2023 Running time: 10 minutes

文化庁主催による「空港等におけるメディア芸術日本文化発信事業」プロジェクトの一環として、羽田空港にて行われた「ETERNAL ~千秒の清寂」展に出品した作品。 本作は波戸場 承龍・耀次氏によってデザインされた「麒麟紋曼荼羅」の制作アプローチにインスピレーションを受けて、制作した。 紋章上繪師である波戸場氏の江戸時代から続く正円を組み合わせてデザインする紋章上繪の 技法を瀬賀誠一による物理シミュレーションで描かれた波形に応用。 大小様々な正円の簡潔な線による組み合わせに自然の美、調和を見出だし波や地形など偶然 性に出来たような風景に重ね合わせ、美しさの"構成の瞬間"を表現した。 Kyokaによる、波紋がx,y,z軸に沿った音の可視化として構成される音像に合わせ、3面スクリーンに囲まれた巨大な空間を演出した。

A project that has been ongoing since September 2020. A video is made every day. All of the “one day, one shot” images are based on the motif of fire. The aim is to create a continuity like a campfire—finite, yet somehow evoking infinity. These daily videos (fires) from January 1 to December 31, 2024, have been compiled here. At the same time, each video is given the name of a specific station. As if traveling, a fire is lit at each stop on a local train line. All of those station names are listed here. A station name contains memories and histories that differ from latitude and longitude or from municipal boundaries. If a station disappears or falls out of use, these videos (fires) may remember the memories left behind by the public.

By blending private footage, live-action fluids, and generative AI, I tried to visualize the personal texture and sensation of the sound. I would be delighted if you could also feel the universality of the lyrics, which still resonate today, through the visuals. The fluid seen in the MV is actually the wax from a Lava Lamp in my home. Using the simple principles of gravity and temperature, this man-made object creates an organic landscape like “wind.” To me, the Lava Lamp is a brilliant invention. On top of that, I added generative AI. Organic + inorganic