TOP

映像作家100人2022

※並び順はランダムです

0 0 1
Contour - 映像作家: ryokitabatake
3DCGArt workShort film

Contour

2021
00:02:46
About the work A man trudges through the same place again and again in a dim wasteland, as if dragging his weary body behind him. His doubles, replicated like afterimages, drift through the air, forming a huge mass that hovers over his head. On the ground, tentacles cling to him as if to hinder his steps. Before long, the man collapses to the ground and sinks into a mental realm. A visual work that depicts modern people, constantly exposed to information and living alongside complex human relationships, in an unfamiliar brilliance. The contours and boundaries of the self, shaped by self-awareness, waver, mutate, and dissolve. It portrays human beings living through this cycle. Directed and produced by the unit of Ryo Kitabatake and Takuma Sasaki, winners of Best of Stash and the Telly Award Gold. Filmed at Dimension Studio in London using the latest volumetric imaging technology, with music by Max Cooper. Max Cooper How many artists over the past decade have, like Max Cooper, reexamined and expanded the relationship between electronic music, visual art, technology, and science? Through collaborations with artists and institutions across disciplines, including the Barbican Centre, Zaha Hadid Architects, and Dolby Atmos, Cooper works with a mixed-media approach to create immersive installations, psychoacoustics, visual art, and electronic music. Max Cooper▶ maxcooper.net/ Dimension Studio Dimension Studio is a London studio that provides innovative volumetric and real-time production for creating next-generation virtual production, digital humans, and XR content. With production studios based in the UK and the US, as well as mobile environments operating around the world, it is committed to bringing the virtual entertainment of the future to life. Dimension Studio▶ dimensionstudio.co/
0 0 2
IamMe - 映像作家: sunjunjie
3DCGAdvertisementAnimationWeb movie

IamMe

2021
00:01:04
A launch film for the colored contact lens brand "IamMe". To visually integrate the product concept of “cosmetics lenses,” which applies the color approaches of hair color and cosmetics to colored contacts, along with the lens manufacturing process and wearing imagery, the film is structured into three continuous parts. Assuming it would be used as social media advertising, the person in the wearing imagery was not filmed in live action but instead deliberately created as a CGI virtual human. By combining the realism of a flesh-and-blood body with excessively aesthetic skin and eye textures that seem to have passed through a photo filter, the film emphasizes the lens’s dot design while creating a sense of positive discomfort.
0 0 3
Little Tooth “Tightrope” Music Video - 映像作家: takahiroiramina
3DCGMotion graphicsMusic video

Little Tooth “Tightrope” Music Video

2021
00:02:59
A music video for “Little Tooth,” a solo project by Kaoru Hashimoto, the frontman of the rock band Helsinki Lambda Club. An all-animation piece that unfolds through collage and motion, centered on a 3D diver object. Inspired by the lyrics, - diving into and exploring one’s own inner self, or the other person’s inner world - dance number × “the reckless, all-or-nothing feeling of love” = just dance the video aims to be cute, energetic, and full of life.
0 0 5
The Weeknd – Echoes of Silence - 映像作家: hoedown
3DCGMusic videoShort film

The Weeknd – Echoes of Silence

2021
00:04:34
We produced the collaboration music video “Echoes of Silence” by The Weeknd and Hajime Sorayama. Launched as a flagship project for The Weeknd’s 10th anniversary, this fully 3DCG work was completed over a production period of approximately two years with a team of more than 50 staff members. Centering on Hajime Sorayama’s globally acclaimed “Sexy Robot,” it visualizes an epic romantic tragedy. At HOEDOWN, we handled the concept, planning, direction, and production in an integrated manner.
0 0 7
Monster Hunter Insurance - 映像作家: onemedia
Promotion

Monster Hunter Insurance

2021
Only Image
“Monster Hunter Insurance” is a live gameplay content series in which Tokio Marine & Nichido employees play “Monster Hunter Rise” while discussing, from the perspective of insurance professionals, how to avoid the troubles and risks faced by the inhabitants of the Monster Hunter world, and how they should provide support as employees of Tokio Marine & Nichido. Through this series, the goal was not only to clearly communicate Tokio Marine & Nichido’s business to job-seeking students, but also to create smart content with strong shareability and circulation on social media by presenting a uniquely different gameplay commentary format set in the popular world of “Monster Hunter Rise.”
0 1 1
KAF “That’s What We Call the World” Official Music Video - 映像作家: kadowakikouhei
2D animationArt workMusic videoPV

KAF “That’s What We Call the World” Official Music Video

2021
00:04:15
In a way that embodies the world of the lyrics, the protagonist, Kaf, changes form one after another and travels through time, rediscovering the joy of writing a novel. In the dream scenes, the drawings are strongly hand-drawn, with lines as the main focus and little use of shading, whereas in the real scenes, footage of the actual sky is composited in, the use of lines is conversely restrained, and buildings and other elements are rendered more realistically. This creates a contrast in the mood of each sequence while also aligning the story’s themes with the themes of its visual expression.
0 1 2
The World of Irreversible Change - 映像作家: teamlab
3DCGArt workInteractive

