As part of the “Media Arts Japanese Culture Promotion Project at Airports, etc.” organized by the Agency for Cultural Affairs, this work was exhibited in the “ETERNAL ~ A Thousand Seconds of Stillness” exhibition held at Haneda Airport. This work was created with inspiration from the production approach of the “Kirin Mon Mandala” designed by Sho-ryu and Yoji Hatoba. The technique of monshō-ue, in which circular emblems have been designed by combining perfectly round circles since the Edo period, as practiced by monshō-ue artist Mr. Hatoba, was applied to waveforms drawn through physical simulation by Seiichi Sega. Through the simple linear combination of variously sized circles, the work finds a sense of natural beauty and harmony, layering it over landscapes that seem to have arisen by chance, such as waves and terrain, and expressing the “moment of composition” in beauty. In response to the sound image by Kyoka, in which ripples are composed as a visualization of sound along the x, y, and z axes, a massive space surrounded by three screens was created.

An MV that portrays a hopeless story through thrilling first-person footage from a zombie’s perspective and vivid animation.

日々の繰り返し、脱力感、その中に存在するささいな幸福感をCGや実写を織り交ぜながら表現した作品。 おかもとえみ氏を3Dスキャンし、実写とCGを同一スケールに重ね、非日常な空間の創出を試みた。

Created a clutch video used within the E-television program “Design Ah! neo.” It was produced with the aim of creating something that makes viewers want to watch it again and again, thinking, “This is kind of interesting…” or “What is this?”