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Sapporo Beer: 99th Hakone Ekiden, Passing on Feelings Edition

2023

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Sapporo Beer: 99th Hakone Ekiden, Passing on Feelings Edition
  • Sapporo Beer: 99th Hakone Ekiden, Passing on Feelings Edition
DIRECTOR：NOZOMU HAYASHI
CINEMATOGRAPHER：CHIGI KANBE
LIGHTING DIRECTOR：RYOUHEI ABE
LOCATION COORDINATOR：KAZUKI SHIMADA
STYLIST：MIKU OGAWA / MIZUKI YAMAMOTO
HAIR&MAKE UP：TOMOKO TOMINAGA / KYOKO YAMADA
EDITOR：JUNYA OTSUKA（off line）/ IORI IWABUCHI（on line）
MIXER : SHIN KOZONO
CAST : ERIKA IKUTA / MIN TANAKA / SOUSUKE YOSHIDA
NARRATOR：suis （YORUSHIKA）
MUSIC : n-buna （YORUSHIKA）
PRODUCTION MANAGER：TAKAHIRO NAITO
PRODUCER：MISAO MAEJIMA / FUKO SOEDA
AGENCY PRODUCER : FUMIAKI KAWASHIMA / MIKITO SUZUKI / YUKI NOZAKI / YUNA INAGAKI 
PRODUCTION：Soda! Communications Inc.
What the runners in the Hakone Ekiden have carried on through generations. This piece was created with the theme of “feelings,” not history or records.

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C CHIGI KANBE unverified Cinematographer F FUKO SOEDA unverified Producer F FUMIAKI KAWASHIMA unverified Producer I IORI IWABUCHI unverified Editor J JUNYA OTSUKA unverified Editor K KAZUKI SHIMADA unverified Coordinator K KYOKO YAMADA unverified Hair & Makeup M MIKITO SUZUKI unverified Producer M MIKU OGAWA unverified Stylist M MISAO MAEJIMA unverified Producer M MIZUKI YAMAMOTO unverified Stylist R RYOUHEI ABE unverified Director S SHIN KOZONO unverified Sound S SUSTAINABLE SUISAN unverified Narrator T TAKAHIRO NAITO unverified Manager T TOMOKO TOMINAGA unverified Hair & Makeup Y YUKI NOZAKI unverified Producer Y YUNA INAGAKI unverified Producer nozomu hayashi Director

Other Works by 林希（nozomu hayashi）

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12th New Chitose Airport International Animation Festival Official Trailer / New Chitose 2025 Signal Film - 映像作家: sijialuo
2D animation3DCGAIAnimationCMExperimental filmPromotionTitle movie

12th New Chitose Airport International Animation Festival Official Trailer / New Chitose 2025 Signal Film

2025
00:00:25
Official trailer for the 12th New Chitose Airport International Animation Festival. Using natural motifs such as ripples, droplets, and the moon, I wanted to express the festival’s divine energy and a pure admiration for the works. I also used AI to transform hand-drawn 2D animation into three-dimensional, realistic water, making it possible to “move water,” something that had previously been difficult to achieve. On the other hand, I intentionally reduced the image quality and frame rate of the AI-generated footage, and composed the music with a deliberately simple, primal feel, aiming to evoke the festival’s atmosphere where “warmth and sharpness intersect.”