The World of Irreversible Change

2022
00:04:33
This work exists somewhere in some era, and also here and now. In the work’s world, under the same flow of time as the real world, morning comes with sunrise at the place where the work is installed, and night begins with sunset. If it rains in the real world at the place where the work is installed, it also rains in the work’s world. Flowers and grasses change day by day with the seasons. People’s lives also change constantly according to the time of day and weather in the real world, while festivals and events are held with the seasons. As various stories are added each day, people’s activities continue on permanently. The work’s world is influenced by the viewer’s behavior. When the viewer touches the people in the work’s world, they react, but if the contact is slight, they return to their everyday lives. However, if the viewer continues to touch the people, those nearby begin to quarrel, which escalates into killing, and before long the conflict spreads throughout the town, engulfing it in flames. The fire continues for more than a year, the people die out, and the town is completely burned away. Even in the devastated town with no one left, as time passes in the real world, the sun rises and sets, the seasons of spring, summer, autumn, and winter come and go, and a few months later, new grasses and flowers sprout from the charred remains. Flowers and grasses are born, bloom, and fall in repeated cycles, changing day by day in the flow of real time. And over a long period of time, trees and plants grow thick and dense, repeating the changing of flowers each year, continuing forever. Once this world begins to burn, it can never again be seen as it was before the fire. And the viewer is also a participant in its consequences. Related exhibition: Aomori Museum of Art https://www.teamlab.art/jp/e/aomorimuseum/ Work details: https://www.teamlab.art/jp/w/world_of_irreversiblechange/
0 1 6
"The Journey of Making Sake and Bringing It to Life" MIYOSHI HANA - 映像作家: mamikawashima
2D animationAnimationBrand movieMotion graphics

"The Journey of Making Sake and Bringing It to Life" MIYOSHI HANA

2021
00:04:22
Concept movie for sake MIYOSHI HANA. Released to commemorate the 2021 international competition CINVE, where MIYOSHI Green won Gold and MIYOSHI Blue won Silver. Every step in the process—from how the sake is made to how it reaches someone and is enjoyed—was individually expressed through graphics and animation. Just as the sake is carefully crafted over time, we focused on creating the movie with the same level of care and attention.
0 2 0
NHK Minna no Uta "What Is Normal" Animation - 映像作家: isaonishigori
3DCGAnimationArt workMotion graphicsMusic videoTV

NHK Minna no Uta "What Is Normal" Animation

2022
00:01:10
What I first felt when I listened to the song was a sense of floating in the melody, so I focused on creating visuals of fluffy things drifting freely on the wind, while abstractly depicting the “I” in the lyrics and making the animation move comfortably in sync with the melody. It really felt spot on. And when you’re simply having fun, feeling cute, liking something, or completely absorbed in it, you naturally end up smiling, don’t you? With those feelings in mind, I created this video.
0 2 2
SIGMA I series promotion movie - 映像作家: daiheishibata
3DCGCMWebWeb CM

SIGMA I series promotion movie

2020
00:01:30
To announce the debut of SIGMA’s new lens series for mirrorless cameras, the “I series,” we produced a promotional video. Its presence, born from the beauty and texture made possible only by exceptional quality, goes beyond being a mere tool and offers the joy of holding and handling it, as well as the pleasure of owning it. As a promotion for this new lens series, we aimed to create a visual presentation that would allow viewers to fully experience the lens’s outstanding build quality, the texture of its finer details, and the pleasant feel of operation.
0 2 4
Geek Pictures Produce Work - 映像作家: geekpictures
CMMusic videoPromotionPVTV-CMWeb CMWeb movie

Geek Pictures Produce Work

2020, 2021, 2022
Only Image
Web Movie “GEEK PICTURES × YUI KAMIJI / YUI KAMIJI ROAD TO PARIS 2024 / Ready,” (2022), TV Commercial / Web Movie “GMO Click Securities / GMO Click Securities Short Movie / New Life is … The Movie” (2022), TV Commercial “McDonald’s Japan / Yoru Mac Store Manager / Double Burger” (2022), Web Movie “Sakai Slash / sacai / sacai 2022 men’s Autumn & Winter collection, 2022 Pre Autumn collection” (2022), TV Commercial “SoftBank / SoftBank / Is 5G Doraemon? 5G Forecasting Drummy, Kanto” (2021), TV Commercial “Suntory Communications / BOSS / Alien Jones Orchestra” (2021), TV Commercial “UNIQLO / UNIQLO 2021 Fall/Winter / LifeWear Subway (MEN Jeans)” (2021), TV Commercial “Unilever Japan Customer Marketing / Lux Super Rich Shine / The one who encourages me is me.” (2021), Music Video “Universal Music / Tokyo Jihen Teaser Video / MUSIC” (2021), Music Video “Hiroji Miyamoto × Kazutoshi Sakurai organized by ap bank / Tokyo Concerto” (2021), Drama “Shita Jōkankei” (2021), Music Video “Yoshimoto Kogyo / Lady Gaga ‘Rain On Me with Ariana Grande’ Official Parody” (2020)
0 2 5
Nipponpaint Automotive “LOOP” - 映像作家: kakerumizui
2D animationAnimationVP

Nipponpaint Automotive “LOOP”

2021
00:02:42
Nippon Paint Automotive Coatings is a division that develops the colors of the future. It must be because they want to deliver the colors of the future to those who will live in it. So what is the color of the future? These days, the environment has changed so much that we can feel it with our skin and eyes. Were the colors of the future we wanted to show you really like this? Isn’t the color of the future the color we want to leave behind for the future? With that idea in mind, we proposed and created this.
0 2 6
Obake B' the Movie - 映像作家: shuyonezawa
2D animation3DCGAnimationInstallation

Obake B' the Movie

2022
Only Image
“Obake no B’” is a series work from “Obake no,” created in 2021. In the work, among the characters A and B, B realizes that their body is made of ghosts and comes to the conclusion that they must disappear from the world of the living. However, through the possibility of being displayed on a monitor, and the possibility of being drawn again by someone, even if characters A and B are separated, the chance that they will meet again is not zero. The ghost, as an afterimage of the characters, appears in frames 1 to 3 out of 24 frames per second. In that fleeting moment, the ghosts and the torn-apart bodies of the characters drift slowly through space, while fragments of the characters’ voices are stretched out and intersect in space. /2011 Exhibited at [New Flatland] Emergencies! 041 (NTT InterCommunication Center [ICC])
0 2 8
Close-Up Gendai - 映像作家: akiraterabe
3DCGBroadcastTitle movieTV package design

