Kana Fukudome

Kana Fukudome

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Credited on 17 works from 2022 to 2026. Main genres: 2D animation, Music video, Animation.

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Animator Colorist Compositor Motion Designer
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Work

Aiobahn feat. Kana Hanazawa - fade into blue (MV) - 映像作家: maruakari
2D animationAnimationArt workMusic video

Aiobahn feat. Kana Hanazawa - fade into blue (MV)

2026
00:03:27
Through a being in the shape of a girl who continues to drift without being able to become a snow crystal, I expressed the feeling of being unable to take the same form as those around you because of slight differences in conditions. Humans appear only as large hands, never showing their faces or bodies. The warmth of the hand she first touches causes her to lose her crystal form, and in the final scene she drifts back onto that same hand. The same human warmth is both what transforms her and, in the end, what receives her. I placed this kind of touch, which cannot be reduced to a single simple meaning, at the center of the work. I also sought to depict blue not merely as a symbol of sadness, but as a color containing the coldness of rain, light, the sensation of wetness, and transparency. I wanted the ending not to be closed off as either salvation or despair, but to leave room for it to be read as either loneliness or comfort.
NHK "Masterpiece Analysis Classroom" Track 3 - 映像作家: maruakari
2D animationAnimationMusic video

NHK "Masterpiece Analysis Classroom" Track 3

2026
Only Image
We created an animated music video based on Kubo Saki’s “Ihoujin.” It is based on Daisuke Nakagawa’s interpretation. “Masterclass in Song Analysis” If we examine the lyrics of a classic hit in depth, what kind of message will emerge? In this program, young people of the Reiwa era thoroughly analyze beloved songs from the Showa and Heisei eras through a modern sensibility! The stories born from that process are then turned into brand-new music videos.
sweet/sour / Hyougeshi【Music Video】 - 映像作家: maruakari
2D animationAnimationMusic video

sweet/sour / Hyougeshi【Music Video】

2026
00:02:52
The work begins with the idea of portraying the virtual singer “Hika-ji” as a being that contains multiple layers of wounds, and visualizing a sense of life that includes her fluctuations and fragility. Set in a seashore, a symbolic space of transience, the work layers the continuous flow of time in animation with fragments of time captured in film photographs, bringing forth both emotions that keep flowing and memories that remain still. Through physical alterations to the photographs and the use of blurring effects, the work attempts to abstractly visualize the sensation of experiences etched within her, surfacing as layered traces.
Kei Sugawara “filled” Official MV - 映像作家: maruakari
2D animationAnimationArt workMusic video

Kei Sugawara “filled” Official MV

2025
00:03:49
Ending theme for the TV anime "With You and the Rain." “filled” as the antonym of “empty” Even when we don’t know what kindness or doing the right thing looks like, there are moments when we’re unexpectedly comforted by the time we spend with someone or something. When you’re struggling, I hope there’s someone or somewhere you can go to and let your feelings out. They don’t need to answer; it could be a pet, a doll, a fictional being, or even yourself. Even if you know you’ll lose that presence someday, there are times when the moments you share now feel undeniably meaningful. Perhaps that is a small prayer to keep living, even while carrying feelings that can’t be put into words. Not denying loneliness. But not locking it away either. I wanted to depict the kind of time that gently gathers up the identity of that warmth as it gradually takes shape. I created this work hoping that, for those who watch it, it would become a time of quietly facing the emotions deep in the heart, a time in which something slowly begins to feel full.
Drug Abuse Prevention Center “No Way. Absolutely Not.” Awareness Campaign CM - 映像作家: maruakari
2D animationAnimationArt work

Drug Abuse Prevention Center “No Way. Absolutely Not.” Awareness Campaign CM

2025
00:00:31
I directed this year’s promotional video for the Japan Anti-Drug Addiction Campaign, “No Way. Absolutely Not.” When someone has come right up to the edge of the boundary, I wanted to portray the choice to turn back by one’s own will, rather than being stopped by someone else, and thought that perhaps the true meaning lies in the place one has returned to. Rather than presenting a bright future, I wanted to depict the moment of pausing at the very edge, and the beginning of a faint sense of recovery. The piece was structured based on the voices of researchers specializing in drug addiction and those with firsthand experience.

Frequent collaborators