本インスタレーションは、SHISEIDOのTeam 101 とコラボレーションし、感覚に働きかけ自分の可能性を目覚めさせる“ニューロサイエンス”に着想を得たSHISEIDOの新スキンケアシリーズの世界観を表現するために制作した。資生堂銀座ビルの1階から2階の吹き抜けを貫く、高さ約9mに及ぶ、新素材ファイバーを使った光の表情が変化する大型モニュメント「NEURO_SURGE」。幅9m、高さ5mのストレッチスクリーンに触れ、押し込むことで自らを活性化するイメージを表現した「INTERACTIVE WALL」。これらの作品は、さまざまな情報、人間関係、社会構造、インフラ、 全てが複雑に絡み合った状況を繊細さと大胆さで表現し、日々の喜怒哀楽に晒される生活者の感覚神経その情報伝達の様を可視化している。

イタリアのフィレンツェにて、1月と6月の年2回開催されるメンズファッションのトレードフェア「ピッティ・イマージネ・ウオモ（PITTI IMMAGINE UOMO）：以下ピッティ・ウオモ」。WOWは、ピッティ・ウオモで新作コレクションを発表した「yoshiokubo（ヨシオクボ）」のランウェイとメイン会場付近のVilla Vittoria内にて、新作インスタレーションを公開。第92回となる今回、ヨシオクボと、世界的な人気を誇る「ポケットモンスター（ポケモン）」がタッグを結成。WOWは、ヨシオクボの世界観と、ファッションに対するリスペクトを発信するポケモンのブリッジとなるインスタレーションを企画・演出・制作した。

2017年3月15日（水）〜4月7日（金）、東急プラザ銀座にて開業1周年イベント「BLOOMING DAYS 1st ANNIVERSARY」が開催。WOWは、6階のKIRIKO LOUNGEで展示された、インスタレーション「BLOOM DANCE」の企画・演出・制作を担当。

2020年へのカウントダウンが始まり、平成から新しい時代へと移り変わろうとする中、日本の玄関口である東京・丸の内エリアに「新しい時代への扉」として、「ひかりのゲートウェイ」が展開。WOWは、丸の内周辺エリアに展示された「リフレクティブ・ウォール」と「リフレクティブ・ゲート」の企画・演出を担当。 人と街、そして未来を照らす「ひかり」をコンセプトに、鏡を用いた幻想的な空間を創出。幾何学に組まれた鏡の壁の中に、照明で照らされた街や人が映り込む作品「リフレクティブ・ウォール」。ゲート状に構成した鏡に抽象的な映像が「ひかり」として加わり、体験者はゲート内に入ることで、足元から天井まで幻想的な世界に包み込まれる作品「リフレクティブ・ゲート」を制作。 さまざまな「ひかり」や自身の姿が鏡の中で反射を繰り返し、普段とは違う見え方に遭遇することで、その体験が未来への糧となるような願いを込めた

Directed and planned the music video for DJ Shadow's new track "Slingblade." Based on the track's decadent and mysterious atmosphere, the story and visuals were designed accordingly. By adopting an approach that differs from the conventional one and reducing ambiguity to expression, the piece was completed with an organic and distinctive visual style.

KITCHEN & COMPANY, MIKATA, and WOW collaborated on the Teijin Group’s 100th anniversary project. Looking toward the next 100 years, they declared “FUTURE NAVIGATION” as a global message shared around the world. At the same time, they launched the “THINK HUMAN PROJECT” to explore ways to improve the future quality of life for people through nine experimental projects. WOW was responsible for directing and producing the TV commercial and OOH campaign for the “FUTURE NAVIGATION” declaration. To express a project that reexamines humanity from multiple perspectives, the visuals and story were built around the idea of reducing human beings to an unknown entity. What separates humans from objects? How should humans interact with their environment? What does it mean for human beings to live as human beings? Through a variety of angles and forms of expression, this work confronts these questions, which have no clear answers. By boldly yet delicately transforming sensitive motifs, it aimed to create a uniquely beautiful yet poisonous world.

BAO BAO ISSEY MIYAKE is a bag brand built on an innovative concept and production method that freely creates endless forms by combining pieces. Its triangular structure transforms the shape, bringing beauty, delight, and surprise born of chance to the user, while also offering practicality that functions in every aspect of daily life. In “Shape with a world,” the infinite forms that define the BAO BAO ISSEY MIYAKE concept are expressed through motifs inspired by various objects and phenomena in the natural world. Phenomena abstracted through the BAO BAO ISSEY MIYAKE structure are endowed with new meaning and beauty, creating a unique world. Through this process, the work explores the appeal of the organic, distinctive forms and movements generated by its triangular structure.

To announce the debut of SIGMA’s new lens series for mirrorless cameras, the “I series,” we produced a promotional video. Its presence, born from the beauty and texture made possible only by exceptional quality, goes beyond being a mere tool and offers the joy of holding and handling it, as well as the pleasure of owning it. As a promotion for this new lens series, we aimed to create a visual presentation that would allow viewers to fully experience the lens’s outstanding build quality, the texture of its finer details, and the pleasant feel of operation.