Close-Up Gendai

2022
00:00:08
For the renewal of NHK’s news program Close-Up Gendai, we were responsible for the overall design concept, key visuals, logo, title CG, television graphics, and more. With the broadcast time changing to 7:30 p.m., we aimed for a design with greater impact and vibrancy to appeal to a wider audience, using the concept of a kaleidoscope to express the rapidly changing times and the increasingly divided nature of the present day. [Appearance on a program showing the production process] https://youtu.be/ooiiOI5NDOw
0 2 9
NHK Morning Drama "Come Come Everybody" Opening Video - 映像作家: kirameki-inc
Opening movieStopmotionTV drama opening title

NHK Morning Drama "Come Come Everybody" Opening Video

2021
Only Image
Opening sequence for NHK’s serialized morning drama “Come Come Everybody,” which began airing on November 1, 2021. This 100-year family story follows three generations of women—Anko, Rui, and Hinata—as they each find their own way of living through love, work, and marriage, across the changing eras of Taisho, Showa, Heisei, and Reiwa. With the theme of “connection,” the visuals were created in papercraft with a warm texture so that viewers could feel both the bonds between people and the links between eras from the opening sequence.
0 3 3
Sweet Diamond - 映像作家: harukahiramatsu
2D animationAnimationPV

Sweet Diamond

2021
00:03:40
“To Everyone, Diamonds” You can love whomever you choose. That’s the kind of era we’re living in. And yet, even so, we still feel bound by all kinds of constraints. The uncomfortable gaze of those around us. Societal assumptions about what we should do. Laws and rules that fail to keep up with the times. We’re done letting things like that get in the way. Surely, everyone has the right to love equally, no matter who they are or what situation they’re in. There’s no need for stiff, rigid reasons. Because we love with all our heart. That alone should be enough. So that anyone can express their love to the person in front of them. Ameya Eitaro is expanding overseas with “Sweet Diamond,” a diamond-shaped candy. To express its world, a music and animation piece was created together with internationally acclaimed artist Kan Sano and animation creator Yu Hiramatsu.
0 3 4
Bone Nibble (Trailer) - 映像作家: honamiyano
2D animationAnimation劇場映画

Bone Nibble (Trailer)

2021
00:00:55
This work is an animation based on my past experience of confronting death for the first time, set on the Shimanami Kaido. In some regions across Japan, there is a custom called “honekami,” in which, after cremation, one eats the bones of the dead in an attempt to take them into oneself and overcome grief. Whether I wanted it or not, my family in my hometown had this custom. The first death I experienced was my father’s, but when I was made to try “honekami” as part of the ritual, I could not bring myself to chew the bones. That became a childhood trauma: an experience of being unable to face my father’s death directly, and not knowing how to accept it. Like an imaginary bone stuck in my throat, it could not be put into words, nor could it be forgotten. More than ten years have passed since I left my small, distant hometown at the age of 15. Fireworks storage buildings still remain along the island’s coast. The fact that there were fireworks magazines, rather than air-raid shelters, in my neighborhood made me feel that death and merciless violence existed for me not as something to be endured, but as something to be inflicted. When I think about these things as an adult, I came to link my father’s bones with the fire in the fireworks magazine, and decided to face “honekami” once again. The island’s landscape and sea are full of life, and within their calmness there is an unchanging severity. The shadows of the dead still exist in the same space and time, both now and in the past. Through this project, by blurring the boundary between life and death, I sought to create a confrontation with the bones I could not chew. The visual concept of this project was to merge natural landscapes with childhood memories, and to visually bring memories to life through the accumulation of dots. For this reason, I used colored pens to layer pointillist dots on paper, then filmed the paper under a camera while placing it over transmitted light. In doing so, I hoped to entrust the haziness of memory and the emotions of childhood to the technique as particles of colored light.
0 3 5
NISSAN PAVILION Yokohama - 映像作家: tatsuki-kondo
InstallationInteractive

NISSAN PAVILION Yokohama

2020
00:01:36
Nissan Pavilion, an experiential entertainment facility where visitors can experience Nissan’s proud technologies and vision for the future, opened for a limited time in Yokohama Minato Mirai. Its concept is “Expanding Human Possibilities.” Among the experiential content that gives form to a near-future made possible by Nissan’s technology, WOW was responsible for the direction and production of THE CITY area. Visitors can experience an installation inspired by a “city energized by the connection between cars, people, and society.” In THE CITY, two of Nissan’s envisioned futures were visualized within the space. ROOM1 In a smoke-filled space, 195 laser modules and the motors that move them were installed. Each laser is individually controlled to create a variety of animations, and when a visitor enters the area, the system detects their presence and takes evasive action, making it an interactive space. This abstractly expresses the key sensing technologies that Nissan is pursuing in order to realize a society with zero traffic accidents. ROOM2 Approximately 150 translucent pillars of varying heights, abstracting a “city,” and three pillars with mock car units placed on top, representing “cars,” were arranged throughout the space, with all pillars self-illuminated. The light animations representing “CHARGE,” “SHARE,” and “SUPPLY,” which begin when a hand is placed over the car mock-up, express Nissan’s vision of a city energized through the sharing of energy and information. In addition, when hands are placed over all three pillars with the mock-ups at the same time, a special effect triggers a vividly colorful light animation. The production was designed to evoke a city that becomes increasingly vibrant as cars, people, and society connect. Both spaces were designed as immersive environments that, while abstract, allow visitors to feel Nissan’s vision for the future. Nissan Pavilion Period: August 1, 2020 (Sat) – October 23, 2020 (Fri) Address: 6-2-1 Minatomirai, Nishi-ku, Yokohama-shi, Kanagawa NISSAN PAVILION Yokohama▶https://www.nissan.co.jp/BRAND/PAVILION/ For more detail▶https://www.w0w.co.jp/works/nissan_pavilion
0 4 3
Marina Nakagawa Reel 2021 - 映像作家: marinanakagawa
2D animation3DCGAnimationMotion graphics

