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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
NHK Special "2030: A Turning Point for the Future" - 映像作家: whatever
TV drama opening title

NHK Special "2030: A Turning Point for the Future"

2021
Only Image
For the NHK Special series “2030: A Turning Point for the Future,” we were responsible for planning and producing the program logo design and opening title sequence. The program reports on the environmental issues facing the world. It examines 2030, said to be a “turning point” for global challenges. Over the next decade, it considers how we can avoid crisis and achieve a sustainable future. In the logo and opening title, we used animation to portray the importance of confronting the real issues humanity faces and making our own choice at this turning point in the future. https://www6.nhk.or.jp/nhkpr/post/original.html?i=26703
To the Scientists of the Future #20 “Trapping Light” - 映像作家: EUPHRATES
Web movie

To the Scientists of the Future #20 “Trapping Light”

2025
00:06:03
The “To the Scientists of the Future” series is a science video released on the official YouTube channel of the National Institute for Materials Science (NIMS), a Japanese public research institution. It is produced to promote NIMS while widely sharing the appeal and fascination of materials research. Episode #20, “Trapping Light,” is a video about the origins of optical technologies that confine and control light within matter, typified by optical fibers.

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9 Works
PIVOT - 映像作家: yuukikamida
2D animationAnimationBrand movieConcept MovieGraphic designMotion graphicsWeb movie

PIVOT

2022-2026
00:01:01
This brand movie expresses the concept of PIVOT, the business media platform, “knowledge you can put into action.” Featuring past appearances alongside powerful messages, it presents them graphically through motion graphics. With an emphasis on an intelligent, sophisticated design, it creates a sense of rhythm in the unfolding visuals through dynamic direction and camera work, resulting in a compelling video that conveys energy and passion.
7 Works
LITTLE LEAGUE INC_recruit movie - 映像作家: Miwaaaa
Concept MovieRecruit

LITTLE LEAGUE INC_recruit movie

2024〜
00:01:00
A recruitment film for Little League, Inc., which operates apparel, goods, and lifestyle businesses including Ron Herman. Carefully capturing the presence of the people working across a diverse range of brands, as well as the atmosphere unique to each store, the film brings to life the soft nuances of natural light and the “free-spirited” energy created by its individuality-filled staff through a rhythmic, cutting-edge edit.
10 Works
TOYOTA FACTORY HEROES Director’s Cut Grand Prize Winner - “FACTORY: RISING” - 映像作家: hiroshiyamamoto
2D animationAnimationArt workBrand movieMotion graphicsMotion logo

TOYOTA FACTORY HEROES Director’s Cut Grand Prize Winner - “FACTORY: RISING”

2026
00:01:00
TOYOTA FACTRY HEROES DIRECTORS CUT Grand Prize-winning work With the theme, “Create a movie that turns Toyota’s factories and the people who work there into heroes,” this piece was crafted into a comic-style video from approximately 300 pieces of live-action footage provided. Note article https://note.com/ymmt_hr/n/n8ae3591bbaf1?sub_rt=share_pw
25 Works
16 Works
Conflict – Tanaka - 映像作家: sharakutown
Music video

Conflict – Tanaka

2025〜
00:02:19
Following “Re:GAME” and “Catwalk,” this work portrays “release” as the final chapter of Tanaka’s three-part music video trilogy. While carrying on the fictional world built in the previous works, it incorporates the relationship between Takeshi Taniguchi and Tanaka himself, as well as the creative process, adding a documentary-like perspective. Though it is a music video, it also serves as a meta work that looks back on the trilogy itself, depicting the conflict and sense of release embodied in the song, somewhere between reality and fiction.
3 Works
1 Works
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33 Works
WOWOW Excite Match 35th Opening Movie 2026 - 映像作家: natsukikida
2D animationAnimationArt workOpening movie

WOWOW Excite Match 35th Opening Movie 2026

2026
00:00:46
WOWOW Excite Match 35th Anniversary: New Opening Video Completed!! WOWOW’s “Excite Match,” which broadcasts and streams more than 100 title bouts and major matches a year across the four major boxing organizations, has had its opening visuals, graphics, and logo design handled by Natsuki Kida for over a decade. The first star of the latest opening video is three-division world champion Junto Nakatani, whose official collaboration merchandise with WOWOW Excite Match was also designed by Kida!
NHK Minna no Uta Aimer "Yasashii Butokai" - 映像作家: natsukikida
2D animationAnimationArt work

