Culture and cutting-edge innovation, the core of HANEDA INNOVATION CITY. Drawing on the overlapping layers of woven fabric and the propagation of waves, these two elements are expressed through two colors of light. Tracing the history of Haneda, the piece depicts the emergence of a new hub.

We do not perceive the world we see. We see the world we perceive. Countless spheres of light. As people approach the spheres of light, they shine more intensely, and the surrounding spheres respond in turn, continuing one after another. If you widen your field of view and stare, spheres of darkness, like lumps of darkness that has solidified, also begin to appear. However, these spheres of light and darkness do not exist. The spheres of darkness do not even appear on camera. Nothing such as glass or any other object is present on the surface of the spheres of light; these spheres are made only of light. There is no material boundary surface, and the boundary between the sphere and the body remains ambiguous in perception. However, in this universe, light does not solidify, and it never forms into spherical masses by itself. In other words, these spheres of light do not exist. These spheres are not present in the physical world, but are sculptures that exist in the world of perception: "Cognitive Sculpture / Sculptures of Perception." Their material consists of light, the environment, the body, and perception. Shaped by the experiencer’s own dynamic body and perception, they appear and exist in the experiencer’s own perceptual world. When they exist in perception, that is existence. And the spheres cannot exist even in the world of perception on their own; they are created by the environment. The phenomena produced by the environment are the existence of the work. Work page: https://www.teamlab.art/jp/ew/masslesssuns-phenomena/phenomena/

Official Selection, Directors’ Fortnight, 79th Cannes Film Festival We Are Aliens to be released in theaters in 2026. Co-starring: Ryota Bando × Aoto Okayama Music: Yaffle Two boys meet in a small town in the Heisei era. Tsubasa, troubled by being “ordinary,” and Kyotaro, a “special” presence. But what happens beyond the distortions of everyday life will dramatically change the relationship between the two——. Is this a story of the boys’ youth? Or a memory they wish they could erase?

In conjunction with the launch of Kurashiki Kako Co., Ltd.’s new corporate brand, “KURATECA,” we were responsible for the direction, design, and editing of the brand concept film. Kurashiki Kako provides products that support comfortable and safe living, leveraging its vibration and anti-vibration technologies used across a wide range of fields. By visualizing this invisible vibration control technology through live-action footage and animation, we created a film that conveys the company’s solid, life-integrated technology and helps support its outreach to the world.