This work is an animated music video set in a forest at night. While preserving the adorable forms and colors, it was created with visuals that evoke a sense of instability, with the intention of gently accompanying the complex emotions contained in the song.

作中のキャラクター像と心象を表現するアニメーションをウェットなコンポジットで強調したノンクレジットED映像。

We were responsible for the direction, design, and editing of the concept movie for “MotionBoard,” the business intelligence tool provided by WingArc 1st. The new version of “MotionBoard,” equipped with generative AI, makes analysis and board creation more intuitive and has evolved significantly in usability, enabling not only engineers but also frontline staff to develop business applications and leverage data in-house with greater ease. In the video, we depict data spreading through an abstract world and being handled with light, effortless operations, expressing its freedom of use and sense of innovation. Furthermore, by using soft colors and a friendly tone, we soften the rigid and difficult image often associated with BI tools, creating an impression that is approachable and easy for anyone to use.

∈Y∋とC.O.L.OによるA/V Live ユニット。世界各都市で公演を繰り広げる。 ■ Performances (2025-) Art Week Tokyo— Tokyo, Japan November 15, 2025 / FACETASM MUTEK.JP — Tokyo, Japan November 21, 2025 / Nocturne 1 Powerhouse: International — A New Arts Festival — Brooklyn, New York, USA December 5, 2025 Powerhouse: International A New Arts Festival CTM FESTIVAL — Berlin, Germany January 24, 2026 / Berlin, at Haus der Visionäre REWIRE FESTIVAL —The Hague, Netherlands April 10, 2026 Variations festival — Nante, France April 11, 2026 ∈Y∋は1986年にBoredomsを立ち上げ『Super æ』や『Vision Creation Newsun』などジャンルを打ち壊す作品を世に送り出し、世界中にファンを持つ存在となっている。また、ドラマーを集めて挑んだ壮大な「Boadrum」シリーズでも知られている。Sonic YouthやJohn ZornのNaked Cityのほか、Puzzle Punksなどのプロジェクトにも参加している。 本プロジェクトは、マルチメディアA/VコレクティブCOSMIC LAB創設者でもあるビジュアルアーティストC.O.L.OとのA/Vショーである。C.O.L.Oはテクノ元祖Jeff Millsとの合作『THE TRIP - Enter the Black Hole』や、∈Y∋との『FINALBY()』などで未知のAV体験を作り上げてきており、ヴィジュアルの構造がサウンドを生成し形作る統合システムを開発してきた。音と映像を切り離せない一つのメディアとして扱い、その場ならではの、人を変容させるような体験を生み出している。 AV/DJ/LIVE という枠を超えた加速的なハイブリッド、マキシマイズの先に立ち顕れるミニマライズ 。拡張されたシンゲリフューチャリズムや地殻原子オーディオ・ヴィジュアル・リアクティブで映像・光の不可分を加速。 A swarming bundle of chaos and fun surrounds Yamantaka Eye, aka ∈Y∋, the visionary founder of legendary avant-noise groups Boredoms, Hanatarash, and Puzzle Punks. Working since the 1980s, ∈Y∋'s output has influenced and shaped experimental music in his native Japan and across the globe. From noise and psychedelia to performance art and visual art, ∈Y∋'s career is a collage of creative mischief and devilish collaborations. He has performed with the iconic Sonic Youth, on John Zorn’s Naked City (1990), and with the influential South Korean artist Nam June Paik, among many others. Expect a face-melting and mind-warping audiovisual battery as the mutant cyberkinetic noise of ∈Y∋ is combined with the rampant visuals of C.O.L.O from Osaka’s Cosmic Lab to birth an immersive audiovisual performance. Through projects such as FINALBY( ) with ∈Y∋, C.O.L.O has developed integrated systems in which visual structures generate and shape sound, treating audio and image as a single, inseparable medium to create site-specific, transformative experiences.

Description: As landscapes and memories layer over one another, the relationships between people shift gradually. Entrusting that change to light and time, I sought to portray the beauty of continuing to exist within a world that is always in flux. BANNY BUGS, moving back and forth between past and present, between solitude and sharing, eventually dissolves into a time that makes even the act of being alive feel somehow nostalgic. In this work, through the attempt to traverse different moments within a single shot, I depicted the instant when memory and the present quietly blend together. From within that continuum, BANNY BUGS’s own resolve emerges, elevated into a prologue to “unveil,” which leads into the album.

"Shichigengakuen Student Council" is a self-produced project and unit in which six VTubers come together and work as student council members of "Nanajigen High School." qootain produced the music video for the title track, "Sokubutsuteki Ensemble," from their 1st EP. The video takes on a collage-like structure that combines multiple techniques and dimensions, including hand-drawn 2D animation, silhouette animation, 3DCG, and live-action shooting using miniatures.

“Mobile Literature” (English: Mobile Literature) is a series that seeks to merge movement by bicycle and projection technology with literary expression, using a bicycle modified as a visual device to project texts written for each city onto the ground of those places while cycling through them. To date, the project has been carried out in Japan around the Tama River, in Ōgaki City, Gifu Prefecture, Atami, and around Tokyo Station, and overseas in Cairo (Egypt), Lusaka (Zambia), and London (United Kingdom). This work, “Mobile Literature: Kawasaki in the Shotashimura,” is a piece in which text written on the theme of southern Kawasaki City is edited into a visual work, and the text is projected onto the ground while cycling through the area at night on a bicycle. In “Mobile Literature,” writing is the act of inscribing into text the bodily sensation of motion, and the rhythm of breathing and travel, gained through the speed of a bicycle: slower than a car, yet faster than walking, at a human scale. The letters projected onto the ground are linked to physical sensations such as the force applied to the pedals, vibrations from the road surface, and changes in incline; they fluctuate, alter their shading according to speed and the texture of the road, and emerge with a singular, one-time expression, even when the same sentence appears. By treating bicycles and urban space itself as media, this series pursues the possibilities of literary expression rooted in place, as well as a reading experience impossible on paper or digital media. At the same time, because Ōgaki City, Gifu Prefecture—the site of the first work in the series—is the final destination of Matsuo Bashō’s The Narrow Road to the Deep North, the project aims to develop around the world, in the spirit of Bashō’s journey and contemplation.

I was responsible for the direction and production of GO OFF // 2025 VALORANT Game Changers Championship Hype Film - ft. M.I.A by KATSEYE.

A convenience store in a rural town. Everyone who gathered there liked to drink the same beverage. A strange incident begins to occur in that town, where people disappear, leaving only their clothes behind. The sheriff spots a suspicious man on a full-moon night, but... A music video for Toma Baba’s “PRIME,” combining paper three-dimensional puppetry by Shotaro Kitada with cutout animation by Moji Tsuchiya.

Watching things move or shine with your eyes is enjoyable. “Element” is a small animated specimen focused on primal sensations.

This work is based on the “fleeting scenery” captured while driving on a highway, and is built around the concept of connecting the sensibilities that lie between photography (the moment) and music (time). It reconstructs elements such as the tension of the shutter, the space created in between, and the sense of speed through both sound and visuals, portraying an experience in which “moments accumulate and become time.” In the visuals, rather than simply arranging still photographs, depth information is generated to create a pseudo-3D effect, and by moving them again, a new temporal axis is introduced. Instead of faithfully reproducing reality, the work deliberately incorporates imperfections and blur, adopting a method of transforming photographs into something else entirely. Through trial and error under the constraints of using only photographs and instrumental music, this piece aspires to the beauty and immersion that emerge from limitation.