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Fujii Kaze - "Enough Already" Official Video - 映像作家: spikeyjohn
Music video

Fujii Kaze - "Enough Already" Official Video

2020
00:05:02
I worked on this piece through repeated discussions with Fujii Kaze. The concept of the work is vagrancy and true freedom. Until a few years ago, I had personal interactions with people experiencing homelessness, and I recalled what I had felt at that time when planning this project. The public image of “homeless = poor, unhappy” is, for some people, a misconception. The homeless people I met had chosen a free way of living unconstrained by society, and their hearts were very wealthy. And we, living in the present day, realized that we are bound by so many things and rules that we are not truly free. These are things I recalled and thought about only as part of constructing the work, and what I wanted to convey in this piece was: That beautiful things are not the only things that are beautiful, and that any existence can be made cool depending on the expression of the artist.
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series - 映像作家: YuyaTsuji_G2
2D animationCMMotion graphicsPromotionWeb CM

[Official] Pokémon Card Battle in 9 Minutes – “Scarlet & Violet” Series

2022
00:09:00
This piece features “Kei,” who calls himself a Poké Card doctor, carefully explaining the series of rules for the Pokémon Card Game to a boy named “Ren,” who has just obtained Pokémon cards, and is structured so that the new rules are explained to viewers as well. While following the structure and animation style of the previous explanation series, we were mindful of pacing and subtle character animation, deliberately avoiding excessive expression, effects, and animation so that viewers could stay engaged until the end while understanding the rules. Also, on a more detailed directorial note, this time voice actors Chisaki Kimura and Sako Ogawa added nuanced emotions at key moments, and I feel this resulted in an explanatory video that also lets viewers appreciate the delicate vocal performances they bring to the work.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects

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10 Works
6 Works
CRMC - 映像作家: kojiaramaki
3DCGMusic VisualizationOriginal

CRMC

2024
00:01:00
This research work is a reworking of a video that was shown as a SIGNIF reel at Motion Plus Design Tokyo 2024. By incorporating the unique silhouettes of ceramics and sculpture as motifs for motion graphics, we aimed to achieve both a graphical image and a tactile feeling clean coldness and craftlike warmth. The overall structure of the work, which progresses in an intertwining sequence of multiple patterns, is a motion graphics analogy of the production process of ceramics, from the chaos before the shape is determined, to the determination of the shape, to the change of material through firing.
Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening - 映像作家: kojiaramaki
Animation

Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening

2019, 2020
The second opening for the TV anime Fate/Grand Order - Absolute Demonic Front: Babylonia. Set against the backdrop of the ancient Mesopotamian civilization of the BCE era, the animation features an organic visual direction that blends earth and sand with the gold and wealth of Gilgamesh, one of the story’s main characters. For the chorus section, the team explored new ways of combining key animation, motion graphics, and CG, aiming for visuals in which character animation, hand-drawn effects, and particle expressions influence one another. The production team consisted of the members who had previously worked on the opening of DARLING in the FRANXX, with Shun Yamaguchi, Kita, and Hanasaka joining the team to handle their respective parts.
Promare Avant Title - 映像作家: kojiaramaki
AnimationOpening movie劇場映画

Promare Avant Title

2019
Responsible for the TRIGGER corporate logo, avant motion graphics, and title logo animation for the feature film Promare. In the avant, we used motion graphics to abstractly express the spread of the Burnish as a phenomenon, serving as a prelude to the main story. In terms of the look as well, rather than simply using an old film look, we developed new shooting processes specifically for this project and applied special gradient treatment. The title logo animation was designed with the transition from the avant to the main film in mind, directly translating the energy of Promare into motion.
9 Works
17 Works
SKYTOPIA with Ogasawara "Pressure" Teaser - 映像作家: tamuraikuho
3DCGArt workMotion graphics

SKYTOPIA with Ogasawara "Pressure" Teaser

2026
00:00:15
Artwork and teaser visuals for “Pressure,” a collaboration single by Ogasawara and SKYTOPIA, two notable producers from Tokyo’s new UKG scene. The tense, tight two-step rhythm and groovy bassline are expressed through elegant visuals with an acidic touch. In previous WORKS, ASCII art-style visual expression was created using After Effects, but this time, tool development was carried out with Claude Code, successfully building a low-cost workflow. The creature seated at the center is inspired by venomous organisms such as the Asian tiger mosquito and the blue-ringed octopus, pursuing a uniquely original mashup.
Connect & Create NOBEOKA 2026 Open Call Visual - 映像作家: tamuraikuho
AnimationConcept MovieMotion graphics

