大久保“ゆーきっす”優樹

大久保“ゆーきっす”優樹

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Credited on 22 works from 2022 to 2026. Main genres: Motion graphics, Music video, 2D animation.

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Work

[Virtual Sanrio Puroland] Immersive Show Spooky ‘n’ Sweet Mansion - 映像作家: shinodatoshitaka
VRXR

[Virtual Sanrio Puroland] Immersive Show Spooky ‘n’ Sweet Mansion

2025〜
00:36:17
Sanrio’s VR amusement park, the VR show at Sanrio Virtual Puroland, Spooky ‘n’ Sweet Mansion. An immersive show where you can enjoy an interactive experience in VR space. A show in which you explore a haunted house and move the story forward by solving problems together with Sanrio characters, including Hello Kitty. The video for Spooky ‘n’ Sweet Mansion was directed by BUSSAN and filmed within VR space.
THE LUV BUGS, RikA Madobe, TORIENA / bootleg wonderland (Music Video) - 映像作家: shinodatoshitaka
3DCGMotion graphicsMovieMusic video

THE LUV BUGS, RikA Madobe, TORIENA / bootleg wonderland (Music Video)

2026
00:04:28
Tatematsu Natsuna, yonayona graphics, and I each divided the project into separate parts and directed them individually. We set the world of the deep web, which is the theme of Madobe Rika’s song, in an abandoned school, treating it as a Japanese liminal space. Also, to create a noisy texture that could not be achieved with effects alone, we used a VX-1000— a camera from the early 2000s, when the deep web and underground sites were thriving — along with DV tape, a low-resolution digital format, to recreate the low-resolution visual tone that filled the internet at the time.
THE LUV BUGS, Madobe Rika, TORIENA / bootleg wonderland (Music Video) - 映像作家: kanatatematsu
Motion graphicsMusic video

THE LUV BUGS, Madobe Rika, TORIENA / bootleg wonderland (Music Video)

2022-2026
00:04:28
Collaboration track “bootleg wonderland” by virtual singer Madobe Rika and TORIENA Planning and composition were handled by Toshitaka Shinoda. The video direction was divided among the three of them—Toshitaka Shinoda, Yonayona graphics, and Natsuki Tatematsu—each taking on different cuts. Shinoda conveyed the story concept to me, built around the imagery of Heisei-era internet horror and the deep web, connected with 9mm film footage shot in the mountains, and from there the cut concepts, imagery for each person’s assigned parts, and editing were all produced independently. For the cuts I was in charge of, I aimed to create sequences in which countless elements rush by like a flashback, drawing on the pleasant distortions and the layering of innumerable sounds that I felt in the music, as well as the project’s imagery. I also aimed to create cuts whose contrast with the live-action footage would remain as a sense of discomfort when placed side by side in the overall progression. Rather than delicate, detailed effective movement, I focused on inserting a variety of rough, miscellaneous effects, and I created the illustrations myself to add subcultural imagery to the material’s variety.
"TRIGUN STARGAZE" Opening Movie | ano "Picaresque Hero" - 映像作家: shinodatoshitaka
3DCGAnimationMotion graphics

"TRIGUN STARGAZE" Opening Movie | ano "Picaresque Hero"

2026
00:01:31
Opening sequence for the TV anime TRIGUN STARGAZE. The song is by ano. While using anime scenes from the TV series itself, the piece takes an approach of resampling the main story within the opening’s runtime through motion graphics and 3DCG. By replacing the backgrounds of the series footage during editing, the scenes were also made to appear in a different way. The design was handled by .MP, and the 3DCG was handled by Kirari Lab, led by Shunsuke Ohyama, as well as yonayona graphics. The motion graphics were handled by the A4A team, led by Kana Tatematsu, Kaito Mochida, and Reoru.
YOASOBI "Monotone" - 映像作家: shinodatoshitaka
2D animationAnimationMusic video劇場映画

YOASOBI "Monotone"

2024
00:03:38
Title song for the film Fureru by YOASOBI. It is structured so that the story of Mari Okada’s novel “Fureru. no, Zenya.” and the story of the film itself intersect. The scenes from the novel were directed by Tatsuyuki Nagai, who also directed the film, while the film scenes were created as image animation by a team of animators led by Yoshiki Imazu. It is a music video brought together through the efforts of many creators and everyone involved.
YOASOBI "UNDEAD" Official Music Video / "Monogatari Series Off & Monster Season" Theme Song - 映像作家: kanatatematsu
2D animationMotion graphicsMovieMusic video

YOASOBI "UNDEAD" Official Music Video / "Monogatari Series Off & Monster Season" Theme Song

2024
Only Image
I was responsible for the motion. The design, composed of animation data and lyrics, is packed with information even though each cut is short. Within the fast-paced editing, I carefully planned where to place priority when adding motion so that the lyrics, the characters’ emotions, and the roles they play would come across clearly. I also considered what should be moving to feel good at a moment’s glance.
YOASOBI "Mr." - 映像作家: shinodatoshitaka
2D animation3DCGAnimationMotion graphicsMusic video

YOASOBI "Mr."

2022
00:03:29
“Mr.” is the first music video in a collaborative project between YOASOBI and four Naoki Prize-winning authors. The song is based on the novel My Own Owner by Rio Shimamoto, and the music video was planned and directed with the idea of what it might look like if the world of the novel were animated. The story sequences were created through hand-drawn animation, while the music video feel was achieved by combining several forms of motion graphics. Character designs by pomodorosa.

Frequent collaborators