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2D animation3DCGAIAnimationArt workLive action

LIGHTIA ~The Seven-Colored Miracle~

2025

00:00:31
LIGHTIA ~The Seven-Colored Miracle~
  • LIGHTIA ~The Seven-Colored Miracle~
Director / Art Direcotr：Daisuke Hashimoto
Producer：Ryota Izutsu / Shimpei Harada
Narrator：Aiko Kuramochi
Key Visual：Makoron
Title Design：Shunsuke Otake（Smith）
Acting Instruction：Shimpei Harada
Copywriter：TAKUMI SUGIURA（bird and insect）

＜Opening Scene＞
Illustrator：Sae Tachimori（vision track）
Animation：Daisuke Hashimoto / Kinuko Imaoka

＜Green Scene / OP Interval Scene＞
a42
CG Artist：Yusuke Moriya
Management：Hideyoshi Moriya

＜Red / Blue Scene＞
adequate inc.
CG Producer：Atsuko Ookami
Lead Digital Artist：Ryosuke Takeuchi
CG Artist：Naoya Miyadai
FX Artist：Masaki Nakamura
Previz Artist：Tomoki Tatsuguchi

＜Yellow Scene / Animal Animation＞
HASH.inc
CG Producer：Kouhei Miki
CG Production Manager ：Saori Yamagami / Hisayuki Tono
CG Modeling Director：Kei Kidera
CG Animation Director：Kotaro Azuma
CG Modeling Artist：Kota Kasahara / Toshiki Watanabe / Takehiko Hoashi
CG Riging Artist：Shunsuke Nakao
CG Animation Artist：Toshiharu Fushimi / Devon Roderick / Aoto Ootake / Daiki Hirayama / Kenkoh Tanaka

＜Yellow Scene＞
CG Artist：Hiromi Yamasuge
Illustrator：Sae Tachimori（vision track）

finitto Inc.
CG Producer：Masato Endo
CG Director：Takayuki Taketa
CG Artist：Li Xin / Chan yu Shiang / Trabuio Foreign Giulia

＜Finale Scene＞
MontBlanc Pictures
CG Producer：Fumiaki Kinoshita
CG Director / CG Compositor：Satoshi Takeno
CG Animator：Masataka Tetsuyama / Ryugo Sawada / Ayano Tamura
Character Animator：Mitsunobu Someya
Motion Graphics Designer：Taro Adachi / Shinobu Iwamoto (shiasatte)
CG Modeler：Kenta Takakura
CG Rendering Artist：Shoya Sato
CG Compositor：Tatsuya Yamashiro
CG Production Manager：Yuta Kanazawa / Aguri Kato

＜Sound＞
Music Producer : Ritsuko Hiraga（Syn）
Composer : Ryo Kawasaki（Drive） / Joel Eriksson / Kazuyuki Haga（Syn）
Vocal : Sora
Music Recording /Mixing Engineer：Takashii Akaku（Syn）
SE：Misato Oshio（SITE）
Mixer：Dai Kawamura（STUDIO ARM）

＜Promotion Video＞
Production：LIL
Director：Akira Tsubonouchi
Director of photography：Jang Gyuseong
With the theme “All life is connected by light,” this fantastical night show follows dolphins and humans as they search for the “flower of light.” Traveling through worlds symbolized by seven colors of light—such as the deep sea, the world of fire, the future, and the forest—they recover the lost light. Fountains, projection mapping, music, and performance come together, leading to a moving finale where the audience’s applause makes the “miracle flower” bloom. Direction / Visual Director: Daisuke Hashimoto (LIL) Music: Yorushika “Haruru” https://www.seaparadise.co.jp/event/paradise_nightlive_lightia7.html

People

Daisuke Hashimoto Director / Animator R Ryota Izutsu unverified Producer S Shimpei Harada unverified Producer / Coach A Aiko Kuramochi unverified Narrator M Makoron unverified Title Designer S Shunsuke Otake unverified Title Designer T TAKUMI SUGIURA unverified Copywriter S Sae Tachimori unverified Illustrator K Kinuko Imaoka unverified Animator Y Yusuke Morita unverified CG Artist H Hideyoshi Moriya unverified Management A Atsuko Ookami unverified Producer R Ryosuke Takeuchi unverified CG Artist N Naoya Miyadai unverified CG Artist M Masaki Nakamura unverified FX Artist T Tomoki Tatsuguchi unverified Previz Artist K Kouhei Miki unverified Producer S Saori Yamagami unverified PM H Hisayuki Tono unverified PM K Kei Kidera unverified Director K Kotaro Azuma unverified Director K Kota Kasahara unverified CG Modeling Artist T Toshiki Watanabe unverified CG Modeling Artist T Takehiko Hoashi unverified CG Modeling Artist S Shunsuke Nakao unverified CG Riging Artist T Toshiharu Fushimi unverified CG Animation Artist D Devon Roderick unverified CG Animation Artist A Aoto Ohtake unverified CG Animation Artist D Daiki Hirayama unverified CG Animation Artist K Kenkoh Tanaka unverified CG Animation Artist H Hiromi Yamasuge unverified CG Artist M Masato Endo unverified Producer T Takayuki Taketa unverified Director L Li Xin unverified CG Artist C Chan yu Shiang unverified CG Artist T Trabuio Foreign Giulia unverified CG Artist F Fumiaki Kinoshita unverified Producer S Satoshi Takeno unverified Director / CG Compositor M Masataka Tetsuyama unverified CG Animator R Ryugo Sawada unverified CG Animator A Ayano Tamura unverified CG Animator M Mitsunobu Someya unverified Character Animator T Taro Adachi unverified Motion Graphics Designer S Shinobu Iwamoto unverified Motion Graphics Designer K Kenta Takakura unverified CG Modeler S Shoya Sato unverified CG Rendering Artist T Tatsuya Yamashiro unverified CG Compositor Y Yuta Kanazawa unverified PM A Aguri Kato unverified PM R Ritsuko Hiraga unverified Music Producer R Ryo Kawasaki unverified Composer J Joel Eriksson unverified Composer K Kazuyuki Haga unverified Composer S Sora unverified Vocal T Takashii Akaku unverified Recording Engineer / Mixing Engineer M Misato Oshio unverified SE D Dai Kawamura unverified Mixer A Akira Tsubonouchi unverified Director J Jang Gyuseong unverified Cinematographer