Connect & Create NOBEOKA 2026 Open Call Visual

2026
00:00:16
“Connect & Create NOBEOKA” is a residency program in which directors and filmmakers stay in Nobeoka and create video works while engaging with the local people, landscapes, culture, and everyday life. For the 2026 residency call, we produced the teaser visual and teaser movie. Building on the foundation of the program’s activities and its visual identity cultivated to date, we designed the colors and materials. Drawing motifs from Nobeoka’s culture and climate, we created tactile visual and cinematic expressions that are rooted in the region’s character and attuned to creators’ passion for making.
3 Works
9 Works
[Original MV] Violets Swaying in the Wind / amane momo - 映像作家: salis
2D animationMusic video

[Original MV] Violets Swaying in the Wind / amane momo

2026
00:02:55
Responsible for the video production. In keeping with the ephemeral yet serene world of a song that entrusts quiet feelings to a single flower, the entire piece was constructed through compositing that carefully crafted the gradations of light. The meticulously detailed motion brings to life the gentle presence of violets swaying in the wind, as well as the subtle stirrings of a quietly wavering heart. “I want to leave behind gentleness rather than sadness.”
Hatsune Miku Official "Project Circles - Resonance with Miku and Friends -" - Shiino Mirin Part - 映像作家: salis
Audio visual performanceLive VideoVJ

Hatsune Miku Official "Project Circles - Resonance with Miku and Friends -" - Shiino Mirin Part

2026
Only Image
Project Circles is a multidisciplinary art event that focuses on creators’ works in fields such as “music,” “illustration,” “video,” and “performance,” with virtual singers like Hatsune Miku as its starting point. For this live performance, we were responsible for assisting with system adjustments for the CG segment using motion capture, as well as supporting Hatsune Miku’s effects.
1 Works
15 Works
87 Works
UHA Gummy Supplement "Kento AI ~Ceramide~" Version - 映像作家: kooki
3DCGAnimationTV-CM

UHA Gummy Supplement "Kento AI ~Ceramide~" Version

2026
00:00:31
KOO-KI’s Toichi Shirakawa directed and produced this commercial for UHA Gummy Supplement. The music is an arranged recording of Kocchi no Kento’s hit song “Hai Yorokonde,” created specifically for this commercial. The illustrations are newly drawn by Oshushi Muromuki. To achieve a subliminal effect, the production was designed so that the product package appears in every cut. To present it without being intrusive, the team added touches such as well-timed coordination with the music, a pleasing sense of progression, and small playful elements (the gummy pieces) to keep it engaging and prevent it from becoming dull.
GUNZE “Unreadable, GUNZE.” Calligraphy Edition - 映像作家: kooki
Live actionPromotionWeb CM

GUNZE “Unreadable, GUNZE.” Calligraphy Edition

2026
00:00:16
A web commercial produced as part of GUNZE Limited’s 130th anniversary project, marking the company’s 130th year in August 2026. Taking advantage of the fact that some younger viewers may not even be able to read the company name “GUNZE,” the film vividly brings the catchphrase “Unreadable, GUNZE.” to life. The concept was developed by a team centered on KOO-KI’s younger staff, who themselves are among those on the “unreadable” side. KOO-KI’s Tatsushi Yuu, known for his wide range of directing styles, transformed their wildly free-spirited ideas into an entertaining visual piece. In addition to the “Calligraphy” version, the web commercial also includes a “Vision Test” version.
Asahi Solar “East — The Power of the Sun, Blue Sky” Edition - 映像作家: kooki
AIAnimationTV-CM

