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[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
Only Image
NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
Only Image
NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects
Hatsuboshi Academy “Wildest Flower” Official Music Video - 映像作家: 大橋史Takashi Ohashi
2D animation

Hatsuboshi Academy “Wildest Flower” Official Music Video

2022-2026
00:03:02
A music video created for an in-game song from Bandai Namco Entertainment’s social game The Idolmaster Gakuen. The character Hanami Saki was a top athlete in track and field before aspiring to become an idol, and she has a past in which, due to being a late bloomer, she confronted the limits of her abilities at a young age and suffered setbacks. The song’s theme portrays her “setbacks and challenges,” making for an absurd tale in which she moves back and forth between the reality of the setbacks she experienced in the past and the uncertain glory of the future. In the end, she attempts to break through her own limits. To make this pulp-fiction-like story convincing, we aimed for a meditative music video in which the past and future are suspended, combining the image of sequential photographs that draw the viewer’s consciousness back into the past with animation that propels her into the future to the sound of drum and bass. The spirit of craving victory that she cultivated in her years as an athlete, caught between ideals and reality, shakes off notions of records and victory created by others through the act of “running.” By adopting abstract smear frames and a rough, painterly style, we sought to convey, in a sensory way, her spiritual rebirth as an idol (a performer).
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song] - 映像作家: shizukaamano
Music videoTV

【NHK E-tele】The Wakey Show “Christmas Starlight” Wakey & Elmo [Learning Song]

2025
Only Image
Music video for “Christmas Starlight,” a December learning song from NHK E-tele’s “The Wakey Show.” It’s a song with the theme, “How about sending each other letters as Christmas presents?” Featuring all of the show’s puppet characters, as well as Elmo and Cookie Monster from Sesame Street. Blending live action, diorama, and hand-drawn animation, the video creates a world full of ideas to keep young viewers engaged. I was responsible for the direction and editing, including all compositing. Editing software used: Adobe Premiere Pro, After Effects, DaVinci Resolve
sweet/sour / Hyougeshi【Music Video】 - 映像作家: maruakari
2D animationAnimationMusic video

sweet/sour / Hyougeshi【Music Video】

2026
00:02:52
The work begins with the idea of portraying the virtual singer “Hika-ji” as a being that contains multiple layers of wounds, and visualizing a sense of life that includes her fluctuations and fragility. Set in a seashore, a symbolic space of transience, the work layers the continuous flow of time in animation with fragments of time captured in film photographs, bringing forth both emotions that keep flowing and memories that remain still. Through physical alterations to the photographs and the use of blurring effects, the work attempts to abstractly visualize the sensation of experiences etched within her, surfacing as layered traces.
Expo 2025 Opening Movie - 映像作家: kazuhikohiramaki
2D animation3DCGAIAnimationEventExperienceLive actionLive opening animationMotion graphicsMovieOpening movieProjection mapping

Expo 2025 Opening Movie

2025
00:02:04
Opening video used at the opening ceremony of Expo 2025 Osaka, Kansai. The opening ceremony’s theme was “The Relay of Life.” The visuals were designed to work together with the circular walls of the venue and the mountain-shaped screen placed at the center. The video was created as a collage using a variety of methods, including live action, animation, CG, and volumetric scanning.

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6 Works
drop - 映像作家: annolab
AnimationArt workInstallationInteractiveProjection mappingWater screen

drop

2020 ~
00:02:00
Description: An art piece created as the "Sea Room" at the Museum of Inhomogeneous Nature and People, located within Nagasaki Bana Resort Campground in Bungotakada City, Oita Prefecture, using water-drop projection mapping. By combining a water-drop fountain performance by Water Pearl Co., Ltd. with an ultra-high-speed projector from Tokyo Electron Device Limited, the work achieves precise projection mapping onto a continuous stream of falling water droplets. This new technology, which has been patented internationally, makes it possible to display animations that smoothly move individual water droplets up and down—something that could not be achieved with conventional Water Pearl installations using strobe lighting. These water droplets are real water that can be touched.
The Room of the Sun and Moon - 映像作家: annolab
Art workInstallationInteractiveKinetic

The Room of the Sun and Moon

2020 ~
00:07:36
One of the interactive artworks created around the theme of engaging with nature and expanding physicality, housed in the “Museum of Inhospitable Nature and Human,” established in Bungotakada City, Oita Prefecture. This work is conceived as a room where visitors can play with sunlight. As visitors walk through the room, the small openings in the ceiling automatically open and close, enveloping their bodies in light, while the patches of sunlight on the floor constantly change shape, like the waxing and waning of the moon, in response to the opening and closing of those openings. The viewer’s position is detected by sensors, and only the small openings on the side facing the sun are activated. In addition, the interior is adjusted by analyzing weather data from the Japan Meteorological Agency, so that the most suitable effect is produced at any given moment: on sunny days, mist fills the room and shafts of light can be seen streaming down to the floor. Moreover, piano notes sound when the small openings open, and a piano piece is performed as visitors walk through the room. In this work, the technology is not directly presented; instead, it is used solely to capture sunlight and deliver it directly onto the viewer’s skin, allowing them to feel nature. Rather than artificial light, natural light is delivered to the viewer, evoking not only sight but also the warmth that light holds, and designed to sharpen the senses and awareness of those who experience it.
The Wall of Discovery - 映像作家: annolab
InstallationInteractiveProjection mapping

