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Music video

BABYMETAL – from me to u feat. Poppy 【Music Video】

2025

00:03:29
BABYMETAL – from me to u feat. Poppy 【Music Video】
Director: Takuya Oyama (VANLI)
Capture and Direction of the Poppy Performance : Sam Cannon

Director of Photography: Kenji Watanabe
Lighting Director: Makito kaji
Choreographer: MIKIKO
Hair&Make-up: Aya Watanabe
Color Grading: James Clayton Daniels
CG / VFX Director: LYO (KRoneZ Inc.)
CG / VFX Producer: Yuma Sano (KRoneZ Inc.)
VFX: Jumpei Inomata (VANLI) / FantasticMotion Inc. / HIRUCHI / Kotarou Nogami
Motion Capture: HANEDA xR STUDIO
Producer: Takashi Sugai(CROMANYON)
General Producer: KOBAMETAL
Participated as a VFX Artist.

People

T Takuya Oyama unverified Director S Sam Cannon unverified Director K Kenji Watanabe unverified Cinematographer M Makito kaji unverified Lighting M MIKIKO unverified Choreographer A Aya Watanabe unverified Hair / Makeup J James Clayton Daniels unverified Colorist L LYO unverified Director Y Yuma Sano unverified Producer Inomata Jumpei Animator kotarou nogami Animator T Takashi Sugai unverified Producer K KOBAMETAL unverified Producer

Other Works by 猪俣 洵平（Inomata Jumpei）

Jumpei Inomata showreel - 映像作家: inomatajumpei
3DCGAIKineticMovieMusic video

Jumpei Inomata showreel

2025, 2026
Description: This is a showreel of works I directed and handled VFX for between 2025 and 2026. Using VFX centered on set extensions and live-action compositing, I have pursued visual expression that expands real spaces while blurring the boundary between reality and fiction. In music video production, I feature the construction of visual worlds that balance narrative depth and visual impact, drawing on the compositions and symbolism of mythology, religious paintings, and classical art as motifs. Rather than serving as mere visual effects, I aim to consistently handle everything from concept development and direction to VFX design, reinterpreting and visualizing the inner themes of each song or work through imagery.
Mellow Youth – Kafka 【Music Video】 - 映像作家: inomatajumpei
Music video

Mellow Youth – Kafka 【Music Video】

2025
00:04:28
This work is an attempt to depict “opposite-shoreness” through the two presences of shadow (reality) and painting (ideal). A shadow is a trace of not having reached the ideal, and a presence that reflects the present self at actual scale. It bears the imprint of the time that has passed, including failure and setbacks. In contrast, a painting is an image that projects the artist’s inner ideals and desires, and exists as another point of arrival different from reality. Reality and ideal. That distance can never be bridged. And yet, perhaps that very gap is what drives people to keep pursuing something.
SPYAIR – Kill The Noise 【Music Video】 - 映像作家: inomatajumpei
Music video

SPYAIR – Kill The Noise 【Music Video】

2026
00:03:34
Theme: “Cut off the noise that distracts you (stress, worries, anxiety)” “Kill The Noise” does not mean “silence the sound,” but “cut off the noise that distracts you (anxiety, worries, stress).” When both the noise outside and the noise inside your head are gone, you begin to see the tiny flame of “faith” glowing deep in your chest. It becomes a guiding light for life, quietly yet surely beginning to illuminate the world. And as that flame draws people in, the light spreads in a chain. — Reclaim your heart.

Explore Music video

Satoko Shibata "Namida" (Official Video) - 映像作家: shotasakamoto
2D animationMusic video

Satoko Shibata "Namida" (Official Video)

2019
00:04:22
The MV for Satoko Shibata’s “Koukai,” which I got to shoot earlier, has become a new signature work of mine as well. At first I was congratulating myself, thinking, “Man, I’m such a genius to have shot something this amazing!” But the more I thought about it, the more I realized that what makes this video great is simply that Ms. Shibata is such an incredible artist; it’s not that I’m the amazing one lol... (sweat) I think Ms. Shibata is incredible. She’s not ordinary. Not just the song, but especially the lyrics are truly amazing. You can really come to understand the beauty of poetry as an art form. So, about this video: my impression of Ms. Shibata is that she’s basically quite natural and down-to-earth, but since she’s just plain (pardon me) beautiful and cute, I wanted to bring that out to the fullest. So I asked other people to do the hair, makeup, and costume, and said, “Make her look like Twice’s Nayeon!!” That’s how we shot it. (I was amused to see someone in the YouTube comments who had clocked the Nayeon reference for Shibata-san.) The flowers and jewels in the background were drawn by several people. Yamada Minori is a young animation artist I discovered on Twitter; her profile said she graduated from Tama Art University, so I asked her to do it, and as expected, she was absurdly good and I was seriously blown away. Her usual style doesn’t seem to be all about flashy technical skill, but art school grads really do have such strong foundational drawing ability... This kind of skill really felt like something you’d put in a frame (?), and placing it right next to Shibata-san’s face made the drawing even more effective at highlighting her beauty. Other artwork was also drawn by Hiroro Sato and my wife, Chiaki Sakamoto, and their pieces had a nice, distinctive flavor too. Since it’s a collage, the balance is fun.