over the course of about one year.

We explored how to create visuals that could stand shoulder to shoulder with the intensity of the track “Jungle人.” As part of that approach, we used motion capture throughout the entire piece to express the raw, visceral movements of the human body. In addition, for certain cuts, we synchronized the movement of a live-action camera with a camera in Blender, incorporating the subtle fluctuations unique to live-action footage into the CG camerawork. Centering the work on “physical movement” that goes beyond computational control, we created a piece that visually maximizes the momentum of the music.

2025 Asia Digital Art Award FUKUOKA Award Winner Mitaka no Mori Animation Festa 2026, 24th Indies Animation Festa Award Winner "The Seed of Stars" One day, these words casually spoken by my daughter gently planted a seed within me. Drawn in by their tenderness and a poetic afterglow, I began to imagine stars descending into a quiet forest, and the landscapes where small creatures live. The story begins with stars drifting softly down from the night sky into the forest. There, the stars become tiny seeds on the ground, eventually sprouting and blooming into “star flowers.” The creatures living in the forest quietly keep them company, making music and watching over the flowers. I wanted to portray a serene, warm world filled with light, sound, and the slow flow of air in the night forest. For the visual production, I used Blender, which I have been using for many years. I expressed the natural elements I love—forests, stars, flowers, and small living creatures—in a simple, unadorned style, and by focusing on light, shadow, and texture, I created a landscape that seems to drift between reality and imagination. Rather than aligning the music and visuals perfectly, I aimed for a relationship in which they gently resonate with one another while remaining quietly close. The music was composed by cokiyu, a musician with whom I have long collaborated, and who has also provided music for the film Confessions (directed by Tetsuya Nakashima). In this work, her transparent vocals gently layer over delicate piano melodies suited to a forest at night. The lyrics carry the theme of this story, and each word resonates softly, as if speaking directly to the listener. The presence of the voice subtly deepens the visual atmosphere, conveying the depth of the imagery, time, and the world of "The Seed of Stars" more richly. I would be delighted if "The Seed of Stars" could quietly take root in the hearts of viewers as well, allowing free imagination and feeling to gently spread from there. This work was selected as an award-winning entry at the 2025 Asia Digital Art Award FUKUOKA and the Mitaka no Mori Animation Festa 2026, 24th Indies Animation Festa.

A full-CG music video that expresses the world of the song across multiple spaces. The lyrics were placed in 3D space as objects with mass, and the camera work was controlled procedurally. In post-production, we employed databend techniques that intervene in the very structure of the video codec, pursuing the material texture hidden within digital media and the aesthetics of glitch.

This is an introductory movie installed in JAEA’s information outreach space, “ANALYSiS LAB.” Though we may not be aware of it, many kinds of “analysis” support the convenient lives we enjoy every day. This video was produced as an introduction to help visiting children notice the presence of such “analysis” before their facility experience begins, and to spark their interest.

SOUL BUBBLE is an immersive art installation that visualises an individual’s mental and physical state. Inside a space surrounded by eleven screens, visitors sit on a single-seat sofa equipped with AI and sensors. The sofa reads changes in posture and centre of gravity, heart rate, breathing, and hand movements, visualising these signals in real time. States of mind and body such as relaxation, focus, tension, anxiety, excitement, meditation, and confusion are analysed and transformed into microbial-like patterns that spread throughout the entire space. At the end of the experience, the participant’s own behavioural data is projected onto the screens, stored, and used to advance the AI system. As more participants join, individual and collective data accumulate, revealing differences, distributions, and new tendencies. This ongoing process continually evolves the installation, forming an endless archive that keeps recording human states. Interestingly, many visitors were highly interested in their own results and came expecting to find a pattern of “high relaxation.” SOUL BUBBLE gently envelops the body like a bubble, while also presenting itself as a prototype for future sensing devices, where technology stays close to the body, responds to the soul, and brings to light the hidden layers beneath mind and existence.

“Disease and dreams are connected by a single line.” A documentary presented for International Women’s Day. An animated one-line drawing tracing the journey of parallel singer Urara Nanami, who continues to sing after overcoming breast cancer.