This work involved many new approaches in both music and visuals, but by communicating closely with Haruyoshi, we were able to create something satisfying. (?) To create the animation, we first needed reference material for the instruments, so we started by making 3D models in Blender. The drawings were done in monochrome, and in the final stage we applied a correction called a gradient map so that they would end up in two colors. The instruments while being played are animated by compositing in 3D models. The storyboard was a collaborative effort, and it was fun to come up with so many interesting directing ideas. (Haruyoshi Nagae)

This is a work in which an ideal image was achieved by applying a filter as a finishing touch to the footage.

We took on the challenge of animating a band performance. The V-conte, references for the instruments, and the background materials were all created in 3D.