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2D animationAnimationArt workMotion graphicsMusic video

Fujita Kako - “A Meteor Shower” Music Video

2025

00:03:39
Fujita Kako - “A Meteor Shower” Music Video
  • Fujita Kako - “A Meteor Shower” Music Video
Directed by ピンクじゃなくても

Creative Director/Edit：野江早杷子（ピンクじゃなくても）
Co-Director：岡貴文
Producer：山口真一

Cameraman：和田卓
Camera Assistant：楠田徹・高木泰宏
Lightman：上野斉夫

Costume Design︰sumire
hair&make up：yukiko hongo
Production Manager：齋藤直紀・北嶋幸太
Title logo：フジタカコ
©︎HABIEOT Inc.
A music video depicting the hours until dawn, where artist Fujita and the music join hands. The starry sky time-lapse and the trails of a skirt, including light captured with a slow shutter, are rendered as shooting stars. The collage created for the jacket is developed into an animation, and the moment when the music rises up as the stars and Fujita resonate with each other is brought to life through a fusion of live action and graphics. ーーーーーーーーーーーーーーーー
Guitar：長峯雄也・タクマ(Oh my!)
Bass：渡部かをり(ITAZURA STORE)
Drums：ウツミエリ
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People

Pink ja Nakutemo Director 野 Sahako Noe unverified Director / Editor 岡 Takafumi Oka unverified Director 山 Shinichi Yamaguchi unverified Producer 和 Taku Wada unverified Cinematographer 楠 Toru Kusuda unverified Camera Assistant 高 Yasuhiro Takagi unverified Camera Assistant 上 Norio Ueno unverified Lighting s Sumire unverified Costume Designer y Yukiko Hongo unverified Hair / Makeup 齋 Naoki Saito unverified PM 北 Kota Kitajima unverified PM フ Fujitakako unverified Title Designer

Other Works by ピンクじゃなくても（Pink ja Nakutemo）

Nandemo Ikimono Theme Song "Nanmono Ii Jan" Music Video - 映像作家: pinkmo.com
2D animationMusic videoPVStopmotion

Nandemo Ikimono Theme Song "Nanmono Ii Jan" Music Video

2025
00:03:06
A music video focusing on “Soap,” one of the original characters from Yokomizo Yuri’s “Nandemo Ikimono” series. Filmed in a real public bath, it combines stop-motion and animation. Centered on the feeling that “bathing is fun!”, the video creates a playful space surrounded by steam and the sound of water. By giving each soap slightly different movements, it produces the charm and rhythm unique to a large crowd, while also weaving in the fragility of how soap gets smaller with use and eventually disappears, resulting in a video that leaves a gentle afterglow.

Explore 2D animation

TikTok Anime "Loopic" - KOTOPI - 映像作家: harukasuzuki
2D animationAnimationArt workShort filmWeb

TikTok Anime "Loopic" - KOTOPI

2021 ~, 2022
Only Image
Description: “Loopic” is a short animated series project that loops in sync with music, created by notable creators on TikTok. I was responsible for the design and animation production of a character called “KOTOPI.” The goal was to create videos that people could enjoy together within a short runtime, featuring dance, transformation, rock-paper-scissors, vision tests, and more. *The footage I personally produced consists of the 2D KOTOPI only. ＜About KOTOPI＞ “KOTOPI” is a high school girl TikToker. Her real name is Kotone Tsukimiya, 16 years old. She is a newcomer who recently started using TikTok and loves taking on challenges. She also likes collecting cute things and hairpins. Original song “Aikyou” https://www.tiktok.com/@loopic_anime/video/6960970425899683073?is_from_webapp=1&sender_device=pc&web_id=7002950679330457090 Loopic account: https://www.tiktok.com/@loopic_anime?is_from_webapp=1&sender_device=pc
SEVENTEEN (세븐틴) ‘Tiny Light’ Official MV - 映像作家: hohobun
2D animationArt workIllustrationMusic video

SEVENTEEN (세븐틴) ‘Tiny Light’ Official MV

2026
00:03:30
An animated music video that further expands the world of the ending theme for BEASTARS FINAL SEASON Part 2. While following Legoshi’s life, it also incorporates imagery of SEVENTEEN, and the newly produced footage is longer than the version used in the ending theme. The color palette was chosen to match each scene and concept, using soft tones for female fans and deeper, stronger tones for fans of the original work. Building on our previous animation production in PS, we also incorporated Moho for about half of the process. The hand-drawn, frame-by-frame approach remains the same, but it now gives a stronger sense of paper-doll-like joint connections.