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PINK / Tatsuya Kitani - PINK / Tatsuya Kitani

2022

00:02:57
PINK / Tatsuya Kitani - PINK / Tatsuya Kitani
Director : Daiki Kamoshita
CG Director : The Worst Vegetable Corner（最低やさいコーナー）

Cast : Joel Shohei

Cinematographer : Ryosuke Sato
1st AC : Yuki Maxima
2nd AC : Arashi Ishikawa

Lighting Director : Haruka Harazawa
Lighting Assistant : Yu Takamatsu, Takumi Nakashima, Marin FuKamoto

Production Designer : Yuichi Ishida
Production Designer Assistant : Takahiro Osuga, Run Yamada

Hair & Make Up : Katsuki Chichii

Colorist : Hisashi Nemoto(KASSEN)

Production staff : IYO, Harumi Akada, Chen Chih Yun
Producer : Kota Noguchi
Production : FIRSTORDER
A collaboration between live action and animation

People

A Arashi Ishikawa unverified Cinematographer C Chen Chih Yun unverified Production Staff H Haruka Harazawa unverified Director H Harumi Akada unverified Production Staff H Hisashi Nemoto unverified Colorist I IYO unverified Production Staff J Joel Shohei unverified Cast K Katsuki Chichii unverified Hair & Makeup K Kota Noguchi unverified Producer M Marin FuKamoto unverified Lighting R Run Yamada unverified Designer R Ryosuke Sato unverified Cinematographer T Takahiro Osuga unverified Designer T Takumi Nakashima unverified Lighting Y Yu Takamatsu unverified Lighting Y Yuichi Ishida unverified Designer Y Yuki Maxima unverified Cinematographer The Worst Vegetable Corner Director Daiki Kamoshita Director

Other Works by 最低やさいコーナー（The Worst Vegetable Corner）

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Sleeping Anime "Mysterious Factory" - 映像作家: senpookyakuhoshiko
3DCGAnimationCo-CreationMotion graphics

Sleeping Anime "Mysterious Factory"

2026
00:07:38
CG animation for the “Nemuru Ma Anime” segment included in U-NEXT Kids’ picture-book reading program “Nemuru Ma Ehon.” By weaving together the factory motifs that Masaya Ishikawa had explored in his previous works with the absurd ideas of Senpuukyaku Hoshiko, the piece was brought to life as a mysterious and charming visual work. The 3DCG production was handled by Hoshiko. Through repeated trial and error, the process by which “something” whose state keeps changing—such as being stretched or painted—is manufactured was visualized. In the latter half, frame-by-frame “faces” are given to the manufactured objects to endow them with emotion, retelling the factory line as a single story.