Inspired by ramko’s song, I wanted to express in this video the feeling that “if you stay true to yourself and remain as you are, you can suddenly become aware of emotions that are easy to overlook in everyday life,” and that was the concept behind this production. In the MV, Kuromi-chan’s inner conflict is portrayed with a look that drifts between dream and reality. I hope viewers can enjoy the feeling of peeking a little into Kuromi-chan’s heart through the visuals.

Filmed in my hometown of Gunma. I made this with the feeling that if I had stayed in my hometown and had lots of friends, this is the kind of life I would have wanted to live. It was shot using a SONY VX-1000 and digital cameras from that era, giving it the look and feel of around the year 2000. A UFO appears too.

I directed the music video for Tyrkouaz - REBOOOOT. It was created using a variety of approaches, including volumetric video and circuit-bent video effectors. I built the visual world by drawing on game titles and cultural influences that the two artists were inspired by. A two-piece drum and bass duo with guitar and drums is so cool.

I directed the music video for lilbesh ramko’s “haikai:pop.” In producing it, I drew inspiration from paranormal videos from the 2000s while incorporating special effects elements born on Nico Nico Douga, such as polid screens. The video was created using cross-era approaches, including AA (ASCII art) animation, video glitches generated by analog circuits, and the use of photogrammetry and point clouds.

We tried a variety of approaches, including 3D Gaussian Splatting, photogrammetry, stop-motion photogrammetry using nine GoPros, and making use of the 3DS stop-motion feature. With the concept of being playful yet cool, we aimed to create an experimental and entertaining video.