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Odoru Moai-kun Episode 24 "Odoru Breakfast Moai-kun"

2019

00:02:05
Odoru Moai-kun Episode 24 "Odoru Breakfast Moai-kun"
制作：MONSTER'S EGG／テレビ東京
製作：おどるモワイくん 製作委員会

原作：「モワイくん」（Quan）
キャラクター原案：大野 雄一郎

キャスト：森 功至／ぴっちょりーな

実写アニメーション・パート 監督：オタミラムズ（白玖Eしひろ＋平岡さちB）
実写アニメーション・パート プロデューサー：谷崎 慎太郎（EPOCH）

プロデューサー：本多 祐（電通）／長谷川 友紀／宮永 佳祐（Quan）／清水 香梨子／数野 高輔（テレビ東京）

音楽・音響監督：こぐま
音楽プロデューサー：MOODMAN

ソーシャル・メディア：沼越 有加／杉山 裕磨（Quan）
制作進行：小田 大将（MONSTER'S EGG）
© MONSTER'S EGG／テレビ東京
On TV Tokyo’s “Oha Suta,” the live-action animation segment “Dancing Breakfast Moi-kun Arc” from Episode 24 of “Dancing Moi-kun” (the 30-second ending segment), which airs every Tuesday around 7:20 a.m., was directed by OTAMIRAMS. Moi-kun is a character created by Yuichiro Ohno of “Business Fish,” and the live-action animation part is an insanely wild collaboration with us, OTAMIRAMS! And the music is by “MOODMAN”!!

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M MONSTER'S EGG unverified PM テ TV Tokyo unverified PM お Odoru Moai-kun Seisaku Iinkai unverified Producer Q Quan unverified Original Work 大 Yuichiro Ohno unverified Character Concept 森 Kōji Mori unverified Cast ぴ Picchoriina unverified Cast 白 Shiroku Eshihiro unverified Director 平 Sachi Hiraoka B unverified Director 谷 Shintaro Tanizaki unverified Producer 本 Yuu Honda unverified Producer 長 Yuki Hasegawa unverified Producer 宮 Keisuke Miyanaga unverified Producer 清 KARIKO SHIMIZU unverified Producer 数 Kosuke Kazuno unverified Producer こ Koguma unverified Music M MOODMAN unverified Music Producer 沼 Yuka Numaue unverified Social Media 杉 Yuma Sugiyama unverified Social Media 小 Daisho Oda unverified PM OTAMIRAMS Director

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NHK みんなのうた ｜ 森 大輔『はじめまして、浦島です。』 - 映像作家: オタミラムズOTAMIRAMS
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NHK みんなのうた ｜ 森 大輔『はじめまして、浦島です。』

2025〜
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「浦島太郎のラストが悲しすぎる……」。そんな風に子供の頃、思った方も多いはず……。 あの結末の先には、幸せな物語が待っていたのでは？そんな希望を込めて、シンガーソングライターの森大輔さんが、浦島太郎のセカンドライフをポップにユーモアたっぷりに歌い上げます。映像を手がけるのは、水曜日のカンパネラ「桃太郎」、tofubeats「恋とミサイル」のMVを初め、CM、短編映画、絵本など多彩なジャンルで活躍するクリエイティブ・ユニット、オタミラムズ。 【 アニメーション：オタミラムズ さんより 】 《 浦島 太郎は老人となった後、一体全体どうなったのか？ 》 日本全国民の長年の疑問を晴らすべく、物語の続きを森 大輔さんによる楽曲で、我々オタミラムズがアニメーション化する機会をいただきました。 誰しもが生き続ければ、やがて迎えるセカンドライフに対し、我々オタミラムズは趣向を凝らした末に、「浦島がみんなのために“手伝い事”をするようになったら、新しい多くの友人たちに囲まれる、幸福長寿なセカンドライフを獲ることができた世界線」というログラインに、まとめることができました。 また、浦島の代名詞である“老化”を活かした、“季節行事モノ”にもしました。毎年、冬のシーズンを迎える度に、このうたとアニメーションのことを思い出して貰えたら嬉しいです……。「日本全国民にとって、最高最善の年末年始とセカンドライフに成りますように……」と、“星に願いを込めた”アニメーションです！
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To celebrate his 30th debut anniversary, Ken Hirai will release and make available all of his music videos on November 19, 2025. The full version of the official music video for “ON AIR” (from his 9th album THE STILL LIFE), directed and animated by OTAMIRAMS, has also been released. - This music video for “ON AIR,” a heart-fluttering pop song full of ‘80s flair that Ken Hirai wrote as the 30th anniversary theme song for his hometown station FM Mie, captures the song’s retro charm. Although it had not yet been released, the track was performed at venues across the country during his nationwide hall tour marking the 20th anniversary of his debut, where it drew a strong response. Now, the up-and-coming creative team OTAMIRAMS has turned it into an addictive yet cute and fancy animated music video brimming with ‘80s style.

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Nissay MIRAIQA | Brand Movie - 映像作家: shohishiguro
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We produced a brand film for Nissay MIRAIQA, a company 100% funded by Nippon Life Insurance, which operates under the concept of “solving the small questions people encounter in daily life through services and apps rather than insurance.” Centered on the meaning behind the company name—“questions (Q) and answers (A) for the future (MIRAI)”—and the logo concept combining “?” and “!”, we created a story that begins with a question (?) and leads to an answer (!), expressed through a single-line animation. For the visual expression, we blended an analog feel that evokes human warmth and hope, reminiscent of an insurance company, with a digital sensibility that suggests the future and technology. We aimed to create a motion design that conveys a sense of reassurance and stability to a wide range of generations.
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[Animated] If Tommy and Kanta Had Met in High School...

2018
00:02:33
Commentary: My first meeting with Kanta was in the spring of our first year of college, at a club meet-and-greet. The duo known as Mizutamari Bond was formed about eight months later, on January 1. Our first stage performance was at Shinjuku Fu Live on January 8. The following January 1, we began posting videos every day on YouTube. Two years after that, we decided to make our way into society as Mizutamari Bond. (Tominaga repeated a year.) Was it fate that two people who are opposites in every way would continue doing this together? I think it was a miracle. If we had met even one day earlier, if we had formed our duo even one day later, if we hadn’t performed that bit at our first stage show, maybe we wouldn’t be together now. I’m not saying things like, “We’re a miraculous duo!” But even if a time machine were invented and I could go back to the past, I wouldn’t go. And even if I did, I’d definitely come back having done nothing. “If Mizutamari Bond Had Met in High School” is a work created from those feelings.