mole^3

CONTACT
Award
2024年
Genre
Coding
Profile
After working as a woodblock printmaker, I have recently been presenting works and generative art created using open data, images, and sound. Based on the idea that coding is akin to making a printing plate, and that what is output on the screen is equivalent to a printed impression (coding ≒ printmaking), I project the structures and creative processes of printmaking into animation.
Biography
Juried International Mokuhanga Exhibition (2024),　恵比寿芸術祭 Poems in Code—ジェネラティブ・アートの現在／プログラミングで生成される映像 (2024),　FACE展 入選 (2024),　Independent Tokyo 審査員特別賞 (2020/2023),　YICCA 2023 International Contest of Contemporary Art selected artists (2023),　第26回 鹿沼市立川上澄生美術館木版画大賞 入選 (2023),　可視化情報シンポジウム アートコンテスト 入選 (2022),　SHIBUYA ART AWARDS 2021 平泉千枝賞/渋谷区立松濤美術館 (2021)
Award
2024年
Genre
Coding
Profile
After working as a woodblock printmaker, I have recently been presenting works and generative art created using open data, images, and sound. Based on the idea that coding is akin to making a printing plate, and that what is output on the screen is equivalent to a printed impression (coding ≒ printmaking), I project the structures and creative processes of printmaking into animation.
Biography
Juried International Mokuhanga Exhibition (2024),　恵比寿芸術祭 Poems in Code—ジェネラティブ・アートの現在／プログラミングで生成される映像 (2024),　FACE展 入選 (2024),　Independent Tokyo 審査員特別賞 (2020/2023),　YICCA 2023 International Contest of Contemporary Art selected artists (2023),　第26回 鹿沼市立川上澄生美術館木版画大賞 入選 (2023),　可視化情報シンポジウム アートコンテスト 入選 (2022),　SHIBUYA ART AWARDS 2021 平泉千枝賞/渋谷区立松濤美術館 (2021)