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Music video

Lucky Kilimanjaro - Infinity

2023

00:04:06
Lucky Kilimanjaro - Infinity
Director : Masaki Watanabe(maxilla) @masakebab
Cast : Sienna, Kyoichiyo, Sara Kordi, Sara Mashiko, Tsukasa Wakabayashi, Kanji Yamaguchi
Director of Photography : Ryosuke Sato @ryosukesato98
Lighting Director : Wataru Sugimura @wataru_sgmr
Lighting Assistant : SUI
Hair And Makeup : Chika Ueno
Hair And Makeup Assistant : Sayuri Imamura
Stylist : Kan Fuchigami
Styling Assistant : Naho Hosaka, Lisa Asai, Sora Ashida, Ririka Hayashi
Postproduction Producer : Yohei Araki(VIXI)
Online Editor : Masashi Sato(VIXI)
Animation Producer：Takemi Inagaki @takemi_inagaki
Animation Designer：Ai Ikeda @ai_ikeda____
Colorist : Yuto Onishi(L’espace Vision)
Production Manager : IYO(VIXI) @iyochang.tokyo
Production Assistant : Keisuke Shiono(VIXI)
Producer : Kota Noguchi(VIXI) @kotanog_1991
Production : VIXI inc.
I directed the music video for Lucky Kilimanjaro's “Mugensa.”

People

C Chika Ueno unverified Hair & Makeup I IYO unverified Coordinator K Kan Fuchigami unverified Stylist K Kanji Yamaguchi unverified Cast K Keisuke Shiono unverified Assistant K Kota Noguchi unverified Producer K Kyoichiyo unverified Cast L Lisa Asai unverified Styling Assistant M Mai Ikeda unverified Designer Masaki Watanabe Director M Masashi Sato unverified Editor N Naho Hosaka unverified Styling Assistant R Ririka Hayashi unverified Styling Assistant R Ryosuke Sato unverified Cinematographer S Sara Kordi unverified Cast S Sara Mashiko unverified Cast S Sayuri Imamura unverified Hair & Makeup S Sienna unverified Cast S Sora Ashida unverified Styling Assistant S Sui unverified Lighting T Takemi Inagaki unverified Producer T Tsukasa Wakabayashi unverified Cast W Wataru Sugimura unverified Director Y Yohei Araki unverified Producer Y YUTO ONISHI unverified Colorist

Other Works by マキシラ（maxilla）

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INNOSENT in FORMAL "Ai ja Aogawana feat. Chipluso" - 映像作家: yumasaito
Music video

INNOSENT in FORMAL "Ai ja Aogawana feat. Chipluso"

2021
00:03:01
To make the chaotic otherworld evoked by the song feel more real, we used on-location shooting instead of chroma key, then composited the footage onto it. With objects and color schemes aligned to the song’s theme, the piece is cool, while also blending in a slight cheapness and a sense of comedy. In the verse sections, we layered shots with the same camera movement, incorporating the theme and intent of living in the present and breaking free from anxiety, without being bound by the “past” or the “future.”