KIRINJI「Rainy Runway」Music Video

This work is an animation based on my past experience of confronting death for the first time, set on the Shimanami Kaido. In some regions across Japan, there is a custom called “honekami,” in which, after cremation, one eats the bones of the dead in an attempt to take them into oneself and overcome grief. Whether I wanted it or not, my family in my hometown had this custom. The first death I experienced was my father’s, but when I was made to try “honekami” as part of the ritual, I could not bring myself to chew the bones. That became a childhood trauma: an experience of being unable to face my father’s death directly, and not knowing how to accept it. Like an imaginary bone stuck in my throat, it could not be put into words, nor could it be forgotten. More than ten years have passed since I left my small, distant hometown at the age of 15. Fireworks storage buildings still remain along the island’s coast. The fact that there were fireworks magazines, rather than air-raid shelters, in my neighborhood made me feel that death and merciless violence existed for me not as something to be endured, but as something to be inflicted. When I think about these things as an adult, I came to link my father’s bones with the fire in the fireworks magazine, and decided to face “honekami” once again. The island’s landscape and sea are full of life, and within their calmness there is an unchanging severity. The shadows of the dead still exist in the same space and time, both now and in the past. Through this project, by blurring the boundary between life and death, I sought to create a confrontation with the bones I could not chew. The visual concept of this project was to merge natural landscapes with childhood memories, and to visually bring memories to life through the accumulation of dots. For this reason, I used colored pens to layer pointillist dots on paper, then filmed the paper under a camera while placing it over transmitted light. In doing so, I hoped to entrust the haziness of memory and the emotions of childhood to the technique as particles of colored light.

Onesalによる自然界の触覚テクスチャについての探索 ASMRとは何か？ 日本のアートスタジオOnesalはASMRを表現するために斬新かつ視覚的アプローチを提案する4つの短編映像シリーズを立ち上げました。 Visual ASMRまたはVisual Autonomous Sensory Meridian Responseと言い。 ASMRは想像的な感情と静電気のような刺激的感覚の組み合わせを特徴とする多幸感が生まれる主観的な経験です。 多彩な色の生物的要素に覆われ、一見奇妙でありながら地球のような風景に置かれた自然の彫刻物は、それぞれの映像が微細なミクロレベルで成長し進化していきます。すべては周囲の要素との相互作用、動き、進化を詳しく調べるためにカテゴライズされた4つの別世界の風景で行われます。 各ショットは、自然、建築、タイムラプスの要素で創造されています。 作品の主題では、非現実的な環境でのモーフィングと相互作用を行うテクスチャー、触覚要素を詳しく調べます。 この試みは自然とデザインを両立させ、シンプルさと複雑さの境界線を抽象的な方法で曖昧にすることから始まりました。