Marina Nakagawa Reel 2021

2021
00:01:02
2021年中旬までの仕事や個人制作を含めたショーリールです。 00:00 - Motion Reel Intro - Design & Animation 00:05 - A pinch of love - Direction & Design & Animation 00:08 - Mass Effect stickers - Design & Animation 00:12 - State festival project - Design & Animation 00:16 - This world with you - Direction & Design & Animation 00:20 - Wow wheat beer - Design & Animation 00:24 - Sakura 005 web promotion - Design & Animation 00:31 - Cyberpunk 2077 sticker - Design & Animation 00:33 - School of motion C4D Ascent final project - Design & Animation 00:37 - Thiscover Weezer/Pinkerton - Design & Animation 00:42 - Kaci Brookz - Contagious (Official Music Video) - Design & Animation 00:46 - Wow wheat beer - Design & Animation 00:48 - Hisae/ヒサ絵 - It's OK To Forget/忘れてもいいよ(Official Music Video) - Design & Animation 00:51 - Mahina - Suisei no oppo ni tsukamatte (Official Music Video)(Official Music Video) - Design & Animation
0 4 4
"U-Nyan the Kitten Courier" Theme Song Animation PV - 映像作家: studio-nanahoshi
2D animation3DCGAnimationShort film

"U-Nyan the Kitten Courier" Theme Song Animation PV

2021
00:01:01
This is the promotional music video for the third original animation by Studio Nanahoshi. During the COVID-19 pandemic in 2020, we began drawing illustrations and manga of “U-Nyan,” an innocent kitten delivery worker, on Twitter in an effort to create a work that would lift viewers’ spirits and bring them comfort. Once the concept had taken shape, we created a storyboard for a short animation. To let viewers enjoy the process of the work coming together, we released it one cut at a time, then added the theme song to the completed cuts and unveiled it as a PV. Using this PV as a basis, we are currently producing a roughly six-minute main feature through crowdfunding with supporters. We aim to create an animation that can be enjoyed by both adults and children, putting our heart into portraying U-Nyan as he learns that “it may not be a big deal, but it is an important role for that person.” ＜Synopsis＞ The kitten “U-Nyan” is overjoyed to be starting his first delivery job! However, he ends up smashing the pizza to bits and trying to sneak a taste of the donuts, and things just don’t go very smoothly... The carefree, innocent U-Nyan starts to feel anxious too. The residents of the town he is delivering to can’t help worrying whether U-Nyan will make it there safely, and before they know it, they’re lending a hand and watching over his growth. This work is a heartwarming story about “the interactions between small children and the adults who watch over them.”
0 4 6
Tokyo International Projection Mapping Awards - 映像作家: pics
EventProjection mapping

Tokyo International Projection Mapping Awards

2016, 2017, 2018, 2019, 2020, 2021
Only Image
Commentary: The Tokyo International Projection Mapping Awards is one of Japan’s largest projection mapping competitions, held since 2016 with the aim of discovering a new generation of spatial visual creators. Each year around April, entries are invited from universities and vocational schools nationwide. A first-round screening is conducted based on submitted documents such as project proposals, and teams are selected to compete in the final judging and screening event. Teams that advance to the final judging and screening event receive professional guidance through workshops organized by the executive committee and spend about four months creating their projection mapping works. The judging is conducted with MCs and panelists who are talents and creators active across a wide range of media.
0 4 8
CONTINUITY - 映像作家: renkiyamasaki
Art workInstallation

CONTINUITY

2022
00:01:25
I wanted to create a work like a campfire. I loved the quiet space that arises when people gather around a campfire, even without exchanging words or glances. A campfire has no subject to empathize with, nor any information to catch. And yet, I wondered if the reason one can keep watching it forever lies in its “continuity.” This work presents several uneven, asynchronous images that together create a single space. I made each image feel seamless, though each may in fact be nothing more than a loop. Still, by placing multiple images side by side in a single space, I thought a continuity, resembling that of a campfire, might emerge.
0 4 9
GIANT 3D CAT Shinjuku East Exit Cat (all versions 2021) - 映像作家: omnibus-japan-inc
3DCGR&DSignageSocial project

GIANT 3D CAT Shinjuku East Exit Cat (all versions 2021)

2021 ~
“3D Giant Cat” appeared on the large curved screen at the east exit of Shinjuku Station. Designed as a landmark character, the giant cat was made to look as if it lived in the building, and this fictional urban creature, unique to Japan for its distinctive sense of humor, was also covered by overseas media. This work brought a major evolution to DOOH (digital out-of-home advertising) expression.
0 5 0
Xperia PRO-I Product Animation - 映像作家: CRYPTOMERIA
3DCGAdvertisementOpening movieWeb CMWeb movie

Xperia PRO-I Product Animation

2022
00:01:23
We were responsible for the production of the design movie for the Xperia PRO-I, which was developed to pursue camera functionality in response to the needs of professionals in video and still photography. While following the minimal, black-based aesthetic of the Xperia PRO series, we created a powerful expression of how Xperia raises smartphones to a new level through the best camera equipped in the new model.
0 5 3
mimoid inc. Reel 2020 - 映像作家: mimoid
2D animation3DCGAnimationCMMotion graphicsMotion logoMusic videoPromotionShowreelStation IDWeb CM

mimoid inc. Reel 2020

2020
00:01:05
The method of making the reel was designed as a grid system in the time dimension. Rather than cutting from the full-length footage each time, I chose an editing approach in which short sequences were pre-cut and then rearranged like a puzzle. By defining the production process itself, the aim was to give the final output a tone independent of any individual worker, layering in the magic of division of labor and collaboration.
0 5 9
Hoshino Resorts Aomoriya "Michinoku Matsuriya" - 映像作家: daisukehashimoto
2D animation3DCGPerformanceProjection mapping

