The work has a rough overall production outline, but its finer details were not fully worked out. It was created by placing its trust in chance, generated impulsively in the way dreams emerge when we sleep. The work uses AI image generation and glitch effects created by corrupting data. In particular, because AI still lacks reliable reproducibility in image generation, it was used to express the incomprehensible worldview one experiences in dreams.

This film was created primarily through location shooting and CG match-move compositing, carrying on the imagery of the previous work, “INNOSENT in FORMAL / Ai ja Takaramono feat. Chipleus.” By weaving in elements that evoke fish and an underwater atmosphere, along with driving imagery, we aimed to capture a sense of summer nostalgia and emotion. It was made so that viewers could feel the uplifting appeal of the song through the back-and-forth exchange between the band’s vocalist, Paul, and PES.

A roughly 4-minute music video rendered entirely in full 3DCG. It is a story-driven visual work in which the narrative unfolds in sync with the song. The visuals were designed with a strong emphasis on vivid, colorful imagery in line with the video’s themes of “cyberpunk,” “neon,” and “Chinese.” Because it includes many acrobatic camera movements, especially in action scenes, controlling the interactions between the characters proved quite difficult.

A work aired in the B part of Pop Team 8bit in the TV anime Pop Team Epic SP. Set to music, it unfolds as a parody of various games. Using pixel art, it takes a playful, ambitious approach that goes beyond retro games, experimenting with 3D polygons, 2D illustrations, and more.