A music video combining live action and CG backgrounds. Its theme is the feeling of enjoying music and everyday life beyond reasons or gain, and positively renewing “each day” together with companions and new encounters. It emphasizes the subtle sense of uplift born from daily repetition, bodily sensation, and the pace of the city. The tactile quality of a landscape that changes little by little within an otherwise steady daily routine is highlighted through a chain of shots, shifts in texture, and the treatment of the “human silhouette.” The production was built on Blender, with numerous effect systems created in TouchDesigner using People Segmentation applied to live-action footage. Starting from silhouette information, it layers graphics, noise, masking, and deformation processes. The aim is to achieve both the momentary pleasure of synchronization with sound and the continuity of everyday life.

We explored how to create visuals that could stand shoulder to shoulder with the intensity of the track “Jungle人.” As part of that approach, we used motion capture throughout the entire piece to express the raw, visceral movements of the human body. In addition, for certain cuts, we synchronized the movement of a live-action camera with a camera in Blender, incorporating the subtle fluctuations unique to live-action footage into the CG camerawork. Centering the work on “physical movement” that goes beyond computational control, we created a piece that visually maximizes the momentum of the music.

By combining CG, lasers, and smoke, I expressed a sense of floating and weightlessness, as well as the feeling of being immersed in sound in moments of release.

Original character "AKUMU-KUN," newly drawn by manga artist/illustrator Posuka Demizu, races freely through a virtual space as if embodying the lyrics of the song.

Description: We aimed to create a dynamic video centered on the themes of digital and nature. The repetition of the melody synchronizes with the video’s loop-like editing, suggesting the cyclical nature of time, while the cuts change in time with a steady rhythm, creating a seamless connection between sight and sound.

This piece, as its title suggests, is centered on “youth.” The artist told us that the song explores youth from three different perspectives, and that the music itself unfolds in three corresponding sections. Based on that structure, we also created the video as a three-part work. We depicted young people moving in groups within society, in a way that seems to resist that movement—or perhaps not quite resist it. The video is built on real-time rendering using Unity. All of the objects are programmed so that they do not collide with one another.

We planned and produced “MoAR – Museum of AR,” an art gallery where you can experience large-scale digital artworks in AR, using the coworking building WHEREVER in Roppongi, Tokyo, as a canvas. In addition to our original works, such as a logo leaping out from a sign, a giant monster roaming the building, a swarm of ghosts inhabiting the building being sucked away, and a giant figure peering out from inside the building, we also collaborated with a total of 24 artists active across a wide range of fields, including Inae, Yukishita Mayu, and others. In all, you can experience 28 AR mural artworks at once. By using App Clips, we eliminated the need to download an app, allowing visitors to simply scan the QR codes painted on the building’s exterior walls and view works by a variety of artists in AR.

Description: Entering an old arcade game, MANON appears as a 3D avatar in a virtual Heisei world. By bringing Heisei gal culture into the Reiwa era, the work was created with the intention of evoking a sense of nostalgia while also allowing viewers to enjoy its chaotic energy.

A short loop lyric video centered on CG models of the music gear that producer/beatmaker Newly regularly uses. An AR filter using the same CG was also released. https://www.instagram.com/ar/893576137804250/

Responsible for planning and producing the music video for Kenchinmin - Routine feat. Tsubaki [illmore remix]. Based on a song about the repetition of everyday life, the video was created around the theme of repetitive routines in the future. Unity was used for the video production.