We borrowed the song "Love Taste" by Moe Shop and interpreted the meaning of the lyrics in our own way. The overall color scheme is shocking pink and black, uniting cuteness and violence. We created the video with the setting of "a girl on the screen seeking the protagonist in front of the monitor " The design was based on graffiti and street art, via hints from the UI design of the Persona series of video games. The theme is " Yandere "

A track featuring Hikari Mitsushima on vocals, following Labyrinth, which I was able to create as a CD.

The music video for “Koukai,” a track from Satoko Shibata’s Love Holiday The idea of filming Shibata-san’s face in an extreme close-up as she leaned out of a car window hadn’t even been conceived until the day of the shoot. In fact, on the day itself, we were filming scenes of her singing while playing guitar in a park. However, when I asked Shibata-san what image she had for the song, one of the things she mentioned was “an image like riding in a car and feeling the wind,” so we decided to also shoot that cut while traveling by car. And when we actually tried it... it was amazing. So I asked Shibata-san and her manager right then and there, “...Can we just go with this for everything...?” They kindly agreed, so after that we kept shooting car scenes nonstop. Then after the shoot ended and I went home to check the footage we had captured, since I had been filming handheld, the image was shaking all over the place (crying) So I immediately bought a gimbal to reduce camera shake, and we were able to reshoot two days later. When Shibata-san told me she imagined “riding in a car and feeling the wind,” the specific image that came to mind was the refreshingly great scene in The Dark Knight where the Joker escapes in a police car he stole from the police. I decided to film it in that mood, so from the very beginning I shot it as an extreme close-up of her face. Luckily, the weather on the day of the reshoot was incredibly nice. When it came time to do the grading, I aimed for a vivid, light-filled, refreshing feeling. It’s a video where it would not be an exaggeration to say that all you see is her face the whole time, and yet it never feels boring to watch because of Shibata-san’s humor, her cute charm as a woman, and her expressive power—or rather, her sheer humanity. I think this MV was born because Shibata-san herself takes responsibility for her own expression and carries it through to the end.

Responsible for the video production. In keeping with the ephemeral yet serene world of a song that entrusts quiet feelings to a single flower, the entire piece was constructed through compositing that carefully crafted the gradations of light. The meticulously detailed motion brings to life the gentle presence of violets swaying in the wind, as well as the subtle stirrings of a quietly wavering heart. “I want to leave behind gentleness rather than sadness.”