自らが名作になることを目指す主人公「松田名作」と、濃いクラスメイトたちがおりなす会話劇コメディショートアニメ。 「YouTuberを目指す３匹の子豚」「ツンデレのシンデレラ」など、現代のテーマと数々の名作作品を掛け合わせるスタイルで、大人にも子供にも楽しめる良質な笑いを生み出している。 NHK Eテレ「ビットワールド」内で放送中。現在シーズン5を迎えており、今期の主題歌はクリープハイプ。 文化庁メディア芸術祭 審査委員会推薦作品。YouTubeチャンネル総再生回数は１億回超。

A convenience store in a rural town. Everyone who gathered there liked to drink the same beverage. A strange incident begins to occur in that town, where people disappear, leaving only their clothes behind. The sheriff spots a suspicious man on a full-moon night, but... A music video for Toma Baba’s “PRIME,” combining paper three-dimensional puppetry by Shotaro Kitada with cutout animation by Moji Tsuchiya.

RICOH 3L is a practice-based research lab that accelerates team creativity while pursuing the joy of work. Within it lies RICOH PRISM, a future space designed to bring out the creativity of teams. One of its contents, “Anima,” is a new kind of perceptual art experience: a 16-minute audiovisual work in which you encounter your own digital twin, converted into digital form. Inspired by RICOH multifunction printers, it uses cutting-edge 3D sensing, 360° sound, and imagery to let participants experience five stages, recording the participant’s ANIMA, or soul, transforming it into data, and through subjective and objective viewpoints, metacognizing and reexamining and reconstructing perception. By accurately capturing the user’s viewpoint and position through 3D sensing, it achieves a highly immersive and realistic 3D space without the need for a VR headset. It also records scan data from a variety of participants, allowing it to be viewed from above and enhancing metacognition. In a future where everything has been digitized, it asks whether ANIMA, or the soul and perception, still exist.

A launch film for the colored contact lens brand "IamMe". To visually integrate the product concept of “cosmetics lenses,” which applies the color approaches of hair color and cosmetics to colored contacts, along with the lens manufacturing process and wearing imagery, the film is structured into three continuous parts. Assuming it would be used as social media advertising, the person in the wearing imagery was not filmed in live action but instead deliberately created as a CGI virtual human. By combining the realism of a flesh-and-blood body with excessively aesthetic skin and eye textures that seem to have passed through a photo filter, the film emphasizes the lens’s dot design while creating a sense of positive discomfort.