The Wall of Discovery

2017
00:00:46
Science advances by asking “why?”, letting our imaginations grow into hypotheses, and repeating experiments while believing in those hypotheses. “Discovery Wall” was created as a warm-up before entering the Basic Exhibition Room at the Fukuoka City Science Museum, to encourage visitors to question everything and let their imaginations run free. To inspire people to explore with curiosity—wondering “What happens if I touch this picture?” or “What does this picture mean?”—we incorporated many intriguing devices into the content, based on events in the history of science and scientific phenomena, and freely imagined by animation creators. When you touch the reliefs, science and imagination burst forth as delightful animations. Each one connects and interacts, eventually converging into the question: “Why?”
Spacetime’s Tail - 映像作家: annolab
Art workInstallationInteractive

Spacetime’s Tail

2014
00:03:01
“Tail of Spacetime” was created as an artwork for experiencing the concept of spacetime. Through Minkowski’s light cone, we are always present at our current point, gazing at the horizon of possibilities expanding into the future at the speed of light. When you touch the “Tail of Spacetime” placed at the center of the work’s space, you can see, within the concept of spacetime, the trajectory of how you arrived at your present location. The space is three-dimensionally scanned by sensors placed in front, and by comparing the positions of the past and present space, it generates in real time an image that makes it seem as though your past self exists in the same space as your present self. Manipulating spacetime through visual effects has been achieved by SF films such as Back to the Future, manga such as Doraemon, and experimental works such as Norman McLaren’s Canon, Zbigniew Rybczyński’s Tango, and Michel Gondry’s music video for Kylie Minogue’s Come Into My World. But what it actually feels like had, until now, only been something we could imagine. By imagining, people can perceive the real world in a new way and transform it. The concept of spacetime is still very new, but with its emergence, the way we perceive our world has changed greatly as well. “Tail of Spacetime” is still an experience within video, but as technology continues to advance, I believe it may not be far off before it leaps into physical space. I look forward to seeing what kind of world lies beyond the ability to experience spacetime with our own skin.
1 Works
4 Works
Aoyama Gakuin 150th Anniversary MV "Kimi wa Be the difference" - 映像作家: kantasato
Music video

Aoyama Gakuin 150th Anniversary MV "Kimi wa Be the difference"

2024
00:03:19
I have been entrusted with directing the commemorative film for Aoyama Gakuin’s 150th anniversary. As an alumnus of Aoyama Gakuin Senior High School and Aoyama Gakuin University, I am truly honored and delighted to have been given this opportunity. It was unprecedented for me, as a YouTuber, to take on a project like this, but I poured my heart and soul into every scene, striving to fully express my own style and create the best possible work with meticulous attention to detail. I believe that the feelings of everyone who has been connected to Aoyama Gakuin are each unique, but I feel this film conveys the certainty that the 150 years of history and spirit continue to be passed down today, like a relay baton. I am proud to have been given such a wonderful opportunity, and I will continue to dedicate myself even more earnestly from here on.
3 Works
3 Works
7 Works
15 Works
1 Works
2025 MeMeM Hodaka Shimadzu ShowReel - 映像作家: MeMeM
2D animation3DCGAnimationArt workBrand movieBroadcastCMExperienceFashion filmImageInstallationLive opening animationMain VisualMotion graphicsMotion logoMovieMusic videoMusic VisualizationOpening movieOriginalPromotionPVRecruitShort filmShowreelSignageSocial projectStation IDTitle movieTVTV drama opening titleTV package designTV-CMVPWebWeb CMWeb movie劇場映画

2025 MeMeM Hodaka Shimadzu ShowReel

2025
00:05:36
A collection of works by video director/designer Hotaka Shimazu (MeMeM). His work spans short film direction, motion graphics, and documentary video production.
10 Works
7 Works
Changes, Cycles, and Shapes in Between - 映像作家: molecubed
3DCGAnimationCodingGenerative ArtVertical Video