NHK Minna no Uta Aimer "Yasashii Butokai"

2025
Only Image
The visual direction is by Natsuki Kida, a filmmaker known for dark fantasy. She depicts a mysterious night through a nostalgic video created with meticulous attention to artistic elements such as characters and background art. In bringing to life the enchanting and beautiful world woven by the song and Aimer’s vocals, I wanted to set the story in a “black forest” illuminated only by moonlight and the shimmer of stars, and portray the events of a mysterious night. A girl who descends from a castle in the sky to the forest below falls asleep. The figure of the girl dancing on in the forest also seems like another version of herself. Is this reality, or a dream the girl is seeing...? Only a polka-dotted beast wandering through the forest watched over the events of that one night. I researched every kind of dance form, including ballet and contemporary dance, and paid particular attention to the girl’s movements in order to create a mysterious presence. I hope that after watching the video, viewers will be left with a strange feeling, as if they have traveled beyond time and space. (Director: Natsuki Kida)
8 Works
[Misora Hibari "Like the Flow of the River" × AI Creative Contest] "Embraced by the Four Seasons" / Korotech Video Work - 映像作家: TatsuyaMatsumura
AIAnimationArt workMotion graphicsMusic video

[Misora Hibari "Like the Flow of the River" × AI Creative Contest] "Embraced by the Four Seasons" / Korotech Video Work

2026
00:02:01
A music video work created for the AI creative contest “Corotech supported by LIVE DAM WAO!” hosted by the Nippon Columbia Group (NCG) on February 21–22, 2026. Starting from my own sense of motion graphics, all motifs were individually generated by AI as video assets for chroma key use, then constructed through compositing and synthesis. Rather than generating everything at once, the video was structurally designed through a process of generating, selecting, placing, and animating each element as separate assets. Within the context of an AI contest, I deliberately chose a time-consuming production method in an effort to imbue the video with “brushstrokes” and “life” that cannot be achieved through one-shot generation. Rather than relying on AI’s generative power alone, this work explores the possibilities of expression through collaboration between AI and humans by selecting, composing, and assigning relationships to the materials through human intent. Instead of presenting AI’s inorganic output as is, it aims to create an emotionally resonant visual expression by reconstructing it through human intervention.
liquid people / Capsule Hotel (Short Ver.) - 映像作家: TatsuyaMatsumura
3DCGMotion graphicsMusic video

liquid people / Capsule Hotel (Short Ver.)

2026
00:00:51
A music video created entirely in full CG. Built around the guitar as its central motif, the visual world was constructed from its form and presence. Assuming the piece to be instrumental, the visuals were designed not around the meaning of lyrics, but around the structure, texture, and energy of the sound itself. The dynamics, rhythm, and spatial breadth of the music are visualized through the deformation of forms, light, and motion. Through motion graphics design in Cinema 4D and Redshift, along with highly precise lighting and rendering, we created a full-CG expression in which sound and image are directly connected.
Viewtrade / Sweet Song - 映像作家: TatsuyaMatsumura
2D animationAIAnimationArt workIllustrationMusic video

Viewtrade / Sweet Song

2026
00:03:10
Based on the images inspired by the music, original hand-drawn illustrations were created for each scene and used to construct the music video. The movement within the video was built from those original drawings, incorporating AI technology while preserving the texture and nuances of the hand-drawn work as it was developed into moving images. In addition, these original drawings were compiled into a ZINE as part of the artist’s own body of work and exhibited at “Here is ZINE Tokyo #22,” held in Aoyama, Tokyo, in February 2026. Rather than stopping at completion as a video work, the project expands its world by translating the original drawings born during the production process into an analog medium, crossing the boundary between moving image and printed matter. Starting from the traces of hand drawing, this project developed into a distinctive artwork that moves back and forth between analog and digital through a process that unfolds from still images into time-based expression. Artwork background website https://www.tatsuyamatsumura.com/sweetsong Exhibition “Here is ZINE Tokyo #22” https://www.instagram.com/enlightenment.zine/
Roniit “Purify” (Original Work) - 映像作家: TatsuyaMatsumura
3DCGArt workMusic videoMusic VisualizationOriginal

