“Festivals” have long been a source of emotional support and a wellspring of vitality for people, both in the past and today. This work is a video installation centered on celebratory customs and festival events in Tohoku. It seeks to reconstruct the long-standing “special days” traditions of Tohoku by adding new perspectives and interpretations.

Responsible for the planning, direction, and production of the three main contents inside “DMM Kariyushi Aquarium,” a new kind of entertainment aquarium in Okinawa that blends visual expression with spatial design. A story of “water” and “life” projected on a multi-screen large display A large-scale video content experience through which visitors first encounter the “beauty of Okinawa” (approximately 12 m wide by 4 m high, with 6 m of depth on both sides). It takes visitors on a virtual flight across Okinawa’s rich natural scenery, including its distinctive sea, sky, and the Yanbaru forest, as well as historical structures such as Shuri Castle. The Shuri Castle featured in the work was filmed with permission from the Okinawa Commemorative National Government Park Office. A 3D model was created using photogrammetry. A giant diorama space recreating Okinawa’s skies and coastlines Okinawa’s beautiful sea reveals different faces throughout the day. This space was designed so visitors can experience that appeal firsthand. On the faux rockwork surrounding an approximately 18-meter-wide tank, lighting and video work in sync to create colors and shadows that recreate the changing states of the “sky,” “sea,” and “shoreline.” In this space, which shifts from daytime to dusk and then into night, visitors can experience the scenery of each moment. In addition to realistic landscape depiction, the installation also reflects the emotional image of “the Okinawa sea that everyone envisions,” expressing a view that invites people to gaze at it and lose track of time. A fantastical space woven from light and jellyfish A space filled with cylindrical tanks stretching from floor to ceiling. Jellyfish drift gently, illuminated by pillars of light that emit vivid gradients. The space, adorned by the jellyfish and the pillars of light, was designed to evoke a dreamlike, extraordinary atmosphere through repeated transparency and reflection. The tank lighting, the visuals of the light pillars, and the music are all synchronized as part of the production.

About the Work On July 19, 2019, Grand Cinema Sunshine, a large 12-screen cinema complex, opened in Ikebukuro. Grand Cinema Sunshine offers future-standard entertainment through facilities and services that go beyond the conventional standards of cinema complexes, including the state-of-the-art “IMAX® Laser / GT Technology,” the largest permanent cinema installation in Japan, and “4DX with ScreenX,” an immersive theater making its debut in Japan, as well as playful interior design that allows visitors to immerse themselves in the world of film. WOW was responsible for the direction of “Lumière,” the chandelier installed in the 4th-floor entrance lobby of the facility, and “Motion Ceiling,” the giant LED display covering the ceiling on the 12th floor. We also created a linked visual presentation for 47 vertical 55-inch signage displays installed on the walls and pillars throughout the facility, extracting the world of “Motion Ceiling.” Lumière We created a chandelier that serves as an icon of Grand Cinema Sunshine, as “a new art form incorporating contemporary interpretation and technology.” The surface of a 2.7-meter-diameter sphere made of stainless steel with a mirror finish was divided into 47 Voronoi sections, and by projecting images from four directions, the visuals displayed on the screen embedded at the center are repeatedly and intricately reflected. The chandelier’s design and structural concept were handled by Tofu Architects. Evoking a colossal kaleidoscope of light, the chandelier adds a dazzling presence to the entrance space of Grand Cinema Sunshine. Motion Ceiling Covering the enormous ceiling, approximately 31 meters wide and 10 meters high, is the art motion graphics work “Motion Ceiling.” Inspired by a beautiful ceiling painting, this work was created around three themes: “GEOMETRY,” characterized by nimble tile actions; “REFLECTION,” depicting a giant cloth gracefully fluttering in the sky; and “LIGHT,” which expresses a glittering city enveloped by countless particles. The LED display spanning the entire ceiling is so massive that it can also be seen from the surrounding streets. The presentation was designed with both the people relaxing in the café and lounge spaces and those viewing it from the nearby streets, looking up at it, in mind.

An interactive video installation inspired by festivals and traditional events long passed down in Tohoku. In this work, the mysterious act of “transforming” into something other than a human being can be experienced through interactive visual expression. Taking four traditional customs—“Namahage,” “Shishiodori,” “Kasei-dori,” and “Sotome”—as motifs, the work visualizes them with WOW’s own interpretation. When a mask is put on in front of the screen, the viewer’s silhouette changes into each of these forms, and the blessings these events bring to people are projected as animation. This is an attempt to let viewers enjoyably experience the mysterious power of “becoming” someone other than themselves, or something other than human. The work carries the wish that by engaging with the traditional culture born of Tohoku’s land and climate through a completely new form of expression, its value will be passed on to the next generation.