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Other Works by 時里 充（Mitsuru TOKISATO）

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RedBull Music : 64 Bars Season 2 - 映像作家: JKDCollective
Audio visual performanceDocumentaryLive actionMusic videoPerformanceWeb movie

RedBull Music : 64 Bars Season 2

2019
00:02:38
One MC, one microphone, and a simple beat. That’s all there is in the studio. In this stripped-down setting, what kind of words will be woven? JKD produced Season 2 of “64 Bars,” a content series from Red Bull Music’s special project that records 64 bars in a single take. With Anarchy as curator, the series features nine of today’s hottest rappers and nine trackmakers across generations, including Miles Word, Leon, and Chinza Dopeness.
THE CHERRY COKE$「Dong Chang Swag」Music Video - 映像作家: tototo
ADArt workComedyLive actionMusic videoPerformanceWeb CM

THE CHERRY COKE$「Dong Chang Swag」Music Video

2018
00:03:43
The MV was filmed with a one-day exclusive rental of Coyote Ugly Saloon Roppongi, a bar chain operating in 13 countries around the world. As with the song title, the theme is “a wild party,” and the video captures the struggles of an injured salaryman who resolves to turn over a new leaf and be reborn as a new version of himself. In addition to all of the cast members who appeared in the live scenes, friends and acquaintances of the band members, staff present on the day, and fans recruited through an open call also took part. KAT$UO commented, “It turned out to be a music video that I can say I’m more satisfied with than any other in THE CHERRY COKE$ history!”
The Dancing Girl - 映像作家: shotayamauchi
3DCGArt workInstallationLive action

The Dancing Girl

2021
Only Image
A work that depicts a romance between humans and technology as a performance installation. Humans and technology (a skin-colored gorilla) attempt to become one through “skin garments.” Technology turns its thoughts to the finite twilight that humans possess, while humans gaze toward the infinite galaxy that technology possesses. Whether they are embracing each other or restraining each other, both are drowning in a sea of intimate distance. Humans are addicted to technology, and at the same time, technology is also addicted to humans. While loving technology, how can we also love humans? By finding an intermediate zone between pleasure and despair, I want to project it onto the sexuality of us humans living in the present.