I spent a great deal of time working to translate vocalist Taniguchi’s ideas into the concept and story as effectively as possible. The shoot made extensive use of green screens, and chroma key compositing was used to ensure that single-line drawings and live-action footage could coexist naturally. At the shoot, we were led by Takuya Tada, and I would like to express my gratitude.

Created motion graphics in which different timelines intersect.

Composed of footage in which various time axes coexist within a single space (layer lapse, slit-scan, echo, etc.).