Hoshino Resorts Aomoriya "Michinoku Matsuriya"

2022
00:03:29
At Hoshino Resorts Aomoriya, a hot spring inn where you can fully immerse yourself in the culture of Aomori, the stage show “Michinoku Matsuriya,” which expresses the seasonal scenery and festive energy of Aomori through an original performance, reopened on April 1, 2022. At the same facility, Daisuke Hashimoto (P.I.C.S. management) of LIL served as general director and producer for the currently running program.
0 6 0
eBASEBALL Powerful Pro Baseball 2022 Opening Movie - 映像作家: kooki
3DCGAnimationOpening movie

eBASEBALL Powerful Pro Baseball 2022 Opening Movie

2022
00:02:30
Commentary: Unlike the opening movies of the previous three titles, this one takes a completely different direction and has been crafted as a passionate coming-of-age film. Everyone is doing their best to live within limited time. From the manager’s perspective, we portray Pawapuro-kun, his teammates, his rivals, and the people cheering them on, filling it with youthful, heart-pounding episodes. The feelings entrusted to us are passed on once again to the next. Our future begins beyond the traces of our dreams. Aim for Koshien! Please watch this story, which was carefully crafted with attention to every subtle bit of foreshadowing and payoff.
0 6 6
Moss Burger Web CM Tom Brown “Super Combination Manzai” Edition - 映像作家: yamashitamakoto
2D animationCMComedyMusic videoPromotionWebWeb CM

Moss Burger Web CM Tom Brown “Super Combination Manzai” Edition

2022
00:01:47
Description of the work: A web commercial for Mos Burger’s limited-time Tori Tatsuta Burger. Based on the “Standard Manzai” version, which introduces the product in a manzai comedy style, it was edited in an audio-MAD style. With “packing in screenshot-worthy moments” as the production theme, the video is filled with small gags and details throughout.
0 6 7
somunia - Unstep feat. Kenmochi Hidefumi - 映像作家: reiya
3DCGMotion graphicsMusic videoOriginal

somunia - Unstep feat. Kenmochi Hidefumi

2021
00:04:15
This work was created around the theme of the pupa, expressing the intersection of anticipation and unease surrounding Vocalist somunia’s new challenge and the changes that come with it. The complete metamorphosis from larva to pupa, and from pupa to adult, was a fitting motif for conveying a cool, sharp impression that stands in stark contrast to her previously adorable image. The anxiety of changing and the uncertainty of what lies ahead are expressed through the use of mist and clouds, whose far edges are hard to see clearly. At the same time, by viewing the pupa as something like a shell separating the outer world from the inner world, we aimed to depict the gap between inner turbulence and outer stillness. From a desire for what lies beyond her struggles to be something positive, light shines through the harsher spaces in each scene, expressing a hopeful attitude toward change. The pupa writhing within the rugged space dreams of one day spreading its wings as an adult, patiently and cunningly awaiting that moment. This piece was made with the hope that it would evoke that kind of impression—like the calm before the storm.
0 6 9
GOOD DESIGN SHOW 2021 - 映像作家: sonicjam
2D animationADAnimationMotion graphicsOpening moviePromotionPVSignageWebWeb CMWeb movie

GOOD DESIGN SHOW 2021

2021
00:00:15
SONICJAM.Studio was responsible for producing the concept movie for “GOOD DESIGN SHOW 2021,” which discusses the more than 1,600 Good Design selections chosen for the 2021 fiscal year, as well as the signage video for Shibuya Station Big Signage Premium and Umeda Metro Vision. In the concept movie, we expressed the celebratory feeling of the Good Design Award and the different ways of thinking and perspectives brought about by design through bubble-like motion graphics, building a story around the lively image of many diverse participants interacting with one another. For the signage video, we created motion that always kept the visuals moving to catch the attention of passersby, and designed it to be seamless so that the “Good Design Award” could be promoted from any scene. In the teaser video displayed from October 18, 2021, lively typography and scene transitions heightened anticipation for the announcement of this year’s award-winning works, and in the main video, which switched over in time for the Good Design Award announcement on October 20, we clearly and neatly showcased more than 1,600 award-winning works while using typography motion at key moments to draw the attention of people passing by.
0 7 2
HODO STATION Opening Video - 映像作家: okahiromu
Motion graphicsTV

HODO STATION Opening Video

2021
00:00:18
This stop-motion animation was created by printing digitally produced graphics and filming them one frame at a time. It uses a risograph, a type of silkscreen printing machine, and six kinds of paper with distinctive textures. When printed with a risograph, irregularities and misalignments occur in the prints. In the film, these factors created a unique feel and texture. As a result, the visuals of the data created digitally and the printed data changed significantly. This phenomenon can be applied to “information.” For a single fact, different outputs—such as the angle from which it is framed or the way it is communicated—can create inconsistencies and shifts in impression even when the content is the same. In addition, when information passes through the filters of the receiver’s emotions, culture, and stance, an entirely different interpretation is ultimately produced. These are not negative things, but positive elements that generate new visual forms and interpretations. Isn’t ambiguity, rather than black or white, the diversity required in the coming era? This film translates such ideas into visual expression and has been completed as a work that suits the new post-COVID era.
0 7 3
FamilyMartVison / Digital Art - 映像作家: ぬQnuQ
2D animationAnimationArt work