Changes, Cycles, and Shapes in Between

2004
--
This work was created for the exhibition “Patterns of Flow.” --- “Patterns of Flow” is an exhibition celebrating a new generation of Japanese artists who create work using code. Following in the footsteps of computer art pioneer Hiroshi Kawano’s experimental aesthetics and continuing the international dialogue initiated by Jasia Reichardt, this exhibition explores the power of generative systems to capture a world in flux. Led by Shunsuke Takao, who inspires the Japanese Processing community through his daily coding practice, Patterns of Flow is a collaboration between Right Click Save and MASSAGE MAGAZINE, and is presented at Feral File and NEORT++ in Tokyo’s downtown district. Patterns of Flow @NEORT++ 2024/9/25 - 2024/10/6 https://two.neort.io/ja/exhibitions/patterns_of_flow --- description: mole^3 speculates that, in postwar Japan, Hiroshi Kawano may have sought, through the art of Piet Mondrian, to sublimate the negative emotions brought about by war through the pursuit of beauty. Her work “Changes, Cycles, and Shapes in Between” analyzes the process by which Mondrian arrived at his final forms through an approach in which shapes and colors evolved organically. In painting, “form” has axes of and , while “color” also has an axis of . Referring to the “Diagram of Composition in Painting,” mole^3 developed a method of simultaneously circulating multiple visual idioms and expressed that cycle within the work itself. In this way, “Changes, Cycles, and Shapes in Between” evokes the shifting state of digital material oscillating between figuration and abstraction—literally, “patterns of flow.” Furthermore, by incorporating textures printed with a baren, she encoded her identity as a printmaker in a native digital form. Feral File: https://feralfile.com/explore/series/bian-hua-xun-huan-sonojian-noxing-changes-cycles-and-shapes-in-between-dal?viewMode=Grid ---
re-pixcells - 映像作家: molecubed
3DCGAnimationArt workCo-CreationCodingGenerative ArtImageVertical Video

re-pixcells

2024
00:01:47
This work uses photographs that capture Yamaguchi Prefecture’s natural environment and local character to express the changing seasons and the cycle of nature. Through programming, the pixels that make up the photographs are repeatedly broken apart and set in motion, layering and shifting to generate new forms and rich colors. We hope these transformations convey the growth of plants and the energy of nature, and deliver a powerful message of beginnings and renewal in life. With the cooperation of Yamaguchi Center for Arts and Media [YCAM], this production uses 20 photographs taken by photographer Yasuhiro Tani, as well as Ayu Sakaguchi, Makoto Harada, Natsumi Yamamoto, and Yuhino Yoshikawa of the Yamaguchi University Photography Club. ---------------------------------------------- re-pixcells Digital Art / 24 min. 40 sec. / 2024 Project Owner: Yamaguchi University Hospital, National University Corporation Location: 1-1-1 Minami-Kogushi, Ube City, Yamaguchi Prefecture Cooperation: Yamaguchi Center for Arts and Media [YCAM], Yamaguchi University Photography Club Photography: Yasuhiro Tani Art Direction: ArtPlace Inc. ---------------------------------------------- Project Page / ArtPlace Inc.: https://www.artplace.co.jp/project/yamaguchiuniv_hospital_bc_buildings/ Work Description: https://printwithcode.org/re-pixcells/
Curiosity Blocks - 映像作家: molecubed
3DCGAnimationArt workCodingEventGenerative Art

Curiosity Blocks

2024
00:01:52
“Curiosity Blocks” is an animated work that uses the technique of anamorphosis, in which a distorted image is drawn in advance so that it appears correctly when reflected in a cylindrical mirror. The artist envisioned curiosity connecting and overlapping, generating new knowledge and discoveries, and used a method of combining multiple animation elements. The artist, who is also a printmaker, superimposed the relationship between plate and print onto the relationship between the image on the display and the image in the mirror, and incorporated into the animation the layered structure of multi-color prints, in which each color has its own distinct layer and overlaps to form a layered composition. The title “Blocks” carries meanings such as “a mass,” “divisions separated by a grid,” “a series of instructions in a program,” and “a woodblock printing plate.”
4 Works
Tulip-chan - 映像作家: W.Sakichi
2D animationAnimationMovie

Tulip-chan

2024
Only Image
Graduation project animation “Tulip-chan” Created entirely by one person, including the script, drawings, editing, and ending theme composition. The artwork was drawn in Photoshop, and the animation was created in After Effects. The main film has been screened at film festivals and other events, and is also available on U-NEXT. ~Synopsis~ Tulip-chan, an elementary school girl, announces at a class observation day that her dream for the future is to have her grandchild celebrate her 60th birthday. This animation follows Tulip-chan as she grows up. Go, go, Tulip-chan! Let’s go! Go! Go!
4 Works
Genius MV - 映像作家: junzo
2D animationMusic video

Genius MV

2024
00:04:04
Description: “The infinite loop of exposing one’s shame under the name of a work” If those geniuses didn’t exist, wouldn’t my own work be recognized more? No, in the end, without those geniuses, I wouldn’t even exist in the first place. This is a song born of envy and admiration for geniuses. The video features many moths and butterflies. I created all of the music and visuals myself. The piece made in 2020 has been remixed, revised, and expanded, and is now released as the 2024 version. #Hashtag Animation Fes 2021 — Arch Co., Ltd. Award (previous version)
“What Genius” MV 2024 ver. - 映像作家: junzo
2D animationMusic video

“What Genius” MV 2024 ver.

2020, 2024
00:04:04
"An endless loop of being humiliated by what is called one’s own work" If those geniuses didn’t exist, maybe my work would get more recognition. No, in the end, without those geniuses, I wouldn’t exist in the first place. This is a song born from jealousy and respect for those geniuses. The video features many moths and butterflies. I created everything myself, including the music and visuals. This is a remixed, revised version of a work I made in 2020, released as the 2024 version. #Hashtag Animation Fes 2021 Arch Co., Ltd. Award Winner (previous version)

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