コリー・フラー

Corey Fuller

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Director Cinematographer (DoP) Sound Designer Composer Photographer
Profile
アメリカに生まれ、日本で育つ。内と外から日本の自然、文化、風土と人に触れアイデンティティーを培ってきたことで、身近でかつ客観的なアティテュードと感覚を持ち合わせている。音を作る、画を撮る、画をつくる、というステップでディレクターに進んできたため、映像の全体を俯瞰し、全ての工程に関わることができる。

Work

Corey Fuller Break Ensemble × Synichi Yamamoto | MUTEK.JP - 映像作家: omnibus-japan-inc
Art workAudio visual performanceInteractiveMotion graphicsR&D

Corey Fuller Break Ensemble × Synichi Yamamoto | MUTEK.JP

2020
Only Image
Description: This is the live performance by Corey Fuller Break Ensemble, which fully recreated Corey Fuller’s electronic ambient album “Break” in ensemble form at WWW Shibuya in 2019. This acoustic performance was presented again as an audiovisual live show at MUTEK.JP in 2020, in collaboration with Synichi Yamamoto. Sound signals from the main parts, such as bass and piano, were received in parallel from the PA and used to drive TouchDesigner parameters, creating unique visuals in real time. Rather than using a subjective expression of feelings such as healing, which are themes in Corey’s work, the piece was deliberately composed from an objective perspective.
Sanctuary @ Alternative Kyoto - 映像作家: omnibus-japan-inc
Art workInstallationOriginalSocial project

Sanctuary @ Alternative Kyoto

2022
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We participated in ALTERNATIVE KYOTO, an art festival held across various locations in Kyoto. At Muko Shrine, a historic shrine in Muko City, Kyoto Prefecture that houses Important Cultural Properties, we reconfigured Corey Fuller’s 2020 work “Sanctuary” into an installation on a 12 × 3 m LED screen. In the serene space of the shrine after sunset, the ambient work, with its slowly transforming vivid landscapes, created a warm and soothing atmosphere. The space drew not only fans of digital art, but also families and local residents, who spent long periods watching the ambient work as time passed gently. Rather than an interactive or surprise-driven piece, it proposed an ambient, chill-out perspective, inviting viewers to gaze at the landscape from a bird’s-eye view.
Fragments Immersive Museum Tokyo Vol.3 version (2024) - 映像作家: omnibus-japan-inc
Art workEvent

Fragments Immersive Museum Tokyo Vol.3 version (2024)

2024
00:03:30
Calligrapher Mariko Kinoshita’s inscription of a passage from Kamo no Chomei’s *Hōjōki* is divided into squares and redefined as “fragments.” Film artist Shinichi Yamamoto assigns a time axis to those cells using a unique algorithm, while musician Corey Fuller layers an ambient soundscape built from deconstructed and reconstructed readings of *Hōjōki*, creating a multilayered interplay among the three artists’ expressions. Blending Japanese views of life and death—such as “ku” (emptiness), “engi” (dependent origination), and silence—with a meta perspective on observing landscapes, the work becomes a weighty video poem that explores universality dwelling within impermanence. First unveiled in 2019 across the outdoor large-scale digital billboards of Shinjuku, it continued to evolve and in 2020 was expanded into an immersive spatial presentation at “ETERNAL ART SPACE” in Haneda Airport. In 2024, for its exhibition at Immersive Museum TOK (Shinjuku), it was reconfigured for a vast space of approximately 430㎡ and 6 meters in height. As fragments of calligraphy overlapped geometrically with waves and graphics, it was elevated into an immersive experience as a “reconstructed modern Zen garden,” drawing viewers into a serene spiritual world.