FamilyMartVison / Digital Art

2022
Only Image
An original animation created for FamilyMart’s “Artist Support Project,” which launched last year. Based on the world of the paintings presented in the solo exhibition “Quishinbo Room,” held at museum shop T in 2021, it has been finished in a colorful, pop style by adding the sense of depth unique to animation and the rhythmic movements of Ichiro and Futako. Distributed since February 2022 at stores nationwide equipped with digital signage.
0 7 4
STAY ALERT - 映像作家: ShozaburoOka
3DCGAnimationOriginalShort film

STAY ALERT

2021
In 2021, when the Delta variant of COVID-19 began to emerge, this work was created with the concept of warning against the growing sense of complacency in society. The entire production process, from filming onward, was carried out remotely from home. With support for medical professionals in mind, the design uses blue in a way that makes it stand out and catch the eye. The characters and floating clouds, as well as other objects, were created in 3DCG, while everything else was filmed on the dining table at home.
0 7 6
SANRIO Virtual Fes in Sanrio Puroland - 映像作家: shinodatoshitaka
VRXR

SANRIO Virtual Fes in Sanrio Puroland

2021
Only Image
The largest music festival in a VR space (metaverse) hosted by Sanrio. I participated in this project as the overall director. It was held primarily in VRChat, and we built a five-level underground virtual live venue spreading beneath Puroland. In addition to popular VTubers such as Kizuna AI, Natsuiro Matsuri, and Mirai Akari, and well-known real-world artists such as AKB48, DÉ DÉ MOUSE, Hakushi Hasegawa, TORIENA, and Serph, artists and creators active in VR, including 0b4k3, Kinu, and AMOKA, also took part. Along with live performances, there were particle live shows and VR DJ sets, offering production and performances that can only be experienced in VR.
0 7 8
I Said Cool,You Said…What? Interactive Music Video - 映像作家: yukikawakami
3DCGInteractiveMotion graphicsMusic videoWebWeb movie

I Said Cool,You Said…What? Interactive Music Video

2021
Miho Hazama, the jazz composer born in Tokyo and now based in New York, who serves as chief conductor of the Danish Radio Big Band, created her latest album, “Imaginary Visions,” while traveling between the three cities of Copenhagen, New York, and Tokyo. Set to the track “I Said Cool, You Said… What?”, this interactive music video was conceived by Hazama herself so that viewers can enjoy the music while catching glimpses of each city and feeling as though they are the director. By switching between the three videos of Copenhagen, New York, and Tokyo, you can create your own original music video. https://isc.mihohazama.com/
0 8 1
dj newtown – 2005 - 映像作家: takuyahosogane
3DCGMusic video

dj newtown – 2005

2022
00:06:00
Produced for the re-release of dj newtown’s early work on streaming services. Centered on the concept of what youth is, it was defined as a state in which one can pursue, to an excessive degree, a value system that leaves objective standards behind. As one example of the direction, it creates an overloaded state by excessively packing in techniques such as audiovisual synchronization, which are said to provide pleasure. To express a positive sense of resignation toward quotation and sampling, it was composed entirely of assets obtained from the Unity Asset Store.
0 8 4
daisy*「HAKONIWA」 - 映像作家: daisy
3DCGArt workExperimental filmInstallationInteractiveOriginal

daisy*「HAKONIWA」

2014 ~
00:01:39
The viewer themselves enters this virtual world, where they can explore and play. “Hakoniwa,” a pun combining the words for “box” and “garden,” is indeed the perfect environment for the playful creativity that the piece inspires. After your face is 3D scanned, you fall through the sky as a character in this world, quickly adopting the amusing routines of the other citizens, such as dancing around and occasionally dropping your face on the ground. Simple controls allow for interaction with other characters and their environment, as the cycle of life, creation, and destruction keeps the world in a state of constant change. By 3D-scanning the face, the viewer becomes an avatar and can step into the virtual space on the spot. Using a classic game controller to observe and play tricks on oneself, the viewer experiences something different from the real world.
0 8 6
NHK Minna no Uta "Me in the Guitar Case" - 映像作家: erisasaki
2D animationAnimationMusic videoTV

NHK Minna no Uta "Me in the Guitar Case"

2021
00:01:10
I was in charge of the animation for NHK Minna no Uta’s “Boku no Naka no Guitar Case” (“Me Inside the Guitar Case”). The image that came to mind was of a humble, steadfast me, living each day while carrying worries and anxieties. Turning the various thoughts and realizations that arise in everyday life into music, and that music enriching my life. I wanted to depict that adorable little life. I also felt that this song was not only for those who dream of becoming musicians, but for everyone who is pursuing different kinds of dreams. So I decided to make the animation feel like a collection of pieces from an ordinary, simple life. This time, the protagonist is me, carrying a guitar case, but I think many of you may find your own lives reflected in it as well. I hope your everyday lives will come to feel dear and precious to you. *The video shown is silent due to licensing restrictions.
0 8 8
AKB48 - It's My Ex-Boyfriend - 映像作家: mplusplus
Music video

AKB48 - It's My Ex-Boyfriend

2022
00:04:16
I imagined this work from the concept of the girls in “Ne mo Ha mo Rumor” winning the Japanese dance championship and then appearing at the world championship as Japan’s representatives next. When I was told about this MV project, I wanted to incorporate something new, so aside from the giant monolithic structure that appears in the video, everything was newly developed for this MV. That includes 20 battery-powered wireless moving lights, 40 LED poles, and the WAVING LED RIBBON that appears in the bridge section. The stage set itself does not move, and I wanted to break away from the idea of “things that are behind the performers.” So I decided to try a theme where the artists and the space become one. In this MV, ribbon performers come right up close to the members’ faces, and by making the moving lights wireless, they can be placed even on the dance floor, allowing beams of light fused with the members to dance together. The LED poles also continuously change shape, dancing alongside the members by mimicking the hand motions of their right and left arms. While keeping the artists at the center, this MV keeps expanding the space around them. I have mainly worked on live performance direction up until now, and AKB48 also value the kind of live, in-the-moment experience you get in theater performances, so this MV was produced with the image of watching one show all the way through. I think there is a certain comfort in watching a performance continuously, and there are always new discoveries no matter how many times you watch it, so I hope people will watch it again and again. I don’t think I’ll be able to pour this much passion into something for a while（笑）。
0 8 9
Scary Picture Book Season 4 - 映像作家: emiyasumura
TV

