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Umeda’s Udon-chan for Umeda BS3D Vision “Introduction”

2023

00:02:03
Umeda’s Udon-chan for Umeda BS3D Vision “Introduction”
クリエイティブディレクター　山本 信一
CGスーパーバイザー　河村 有恒
ライティング&コンポジットアーティスト　茂野 知史
キャラクターモデリング　中江 昌彰
リギングアーティスト　山崎崇
CGアニメーター　大竹 祐次
サウンドデザイン　Intercity-Express
キャラクターデザイン　makomo
プロデューサー　加賀美 正和
PASコミュニケーションズ　makomo　omnibus japan
Description: A flagship movie for the newly installed outdoor vision in Osaka Umeda, the “Umeda BS3D Vision.” This is the first collaboration between creative director Shinichi Yamamoto and illustrator Makomo, with whom he has long had a close relationship. The creative will be developed with the outdoor vision as its starting point. 楽曲　Intercity-Express　+　Sy

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河 Aritsune Kawamura unverified Supervisor 茂 Tomofumi Shigeno unverified Lighting / Compositing Artist 中 Masaaki Nakae unverified Modeling 山 Takashi Yamazaki unverified Rigging Artist 大 Yuji Otake unverified Animator m makomo unverified Designer M Masakazu Kagami unverified Producer S Shinichi Yamamoto unverified Director

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Shinjuku East Exit Cat “4th Anniversary Thank You Edition” (2025) - 映像作家: omnibus-japan-inc
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Shinjuku East Exit Cat “Thank You for the 4th Anniversary Edition” A 15-second special video commemorating the fourth anniversary of “Shinjuku East Exit Cat,” which has become a landmark in Shinjuku. This work builds a “retrospective” world that looks back on the series’ journey since the first installment in 2021. Its biggest highlight is the “nested” structure, in which past works are played on monitors placed within the 3D space. It creates a multilayered visual experience spanning the real-world display, the cat’s room, and the monitors within the video. Around the cat, meanwhile, cat bells, folk crafts, and unidentified objects that had been repeatedly dropped in the “Barely Edition” spin lively in circles. By scattering motifs symbolizing episodes from across the series like a collage, the piece expresses gratitude to fans while humorously reassembling four years of context into a festive work full of celebratory energy.
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2025
00:06:00
Snake Line A video installation by filmmaker Shinichi Yamamoto and musician Tetsuji Ohno (Intercity-Express). Set at the biotope located at the edge of the forest within the expansive grounds of Nagaoka Institute of Design, the work features a 20-meter screen constructed from 40 connected LED displays. Positioned at the forest's margin — visible from the campus buildings — it unfolds amid the falling leaves of late autumn. From 9 a.m. to 9 p.m., the work continuously shifts in response to the changing quality of daylight, rain, and the darkness of night reflected across the water's surface. Emitting vivid, high-saturation color, the installation neither confronts nor overwhelms its natural surroundings, but settles quietly into the landscape. The sound, composed by Ohno, builds an ambient sonic environment rooted in field recordings of a suikinkutsu — a traditional Japanese water instrument. Snake Line was produced as part of VideoListening, a media art program directed by Shinichi Yamamoto.
Fragments Immersive Museum Tokyo Vol.3 version (2024) - 映像作家: omnibus-japan-inc
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Fragments Immersive Museum Tokyo Vol.3 version (2024)

2024
00:03:30
Calligrapher Mariko Kinoshita’s inscription of a passage from Kamo no Chomei’s *Hōjōki* is divided into squares and redefined as “fragments.” Film artist Shinichi Yamamoto assigns a time axis to those cells using a unique algorithm, while musician Corey Fuller layers an ambient soundscape built from deconstructed and reconstructed readings of *Hōjōki*, creating a multilayered interplay among the three artists’ expressions. Blending Japanese views of life and death—such as “ku” (emptiness), “engi” (dependent origination), and silence—with a meta perspective on observing landscapes, the work becomes a weighty video poem that explores universality dwelling within impermanence. First unveiled in 2019 across the outdoor large-scale digital billboards of Shinjuku, it continued to evolve and in 2020 was expanded into an immersive spatial presentation at “ETERNAL ART SPACE” in Haneda Airport. In 2024, for its exhibition at Immersive Museum TOK (Shinjuku), it was reconfigured for a vast space of approximately 430㎡ and 6 meters in height. As fragments of calligraphy overlapped geometrically with waves and graphics, it was elevated into an immersive experience as a “reconstructed modern Zen garden,” drawing viewers into a serene spiritual world.

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Matter is Void – Black in White - 映像作家: teamlab
3DCGArt work

Matter is Void – Black in White

2022
00:02:04
teamLab explores what ownership is through Matter is Void. This work is an NFT artwork. There is only one NFT for this work, but the NFT does not grant the work its uniqueness. The work itself can be downloaded by anyone and owned by any number of people. In other words, whether or not one owns the NFT, the downloaded work cannot be distinguished in any way; all of them are authentic. This work is inscribed by teamLab with the words “Matter is Void.” However, the NFT owner of this work can freely rewrite the words within it. When the NFT owner rewrites the words, every copy of the work owned around the world is rewritten with those words. And through the NFT owner’s words, not only does the value of the work change, but if those words have value, more people will own the work; if they have no value, no one will display it. The value of rewriting a work that many people are viewing may be high, but the value of rewriting a work that no one is displaying may be low. In other words, the value of this work’s NFT will also change according to the words of the NFT owner. The characters of the written words continue to revolve and rotate on their axes. Depending on the angle, the ever-rotating characters can be recognized, and there are moments when their meaning can be understood as a whole; yet once again, they become meaningless shapes that can no longer be read as letters. Visually, the letters’ revolution is the same whether they rotate left or right, and depending on which direction of rotation one becomes conscious of, they can appear to rotate either counterclockwise or clockwise. Related exhibition: Aomori Museum of Art https://www.teamlab.art/jp/e/aomorimuseum/ Work details: https://www.teamlab.art/jp/w/matterisvoid_blackinwhite/