I produced the promotional video for a new motion capture studio established by flapper3 Inc. Because it is a motion capture studio that does not require markers or suits, I visualized its casual, easy-to-use nature in a pop style. The overall video expresses the studio's agility, highlighting how quickly one can shift into an extended reality.

A music video created based on a song inspired by photographer Munehide Ida’s photo book “EXPRESSWAY.” In this work, depth maps were generated from Munehide Ida’s photographs to give them three-dimensional movement, challenging the idea of “photographs coming to life once again.” While actively embracing the characteristics of the source material, including blur and noise, the piece intricately synchronizes them with piano sounds evoking a camera shutter and fast-paced developments. Through a unique approach, it reconstructs the tension and sense of speed inherent in the “moment” captured in photographs taken while driving on the Shuto Expressway at 100 km/h.

This work is based on the “fleeting scenery” captured while driving on a highway, and is built around the concept of connecting the sensibilities that lie between photography (the moment) and music (time). It reconstructs elements such as the tension of the shutter, the space created in between, and the sense of speed through both sound and visuals, portraying an experience in which “moments accumulate and become time.” In the visuals, rather than simply arranging still photographs, depth information is generated to create a pseudo-3D effect, and by moving them again, a new temporal axis is introduced. Instead of faithfully reproducing reality, the work deliberately incorporates imperfections and blur, adopting a method of transforming photographs into something else entirely. Through trial and error under the constraints of using only photographs and instrumental music, this piece aspires to the beauty and immersion that emerge from limitation.