Scary Picture Book Season 4

2021
Only Image
“Scary Picture Books,” an ETV program that combines narration, animation, and drama. In Season 4, we produced three titles: “An Odd Story on a Snowy Night” by Ryusuke Ohno / narrated by Kyoko Yoshine “Come Here, Come Here...” by Masami Nakamura / illustrations by Jogo Matsumoto / narrated by Marie Iitoyo “Kappa” based on the original work by Kunio Yanagida / text by Natsuhiko Kyogoku / illustrations by Asuka Kitahara / narrated by Rihito Itagaki
0 9 1
ONE DAY, 2050 | HABITAT, 2050 | You or You - 映像作家: 大橋史Takashi Ohashi
2D animationAnimationMotion graphics

ONE DAY, 2050 | HABITAT, 2050 | You or You

2021
00:02:10
ONE DAY, 2050 / Sci-Fi Prototyping is a project in which SONY’s young designers and a leading science-fiction writer use “Sci-Fi Prototyping” to create a 10,000-character short story set in Tokyo in 2050, themed around diverse forms of romance, along with future products that appear in the story, which are mocked up and exhibited as design fiction at SONY Park in Ginza, Tokyo. Ohashi collaborated with illustrator Kazuya Kikkawa and animation artist Kazuki Sekiguchi to create an animated work like a film teaser that draws interest in the original novel’s story by incorporating the design fiction exhibited at the venue into the short story “Kimi ka Kimi ka.” Using halftones and dithering, the work portrays the hopeful vision of future products and the distance that emerges between the protagonists, Ichiu and Yori, after a certain incident, in a clean, dry visual style.
0 9 2
petit animation”The Meaning Of Love”(2021) - 映像作家: mikahashimoto
2D animationAnimationArt workMusic videoShort film

petit animation”The Meaning Of Love”(2021)

2021
00:01:16
From singer-songwriter RIQUO’s album “TWIN PIANOS,” a short animation set to the song “The Meaning Of Love.” A singer sings of the meaning of love amid sounds that echo and travel through water. “How many springs have passed since we first met? And there are things known only to the two of us And now I am by your side That feeling I have when I’m singing I know it—this love is true” (excerpt from the lyrics) Like improvising within a jazz piece, this is a visual poem drawn from imagination, valuing feeling over meaning.
0 9 4
THE SIXTH LIE – Everything Lost - 映像作家: raywakui
3DCGMusic video

THE SIXTH LIE – Everything Lost

2021
00:03:59
As the activities of the band “THE SIXTH LIE,” in which director Wakui performs as the drummer, became difficult amid the COVID-19 pandemic, he began exploring what he could do at that moment and started learning 3DCG and VFX in Blender. Through repeated trial and error, he spent a year and a half creating this music video entirely on his own. The people were shot on a green screen, and everything else was created in 3DCG. Set in a desolate world where everyone has disappeared, this work—which uses only simple green screen filming to realize scenes such as a performance on the rooftop of a collapsing building and members falling into the abyss—drew major attention in the 3DCG and VFX community, winning an Excellence Award at the VFX JAPAN AWARD 2022.
0 9 6
MARVEL GO COLLECTION wave.1 - 映像作家: cekai
CM

MARVEL GO COLLECTION wave.1

2022
00:00:30
Die-cast cars inspired by Marvel characters are now available from Disney. Featuring popular Avengers heroes such as Iron Man, Captain America, and Black Panther, as well as the villain Thanos, Spider-Man: Maximum Venom, and launcher stands, these products are also being released. We created a commercial video for the overseas product line. The die-cast line is now also being rolled out in Japan and can be purchased at shop Disney stores and other retailers.
0 9 7
femme fatale “Daisikyu Daisuki” Music Video - 映像作家: shotasakamoto
2D animation3DCGAnimationMusic video

femme fatale “Daisikyu Daisuki” Music Video

2022
00:03:35
I just absolutely love the song! The moment I heard it, colorful candies started spinning around in my head. Since it’s “daishikyuu,” I wanted to make something fast-paced, chaotic, and above all super cute, so we had lots of costumes prepared, along with a bike, props, and all kinds of things for the shoot. With the theme of dreams you see while sleeping, I imagined a story like this: you desperately need to wake up, but you can’t get out of the dream world and end up going on a wild rampage! Also, I planned it with an image of a struggle over who has dominion over the dream—whether it’s Kana-chan’s dream or Sakina-chan’s dream, whose dream is it, anyway!? In the end, the domination battle element was removed, and it was shaped into more of a dream world, a cute little space, and that sort of image... When I listen to the song, it gives me the image of the two of them playing sports, and I pictured them wearing baseball uniforms in a gyaru style. I thought it would be absolutely adorable, so we went with it. (Kind of like Ayaya’s “Tropica~l Koi Shite~ru” lol) I also pushed for us to film the bike scene. When you think of speed, you think of a bike. The animation is also gorgeous, and for the very first OP animation, I asked misa to create something based on the idea that it takes place inside a girl’s dream. It’s insanely cute and amazing. The animation for the first chorus is the scene where they blow away the nightmare, and that was created by RaParu-san. I’ve loved RaParu-san for a long time and always hoped we’d get to work together someday... so I was really happy that my wish finally came true. And for the flashy effect animation in the baseball scene, of course it had to be Tetsuya Tatamiya-kun, the reliable go-to for effect animation!
1 0 0
Momoiro Clover Z "Monochrome Dessin -ZZ ver.-" Lyric Video - 映像作家: watanabesaori
Music videoStopmotion

