テレビ東京系列『おはスタ』にて、毎週火曜日7:20頃〜放送されていた、『おどるモワイくん』第26話の実写アニメ「メリーカタルシス 編」（オープニングの30秒）を、"OTAMIRAMS"が監督。 モワイくんは、『ビジネスフィッシュ』の"大野 雄一郎"さんのキャラクターで、実写アニメ・パートを我々"オタミラムズ"と最狂コラボレーション！ そして音楽は、"MOODMAN"!!

We planned and produced a TV commercial for “Snow Sand,” a winter-only baked confection created by the sweets brand “SNOWS,” which launched in 2021. https://snows-winter.com/ As SNOWS’s first-ever commercial, we focused on how to bring the brand’s world to life on screen, and arrived at the idea of animating the works of printmaker Kazuyoshi Otani, whose art is also featured on the packaging, as faithfully as possible. By combining only the individual elements from Otani’s various print works, we depict the memory of a winter walk, with footprints as the protagonist. Designed to feel deliberately open and unhurried, the commercial offers viewers a slightly mysterious, relaxed moment when it airs among other information-heavy ads.

Theme set as “music as an asylum (sanctuary / free domain).” The staff notation in the lyrics (music) was interpreted as an asylum, a free domain. In the lyrics, music itself is called upon as something whose inherent joy one is made to notice, and it is sung that surrendering oneself to it is an ordinary, insignificant act. It also sounded like an antithesis to the recent situation (the COVID-19 pandemic), which can even create the illusion that there are restrictions on enjoying music. But in reality, there are no such restrictions on music itself. For both its creators and its listeners, it has always been free, inviolable, a sanctuary, and sometimes a refuge. Within that, the aim was to express through collage and an allegorical story the process of simply enjoying music with curiosity. “An asylum, or asylum (German: Asyl, French: asile, English: asylum), is a historical and social concept referring to a special area also called a ‘sanctuary,’ ‘free domain,’ ‘refuge,’ or ‘place without ties.’ Its etymology lies in the Greek word ‘ἄσυλον’ (meaning a place that cannot be violated, a sacred place). In concrete terms, it generally refers to an area beyond the reach of governing power.” - Wikipedia “A place where criminals, slaves, and others flee to escape severe harm or retaliation and receive protection. The term derives from the Greek asylos (unharmed, inviolable, sacred). In premodern times, before the state’s power to punish had been organized and systematized, it was a制度 seen in most societies. Originally, this system was based on a primitive religious belief that harming (taking revenge on) someone who had entered a sanctuary was a blasphemy against the gods. In ancient Greece, temples were regarded as places of protection for abused slaves, criminals, and debtors, and it was considered a religious offense to retrieve or punish those who had fled to a temple and come under divine protection.” - Kotobank What I focused on in this work was not only using live-action cuts, but also frequently cutting by motif in order to blur the boundaries of the domain.

Once upon a time, when television itself was still an adventure-- ----With the invention of television, any kind of visual content could be broadcast, yet this was still an age when swords and magic had not been abandoned. At last, the eye of the camera turns toward the darkness of the dungeon, seen only by adventurers until now. Their goal is a live broadcast of dungeon conquest. While battling countless monsters that keep spawning and a series of equipment troubles, the adventurers with cameras press onward. What could possibly await them ahead? ◎　◎　◎ This is a self-produced pilot film. We are currently preparing for the next stage.