Naoki Takehisa

Naoki Takehisa

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Credited on 6 works from 2021 to 2026. Main genres: Music video, 3DCG, 2D animation.

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Cinematographer (DoP) Editor Planner
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Work

"I Miss You｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡ feat. Hakushi Hasegawa" Music Video / TOKYO SKA PARADISE ORCHESTRA - 映像作家: shuyonezawa
2D animation3DCGAnimationMotion graphicsMusic videoOriginalPVShort film

"I Miss You｡ﾟ(ﾟ´ω`ﾟ)ﾟ｡ feat. Hakushi Hasegawa" Music Video / TOKYO SKA PARADISE ORCHESTRA

2021
00:04:03
A lavish track by Hakushi Hasegawa × TOKYO SKA PARADISE ORCHESTRA. Hakushi Hasegawa says, “I want to see you again like a ghost,” and then appears as an anime character, or disappears into an afterimage. I hope the people who see it can meet there. Though the form doesn’t resemble him, the movements and gestures of the red afterimage, the “feeling” itself, were Hakushi Hasegawa—that is what I think the meeting of anima and anima is. As a tribute to Sophie’s song “It’s Okay To Cry,” who passed away just before this song was made, there is also a moment where Hakushi Hasegawa’s animated character briefly strikes the pose from the thumbnail of that music video. Whether because of COVID or being unable to meet, we are waiting for the other side of the wormhole, like Zoom, to connect again; or, if you watch this MV, I hope our eyes can meet.
Ghost's - 映像作家: shuyonezawa
2D animation3DCGInstallation

Ghost's

2021
Only Image
Explanation: In animation production, there is a technique called “obake.” In 2000s digital animation and limited animation, it was common to create lively motion with fewer drawings, and this technique was widely used. In animation that draws people through empathy with their emotions, the moment an obake—a residual image effect—is depicted does not preserve the shape of the human body. I was intrigued by the fact that, even though it is a technique for making things feel alive, it is called “obake,” and I made this work based on that idea. In the video work in the foreground, the story follows characters A and B as they go to catch a ghost-like obake, but the obake they themselves generate is never consciously recognized by them. The story ends while they remain unaware that they themselves are obake. For the installation of this work, monitors displaying the obake that appear in the piece are arranged. It is a work in which the static obake are captured through screenshots and then installed, much like fish prints. /2021: Exhibited at Sweep-Space-Surface (BankART Station, Yokohama)

Frequent collaborators