A music video that accompanies an instrumental groove like a breeze sweeping along the coastline, visualizing the comfort and lingering resonance of sound. Set at Zushi Marina, it brings to life the “subtle fluctuations” of an AOR-to-balearic sound through soft light and particle effects created with CG. Clusters of light drift in response to the reflections of waves, the flow of the sea breeze, and the guitar’s reverb. By creating a spatial design in which sound seems to take form and rise above a real seaside setting, the groove of the live performance and the rhythm of nature melt into one. Composed so that “sound paints the landscape,” this visual work conveys the nuanced emotions unique to an instrumental band not through words, but through texture. A city-and-sea soundscape drifting between stillness and euphoria.

Yorushika “Shayo” MV Digital animation

A dizzying journey where the gaudy and the refined intertwine, rendered in a vigorous brush style. That nonstop feast syncs perfectly with NATURE DANGER GANG’s slightly dangerous musicality. -- A collaboration movie project between “the band currently called the most dangerous,” NATURE DANGER GANG, and “lute”!!! For the ninth installment, the official music video for “Fisher King,” the lead track from their 2nd album THE INFERNO [Omochi Records] and a collaboration with trap trackmaker Masayoshi Iimori, has been directed by the two members of OTAMIRAMS, who also helmed music videos such as Wednesday Campanella’s “Momotaro,” Ken Hirai’s “ON AIR,” and Triple Fire’s “Skill Up”!!!!!! Taking as its central theme elements inspired by a certain work by a renowned screenwriter whom the entire production team has long admired, this song sends you hurtling through 90 years of time and across 14 locations—from Koenji to… the vas deferens… outer space… the fifth dimension… even Rio de Janeiro…… and, of course, Kisarazu—so that simply by watching, you can traverse them all in wildly unconstrained fashion. It’s an outlandish, agony-inducing, new-sensation approach to a coming-of-age road movie!!!!!!!!! In addition, this work features illustrations by Bokuno, noise collage by MMEEGG, logo marks by CHACCA and Plasma, live-action segments by Yuichiro Fujishiro and Daiki “Meyer” Kato, and the NDG, GEZAN, and VOGOS members who appear therein, all cooked up (directed) by OTAMIRAMS into a riotous MV overflowing with decadence and debauchery (is that the biggest highlight!?... maybe not...).

Description: We were in charge of planning and producing the music video for Superfly’s “Flare,” which is used as the opening theme for the NHK morning drama Scarlet. Inspired by the title “Flare,” the video’s main concept is stop-motion animation using candle flames. By using more than 800 candles, it expresses the gentle yet powerful world of Superfly’s singing.