About the work A man trudges through the same place again and again in a dim wasteland, as if dragging his weary body behind him. His doubles, replicated like afterimages, drift through the air, forming a huge mass that hovers over his head. On the ground, tentacles cling to him as if to hinder his steps. Before long, the man collapses to the ground and sinks into a mental realm. A visual work that depicts modern people, constantly exposed to information and living alongside complex human relationships, in an unfamiliar brilliance. The contours and boundaries of the self, shaped by self-awareness, waver, mutate, and dissolve. It portrays human beings living through this cycle. Directed and produced by the unit of Ryo Kitabatake and Takuma Sasaki, winners of Best of Stash and the Telly Award Gold. Filmed at Dimension Studio in London using the latest volumetric imaging technology, with music by Max Cooper. Max Cooper How many artists over the past decade have, like Max Cooper, reexamined and expanded the relationship between electronic music, visual art, technology, and science? Through collaborations with artists and institutions across disciplines, including the Barbican Centre, Zaha Hadid Architects, and Dolby Atmos, Cooper works with a mixed-media approach to create immersive installations, psychoacoustics, visual art, and electronic music. Max Cooper▶ maxcooper.net/ Dimension Studio Dimension Studio is a London studio that provides innovative volumetric and real-time production for creating next-generation virtual production, digital humans, and XR content. With production studios based in the UK and the US, as well as mobile environments operating around the world, it is committed to bringing the virtual entertainment of the future to life. Dimension Studio▶ dimensionstudio.co/

【OPEN HUB Monoliths】 An entrance that recognizes visitors as partners in co-creation and welcomes them in. Seven life-size displays stand around the entrance space, linked to the check-in system, and project immersive visuals featuring personal graphics (OPEN HUB Personal Logo) generated from each guest’s initials, profession, and other details, welcoming them as members of OPEN HUB. The generated “OPEN HUB Personal Logo” becomes a symbol of communication that bridges the real and virtual, changing in response to online and offline activities at “OPEN HUB.” 【OPEN HUB Visualizer】 A massive display where you can experience the Smart World through data visualization. Data held by companies engaged in co-creation is collected, stored, and analyzed using the “Smart Data Platform,” then visualized on a huge LED display measuring approximately 3 m × 10 m. Through this dynamic, data-driven installation experience, it encourages the creation of new value.

Nissan Pavilion, an experiential entertainment facility where visitors can experience Nissan’s proud technologies and vision for the future, opened for a limited time in Yokohama Minato Mirai. Its concept is “Expanding Human Possibilities.” Among the experiential content that gives form to a near-future made possible by Nissan’s technology, WOW was responsible for the direction and production of THE CITY area. Visitors can experience an installation inspired by a “city energized by the connection between cars, people, and society.” In THE CITY, two of Nissan’s envisioned futures were visualized within the space. ROOM1 In a smoke-filled space, 195 laser modules and the motors that move them were installed. Each laser is individually controlled to create a variety of animations, and when a visitor enters the area, the system detects their presence and takes evasive action, making it an interactive space. This abstractly expresses the key sensing technologies that Nissan is pursuing in order to realize a society with zero traffic accidents. ROOM2 Approximately 150 translucent pillars of varying heights, abstracting a “city,” and three pillars with mock car units placed on top, representing “cars,” were arranged throughout the space, with all pillars self-illuminated. The light animations representing “CHARGE,” “SHARE,” and “SUPPLY,” which begin when a hand is placed over the car mock-up, express Nissan’s vision of a city energized through the sharing of energy and information. In addition, when hands are placed over all three pillars with the mock-ups at the same time, a special effect triggers a vividly colorful light animation. The production was designed to evoke a city that becomes increasingly vibrant as cars, people, and society connect. Both spaces were designed as immersive environments that, while abstract, allow visitors to feel Nissan’s vision for the future. Nissan Pavilion Period: August 1, 2020 (Sat) – October 23, 2020 (Fri) Address: 6-2-1 Minatomirai, Nishi-ku, Yokohama-shi, Kanagawa NISSAN PAVILION Yokohama▶https://www.nissan.co.jp/BRAND/PAVILION/ For more detail▶https://www.w0w.co.jp/works/nissan_pavilion

Produced the music video for “Oblivion,” a new track by Ummet Ozcan, an EDM producer/DJ based in the Netherlands. To capture the song’s eerie atmosphere, the video was created around the theme of “the human body as pattern.”

When you change your “point of view,” new things come into view, and the way you feel and think changes—something everyone has likely experienced. In this work, by changing viewpoints and focusing on a specific viewpoint alone, we challenged ourselves to intentionally reconstruct the scenery and create a sense of appreciation.

Produced a concept film for SIGMA’s Art line. Through a group of lenses standing elegantly against the sky and the world seen through the windows of the letter A, the film metaphorically expresses the worldview of Art. Based on the concept that a lens’s value lies not in the lens itself, but in the world seen through it, we were careful not to forcefully proclaim the brand’s value.

Directed the visual presentation for ANTEPRIMA’s Fall-Winter 2024-25 Collection, unveiled at Milan Fashion Week. The collection’s theme of “cyberpunk” futuristic aesthetics and the brand’s philosophy of “universal elegance” were brought to life through a series of monitors installed along the runway.

Created the opening video for the anime series Dead Dead Demons Dededede Destruction. By photographing the cityscape that served as the model for the original work from the same angles as in the anime and manga, and compositing the characters into it, the piece is designed to make the world of the manga feel even more immediate. The style was distilled into one that reflects original creator Inio Asano’s approach of drawing from 3DCG models and photographs.

Produced a holiday-season film for BAO BAO ISSEY MIYAKE. Rather than using cool, solid-looking CG, we explored a pop-inspired expression with warmth. By staging the character-like bags, “STREAK,” dancing joyfully, we expressed the excitement of the holiday season.