A music video work created for the AI creative contest “Corotech supported by LIVE DAM WAO!” hosted by the Nippon Columbia Group (NCG) on February 21–22, 2026. Starting from my own sense of motion graphics, all motifs were individually generated by AI as video assets for chroma key use, then constructed through compositing and synthesis. Rather than generating everything at once, the video was structurally designed through a process of generating, selecting, placing, and animating each element as separate assets. Within the context of an AI contest, I deliberately chose a time-consuming production method in an effort to imbue the video with “brushstrokes” and “life” that cannot be achieved through one-shot generation. Rather than relying on AI’s generative power alone, this work explores the possibilities of expression through collaboration between AI and humans by selecting, composing, and assigning relationships to the materials through human intent. Instead of presenting AI’s inorganic output as is, it aims to create an emotionally resonant visual expression by reconstructing it through human intervention.

Animation music video for Takeuchi Yue’s “Tamiokun”

Miho Hazama, the jazz composer born in Tokyo and now based in New York, who serves as chief conductor of the Danish Radio Big Band, created her latest album, “Imaginary Visions,” while traveling between the three cities of Copenhagen, New York, and Tokyo. Set to the track “I Said Cool, You Said… What?”, this interactive music video was conceived by Hazama herself so that viewers can enjoy the music while catching glimpses of each city and feeling as though they are the director. By switching between the three videos of Copenhagen, New York, and Tokyo, you can create your own original music video. https://isc.mihohazama.com/