Takafumi Matsunaga

Takafumi Matsunaga

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NIIGATA WONDER by PLATEAU - 映像作家: wow-inc
3DCGPromotionShort film

NIIGATA WONDER by PLATEAU

2024
00:02:06
About the Project As part of a technical tutorial on video production for the “PLATEAU” project promoted by the Ministry of Land, Infrastructure, Transport and Tourism, WOW was responsible for planning, producing, and directing a video work themed around Niigata Prefecture. PLATEAU provides 3D city models from across Japan as open data, helping to drive digital transformation in urban development and foster open innovation. In this project, we created a film, tutorial, and hands-on video using Niigata Prefecture’s 3D city model. Through this effort, we explored the creative potential and expressive possibilities of PLATEAU. Video Work “NIIGATA WONDER by PLATEAU” With the ظهور of a dragon, the god of water, mysterious gigantic objects begin to appear in various places across Niigata Prefecture. Their true identities are Niigata’s famous local specialties: Tochio Aburaage, sasadango, poppo-yaki, hegi soba, and snow crab. Guided by the dragon, these giant local delicacies eventually gather at Bandai Bridge in the center of Niigata City—. Combining a 3D model of Niigata City, live-action footage, and VFX, the work portrays the character and unique qualities of the city on a grand scale as a “fictional PR video.” PLATEAU PLATEAU is a project to realize digital twins of cities across Japan, promoted by the Ministry of Land, Infrastructure, Transport and Tourism in collaboration with a variety of stakeholders. It develops 3D city models as platform data for urban activity and creates use cases across diverse fields. In addition, PLATEAU provides 3D city models as open data so that anyone can freely access urban data. By advancing the development, utilization, and open-data deployment of 3D city models, PLATEAU aims to realize digital transformation in urban development and generate open innovation.
Twin Concert - 映像作家: wow-inc
3DCGAudio visual performanceEventInstallationMotion graphics

Twin Concert

2020
00:03:31
With the theme of “reconstructing the orchestra through technology,” the “Yoichi Ochiai × Japan Philharmonic Project” launched in 2018. Again this year, WOW participated as the “performer of images” in the “____ Music Concert,” or rather, the “Twin Music Concert.” While the past two years had focused on creating a space where audiences could experience new appeal and value in the orchestra, this year the project sought to explore what an orchestra could be during the COVID-19 pandemic. In addition to a theater performance with a limited audience, the concert was also streamed online, aiming to offer a performance where new appeal could be experienced from two perspectives. In the theater performance, the audience experienced innovative music that opened up a new era of multidirectional sound in space, alongside image performers projected onto screens. In the online stream, the project pursued a sense of immediacy through concert-quality 2K video including AR imagery, industry-leading sound quality (AAC-LC 384 kbps), and three-dimensional visual direction made possible only through digital means. The visual experience of this performance centered on the AR imagery in the online stream, while the theater screens featured visuals that synchronized with, responded to, and contrasted with the AR imagery. Each offered a different yet equally valuable experience. In addition, by allowing theater audiences to later watch the online performance when it was re-streamed, the project sought to create a synergistic effect in which the performance could be relived from a different perspective. In visualizing the clues discovered through examining the music, the project did not rely on conventional notions of AR or stage visual direction, but instead aimed, as “image performers,” to create visual effects that accompanied the world of the music from two different perspectives, with the hope that each would be recognized as having its own new value. The title used up to just before the performance, “____ Music Concert,” was intended to express how the originally planned concert had been wiped away by COVID-19, and how a new concert was then pursued through trial and error. It also encouraged each viewer to think about the word that would fill the blank in the title. Near the end of the performance, the word corresponding to the “____” was revealed, and as the “Twin Music Concert,” a new concert was born from the search for what form a music concert could take during the pandemic.