Asahi Solar “East — The Power of the Sun, Blue Sky” Edition

2025〜
Directed and produced by KOO-KI’s Tatsuhiro Momen, this TV commercial was made for Asahi Solar, a pioneer in solar water heating systems. A sumo wrestler jumps off a roof and dives straight into a bathtub. A shot that would normally require an elaborate setup is rendered realistically yet in a humorous ukiyo-e style using generative AI. In addition to the “East — The Power of the Sun / Blue Sky” version, there is also the “West — Leave It to Us, Peace of Mind / Gold” version.
19 Works
4 Works
icesawder, levi / day by day – from THE LUV BUGS - 映像作家: takemiwatanuki
3DCGMusic video

icesawder, levi / day by day – from THE LUV BUGS

2026
00:02:53
A music video combining live action and CG backgrounds. Its theme is the feeling of enjoying music and everyday life beyond reasons or gain, and positively renewing “each day” together with companions and new encounters. It emphasizes the subtle sense of uplift born from daily repetition, bodily sensation, and the pace of the city. The tactile quality of a landscape that changes little by little within an otherwise steady daily routine is highlighted through a chain of shots, shifts in texture, and the treatment of the “human silhouette.” The production was built on Blender, with numerous effect systems created in TouchDesigner using People Segmentation applied to live-action footage. Starting from silhouette information, it layers graphics, noise, masking, and deformation processes. The aim is to achieve both the momentary pleasure of synchronization with sound and the continuity of everyday life.
Yukichi Kasaku/men "Youth" MV - 映像作家: takemiwatanuki
3DCGMusic video

Yukichi Kasaku/men "Youth" MV

2023
00:03:52
This piece, as its title suggests, is centered on “youth.” The artist told us that the song explores youth from three different perspectives, and that the music itself unfolds in three corresponding sections. Based on that structure, we also created the video as a three-part work. We depicted young people moving in groups within society, in a way that seems to resist that movement—or perhaps not quite resist it. The video is built on real-time rendering using Unity. All of the objects are programmed so that they do not collide with one another.
10 Works
Kohei Kamoto – Wonder (Music Video) - 映像作家: mamoruwatanabe
3DCGAnimationMusic video

Kohei Kamoto – Wonder (Music Video)

2026
00:02:28
Music video for “Wonder,” a track from Dangle Candle, the solo album by Kohei Kamoto, who is also a member of DYGL. In this work, we sought to visually express the melancholic texture of the song while also rendering a sense of drifting aimlessly, as if with nowhere to go. Drawing mainly on the texture of 2000s-era games, we constructed a virtual game-like space and created the 3DCG work by combining 3D models, environments, and motion graphics made from scan data of Kamoto himself within that space. By incorporating the uncanny quality of game-like visuals, as well as expressions that intentionally evoke incompleteness and instability, we attempted to expand the song’s world.
objective-A - 映像作家: mamoruwatanabe
3DCGInstallation

objective-A

2023
00:00:41
Description: An 8K, five-screen video work presented in 2023 at Outernet in London. Because the five massive LED screens envelop both the space and the body, the work was designed to create an image-viewing experience specific to that environment. By combining techniques of continuity and discontinuity, and through a series of images in which the movement of color changes every second, this experimental video work explores the possibility of inducing a state of perceptual dissonance—where the body’s internal sense of time becomes irregular—and, by filling the gaps in sensation that arise within that state with a field of light moving in an extremely gentle manner, whether it might be possible to transform the viewer’s perception of time after the viewing experience.
14,000Hz (29.97/60fps) - 映像作家: mamoruwatanabe
3DCGArt work

14,000Hz (29.97/60fps)

2022
00:00:29
In this work, we explore the function by which we become aware of and experience stimuli, especially the perceptible boundaries of hearing and vision, through media technology. Embodiment based on perceptual capacity continues to be reshaped by the influence of our everyday choices, which in postmodern society are deeply dependent on media technology. Building on this, this work was created with the aim of transforming the concept of 14,000 Hz into an audiovisual piece synchronized to that frequency, for playback in a variety of media environments.
Ritual and Healing - 映像作家: mamoruwatanabe
AnimationArt workShort film

Ritual and Healing

2022
00:04:52
In most ancient cultures, incantations have been used to heal the sick, and help the dead pass on to another realm. These sounds are slowly disappearing as modernisation takes over their land, and the tribes either are forced to relocate, or disappear altogether. We would like to explore, document and record a piece that would combine and/or recreate these original incantations and mantras, coupled with the rhythm of breathing from birth (Labour), to sickness and dying, layered with local instruments of that part of the world, mixed with the sounds of that particular environment. The sounds of life in an altered state of being- either in pain, possessed (shamanistic practices), delusional with fever, and sounds around death (prayers and mourning). A juxtaposition of this would be their dying ecosystem (falling trees, dying coral, vanishing bees, decay) where the tribes in question can no longer heal and the incantations no longer reverberate the way they used to. Death of resonance.

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