Directed the music video for ONE OK ROCK's "Renegades," released on April 16, 2021. The individuality of RENEGADES (LGBT, fashion, art, distinctive characters) is expressed through a simple yet grand world created with VFX, combined with ONE OK ROCK's powerful, expansive performance scenes.

“NEMURUMA EHON” is an original picture book read-aloud program that began streaming on U-NEXT in October 2024. Featuring a carefully selected lineup of Japanese picture books that we want people to read now, chosen together with Nemu Yumemi, the program invites a variety of readers to bring them to life. To convey the appeal of picture books themselves, the actual books are filmed on camera. By making full use of editing techniques such as preserving the sound of pages being turned and action cuts, we aim to transform a single reading experience into video. At the end of the program, “Nemuruma Anime” by Yosuke Omomo continues to play, gently encouraging a calm state of mind and sleep. By exploring what is uniquely possible with streaming video—such as not showing “the next recommended video” and not fixing a set runtime—we aim to create a program that can be a small help in childcare, one that parents can feel comfortable handing to their children on a tablet or smartphone.

Produced the music video for V.W.P’s “Sadame” (Fate). V.W.P is a virtual artist group brought together by five cyber witches from KAMITSUBAKI STUDIO: KAF, RIM, Harusaruhi, Isekaijoucho, and Koko. Built on a narrative, cinematic 3DCG foundation, the piece incorporates typography at key moments, such as striking dialogue-driven sections and inserts. For the 3D compositing and character setup, we pursued a look that would harmonize the photorealistic background CG world with V.W.P’s characters. Based on the song’s content, we conceived it as a battle against oneself. The story unfolds through exchanges between witches in the present and the past, existing on different worldlines. In the first half, they physically confront another version of themselves; in the second half, the focus shifts to scenes where they face their own inner selves. Masks and hoods are used to distinguish the worldlines, with some scenes representing the past and others the present. Drawing from the concept of characters who exist across two worldlines, the present and the past, as well as a world where stable and collapsing states coexist, we also emphasized contrast in the composition and scenes. The logo and graphics were finished in a solid style to match the feelings of the witches resisting fate. In the logo animation, we added distorted afterimages with broken edges to express a world in collapse, while the dynamic in-and-out animation embodies V.W.P’s determination to defy fate.