【Chatty Fried Chicken Age-ta-kun】 A one-minute anime airing every Monday at 21:54 on Hiroshima Television. An entirely new style of animation that’s impossible to forget after just one viewing and fun for the whole family. The setting is a certain company in Hiroshima. When salaryman Yamada-kun, who has been transferred there, opens the lunchbox he was about to eat during his lunch break, he finds a piece of fried chicken that starts talking to him in the Hiroshima dialect with way too much familiarity... While Yamada-kun handles the jokes as the straight man, all the other side dishes are in on the gag. A series of amusing conversations unfolds, featuring all kinds of commotion on the desk, everyday happenings, and Hiroshima in-jokes that are sure to bring a smile.

In line with Fujitsu’s digital transformation, key statements are expressed through graphics that symbolize each one. To create motion imagery that closely links with the words while controlling the tension, we went through as much trial and error as possible before bringing it to completion.

Ending animation for the TV anime Bocchi the Rock! The 12 episodes are structured around four songs: “Distortion!!” for episodes 1–3, “Karakara” for episodes 4–7, “What’s Wrong?” for episodes 8–11, and “Rockn’ Roll, Morning Light Falls on You” for episode 12. We produced the three animations for “Distortion!!,” “Karakara,” and “What’s Wrong?” This film’s “What’s Wrong?” is the third animation, following “Distortion!!” and “Karakara.” The third one features the members of Kessoku Band dancing happily while the music plays. As the last of the three ending animations, and with the main story also entering its latter half, we wanted to create an animation that conveys the joy of the music so well that viewers can’t help but sway their shoulders along with it.

Elements, kept as simple as possible. Behavior, made as natural as possible, something that never gets old. With “10¹² TERRA,” we explored the interplay of light and shadow created by the rotation of the outer and inner shades of a white, geometric form. The source of motion is nothing but convection caused by the heat of an incandescent bulb. Without using any motorized power, we pursued a natural, beautiful, gently flowing movement of light. “LUX” — What we set out to design was not a fixture called lighting, but “the behavior of light” itself. It softly shapes the space with drifting light and shadow. A beautiful, conceptual light, here.