Other Works by 橋本 大佑　（Daisuke Hashimoto）

TEM　　Phoenix Mall of Asia | Bangalore - 映像作家: daisukehashimoto
3DCGAnimationArt workProjection mapping

TEM　　Phoenix Mall of Asia | Bangalore

2026
00:01:19
At the newly opened immersive space “tem” in Phoenix Mall of Asia, a commercial facility in Bangalore, India, we created a 360° immersive theater experience themed around the Japanese seasons and spirituality. Reinterpreting Japan’s four seasons as a “circular structure,” we designed an immersive environment that leads visitors into a spiritual world beyond them. By using mirrored surfaces for both the floor and ceiling, the imagery extends infinitely in the vertical direction, while 360° panoramic visuals are projected onto the walls. The moment visitors step inside, they are enveloped in the changing seasons and the rhythm of light. A “mandala” where Japan’s view of the seasons and Indian philosophy intersect As the core of the presentation, we reconstructed the essence of Japanese culture—“a sense of unity with nature,” “the contrast between stillness and motion,” and “a worldview in which the seasons cycle endlessly”—into a “mandala structure,” which also resonates strongly with Indian thought, creating a universal spiritual world that transcends time and national borders.
Edo-Tokyo Museum, Tokyo: Permanent Large-Format Video - 映像作家: daisukehashimoto
2D animation3DCGAIAnimationArt workInstallationMotion graphicsProjection mapping

Edo-Tokyo Museum, Tokyo: Permanent Large-Format Video

2026
00:01:46
At the Edo-Tokyo Museum in Tokyo, which reopened on March 31, 2026, we produced three works—“Traditional GRID,” “Moving Picture,” and “Another Sky”—as part of the permanent video projection program presented in the Edo-Tokyo Plaza on the third floor. Cultural resources held by the Edo-Tokyo Museum, such as ukiyo-e prints and maps, have been reimagined not as objects to be viewed, but as a spatial experience that envelops visitors. Approximately 100 works by ukiyo-e artists and painters, including Katsushika Hokusai and Tōshūsai Sharaku, unfold overhead as landscapes connected to modern-day Tokyo. Crossing the memories of cultural properties, architecture, and the city, this project seeks not only to “exhibit” history, but to give it form as an experience that visitors can physically অনুভ in the scale of this place. Projection screening schedule in the third-floor Edo-Tokyo Plaza (from May 2026) Times: 19:00, 19:20, 19:40
TOKYO NODE MUUUSE ~ Memories of Nature ~ - 映像作家: daisukehashimoto
AIAnimationArt workEventInstallationInteractiveMotion graphics

TOKYO NODE MUUUSE ~ Memories of Nature ~

2024
00:01:33
MUUUSE: MUSIC MUSEUM （Touching sound, hearing light. The body reflects.）, held at TOKYONODE in Toranomon Hills In GALLERY A, “Memories of Nature,” which features a celestial dome, we created an immersive experience in which placing your hand over a spherical LED triggered an interactive performance where the celestial-dome projection mapping and 32.2-channel ultra-high-definition spatial audio responded, allowing visitors to be enveloped in the sounds of nature and nature-inspired music.

Explore 2D animation

YOASOBI "UNDEAD" Official Music Video / "Monogatari Series Off & Monster Season" Theme Song - 映像作家: kanatatematsu
2D animationMotion graphicsMovieMusic video

YOASOBI "UNDEAD" Official Music Video / "Monogatari Series Off & Monster Season" Theme Song

2024
Only Image
I was responsible for the motion. The design, composed of animation data and lyrics, is packed with information even though each cut is short. Within the fast-paced editing, I carefully planned where to place priority when adding motion so that the lyrics, the characters’ emotions, and the roles they play would come across clearly. I also considered what should be moving to feel good at a moment’s glance.
interlude - 映像作家: omnibus-japan-inc
3DCGArt workAudio visual performanceInstallationInteractiveOriginalR&D

interlude

2017
00:01:12
This high-resolution video installation uses four sides: the front, both sides, and the top. Each is equipped with a high-definition LED panel. By manipulating the contactless controller, the graphic image changes instantly with hand gestures. This LED panel is so massive that it extends beyond the range of human vision. Although it is a 2D image, it greatly captivates the audience’s attention. This artwork successfully creates an atmosphere by expressing the ripeness and texture of the image. Various motion graphics such as “Abstract Wave,” “Soft Texture,” “Straight Line,” and “Velvety Fur-like Texture” appear one after another, showing the transformation of “the Atmosphere of Textures.” A high-resolution video installation using four high-definition LED panels on the front, both sides, and the top. Using a contactless controller, it is possible to switch images instantly with hand gestures. By using a massive LED panel that extends beyond the field of view, the work achieves a strong sense of immersion even with a 2D image, successfully expanding the image’s sizzle and texture into the surrounding space. Motion graphics such as “Abstract Wave,” “Soft Texture,” “Straight Line,” and “Flowing Fur-like Texture” appear one after another, transforming “the texture of space.”