Roniit “Purify” (Original Work)

2025
00:02:46
This is an original video work created inspired by Roniit’s song “Purify.” Using CG, I expressed the themes of “life that is born and then fades away” and “a world that is magnificent and beautiful, yet somehow tinged with fragility and irrationality.” A single star is born in a sterile space. The life that emerges from it encounters other forms of life, collides with them, undergoes chemical reactions, and eventually disappears— this entire process is depicted abstractly from the perspective of an unemotional third party. While centering on my strengths in 3DCG and VFX, I also experimentally incorporated AI technology at certain points, blending them together in a subtle way. I made this video with pure feelings as a fan of Roniit, and I was truly delighted to receive a message from Roniit through social media, and even more so to have it shared by them. It has become a very precious work to me.
18 Works
Asunopolaris "Youth, Probably" Music Video - 映像作家: Mone_LaMer
Music video

Asunopolaris "Youth, Probably" Music Video

2025〜
00:03:23
When I heard the band’s image for the piece, I decided to build it from the feelings I had in my own youth. I directed it with the intention of turning those everyday moments from back then, and the emotions that strangely remain when you look back on them, into the visuals as they are. The apples that appear in the work are a visual expression of memories of youth. For me, youth is strongly connected to cinema as well, so I’ve also included a few slightly film-like scenes and ways of showing them here and there. By using an old compact digital camera and having the cast actually take some of the shots themselves, I think I was able to create a texture that feels close to the perspective and memories of the people who were there.
87 Works
UHA Gummy Supplement "Kento AI ~Ceramide~" Version - 映像作家: kooki
3DCGAnimationTV-CM

UHA Gummy Supplement "Kento AI ~Ceramide~" Version

2026
00:00:31
KOO-KI’s Toichi Shirakawa directed and produced this commercial for UHA Gummy Supplement. The music is an arranged recording of Kocchi no Kento’s hit song “Hai Yorokonde,” created specifically for this commercial. The illustrations are newly drawn by Oshushi Muromuki. To achieve a subliminal effect, the production was designed so that the product package appears in every cut. To present it without being intrusive, the team added touches such as well-timed coordination with the music, a pleasing sense of progression, and small playful elements (the gummy pieces) to keep it engaging and prevent it from becoming dull.
GUNZE “Unreadable, GUNZE.” Calligraphy Edition - 映像作家: kooki
Live actionPromotionWeb CM

GUNZE “Unreadable, GUNZE.” Calligraphy Edition

2026
00:00:16
A web commercial produced as part of GUNZE Limited’s 130th anniversary project, marking the company’s 130th year in August 2026. Taking advantage of the fact that some younger viewers may not even be able to read the company name “GUNZE,” the film vividly brings the catchphrase “Unreadable, GUNZE.” to life. The concept was developed by a team centered on KOO-KI’s younger staff, who themselves are among those on the “unreadable” side. KOO-KI’s Tatsushi Yuu, known for his wide range of directing styles, transformed their wildly free-spirited ideas into an entertaining visual piece. In addition to the “Calligraphy” version, the web commercial also includes a “Vision Test” version.
Asahi Solar “East — The Power of the Sun, Blue Sky” Edition - 映像作家: kooki
AIAnimationTV-CM

Asahi Solar “East — The Power of the Sun, Blue Sky” Edition

2025〜
Directed and produced by KOO-KI’s Tatsuhiro Momen, this TV commercial was made for Asahi Solar, a pioneer in solar water heating systems. A sumo wrestler jumps off a roof and dives straight into a bathtub. A shot that would normally require an elaborate setup is rendered realistically yet in a humorous ukiyo-e style using generative AI. In addition to the “East — The Power of the Sun / Blue Sky” version, there is also the “West — Leave It to Us, Peace of Mind / Gold” version.

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