Momoiro Clover Z "Monochrome Dessin -ZZ ver.-" Lyric Video

2021
00:05:58
This is a commemorative lyric video for a new song in which some of the lyrics were rearranged for the current-member version (-ZZ ver.) of Momoiro Clover Z, which celebrated its 13th anniversary on May 17, 2021. Using live footage and photos from the past 13 years, this beloved song for both the members and the fans is brought to life in a lively stop-motion animation that follows the lyrics as the members sing, dance, and race around. We also deliberately preserved analog textures such as hand-drawn elements and the feel of paper. The video features many cutout memories of stage costumes, stage effects, and live venues. For the members’ lip-sync in the big chorus, we cut out three frames each of their mouth shapes (a-i-u-e-o-n) and replaced them in a way that makes it look as if they are singing. The four members race through the song as crayons in their respective colors. It became a video that could only have been created now, when it is difficult for large groups to gather. With respect for the 13-year journey shared by the members and all the Mononofu.
1 0 1
ReoNa Special Live “EX-“LIVE” CHRONICLE” - 映像作家: amano kiyoyuki
3DCGVRXR

ReoNa Special Live “EX-“LIVE” CHRONICLE”

2021
00:00:07
For the recording of this live performance, we used “Jeanne d’Arc,” a virtual camera system originally developed by KAYAC, linking the motion capture studio with the virtual space. “Jeanne d’Arc” not only allows camerawork in the virtual space as if operating a real camera, by having the cameraman appear there virtually, but also enables shots that can only be achieved in virtual space through a virtual drone camera equipped with multiple systems. In addition, by obtaining the camera coordinates through motion capture, it is possible to link a real camera within the virtual space. By switching between the real and avatar versions of ReoNa, we seamlessly connected the world of “Sword Art Online -Chronicle- Online Edition,” creating a new live production that moves back and forth between reality and virtual space.
1 0 3
Yusa Haruna / FAUST MV - 映像作家: fov
Music video

Yusa Haruna / FAUST MV

2022
00:05:48
Have a Nice Day!’s Haruna Yusa solo project, the music video for the lead track from Another Story Of Dystopia Romance. It is a cover by member Yusa of an already released song by Hokuto Asami of Have a Nice Day!, reimagined as taking place in an alternate timeline. A powerful cast brought to life the worldview of FAUST’s lyrics, which sing of the conflict surrounding “being social” and the liberation from social norms.
1 0 6
Hattori Graphics Low-Resolution GIF Series 2022 (First Half) - 映像作家: hattorigraphics
2D animationAnimationArt workExperimental filmOriginalShowreel

Hattori Graphics Low-Resolution GIF Series 2022 (First Half)

2021 ~
00:03:17
A digest video featuring 13 distinctive low-resolution GIF works released between late 2021 and early 2021. “The Footman”…the sole of a foot staring back at you “CROW”…something like the concept of a crow “TAXI”…the taxi never stops “Fried Rice”…a man stir-frying fried rice with all his might “Drinking Milk”…drinking milk energetically “Rabbit”…eating a carrot energetically “DENGEKI”…an electric man “A Sushi Restaurant Popular with Crocodiles”…a sushi restaurant where crocodiles line up “Negation and Affirmation”…negation and affirmation “Thief”…what happened to an old-fashioned thief “The Panda Throwing Candy at You”…a nightmare “Icarus”…melted wings “GIF of People”…the awakening of humankind
1 0 9
ALPINE : SOUNDWARDS - 映像作家: JKDCollective
Music videoPromotion

ALPINE : SOUNDWARDS

2021
00:01:30
We produced a brand film for ALPINE, a premium car audio brand from Japan with fans around the world. The concept is “SOUNDWARDS / Toward Better Sound.” A simple yet powerful brand message — that where the best sound resonates, the best people gather and the best spaces are created — is expressed through dynamic visuals and music. An amazing live performance, and the ultimate space created by the audience gathered there. The feeling of being drawn toward that space is portrayed through dynamic camera work, making extensive use of drones. The music is by KAITO, also known as Hiroshi Watanabe, who is internationally recognized for releases on Germany’s largest label. The video direction and DP were handled by Senzo Ueno, and the overall planning and production were done in collaboration with the creative agency Drill.
1 1 2
ASO CALDERA HIKE – HIKING SEASONS - 映像作家: keisuketerashima
3DCGArt workEventInstallationMotion graphicsProjection mapping

ASO CALDERA HIKE – HIKING SEASONS

2021
00:01:30
ASO CALDERA HIKE At the plaza in front of JR Kumamoto Station, we unveiled “ASO CALDERA HIKE,” a विशाल space themed around the Aso Caldera, a symbol of Kumamoto’s great natural landscape, with a maximum diameter of approximately 24 meters and a maximum height of approximately 2.4 meters. “What if Kumamoto’s great nature came to the very center of the city?” ASO CALDERA HIKE is a content experience that lets visitors immerse themselves in Aso, the symbol of Kumamoto’s natural beauty. A giant object, inspired by the outer rim mountains encircling the Aso Caldera and measuring up to approximately 24 meters in diameter, was installed at Amu Hiroba. Visitors can step inside the ring-shaped structure, wander around, or sit and relax at their leisure. At night, a show and interstitial effects are performed using a high-brightness projector of approximately 40,000 lumens installed on the upper floors of the station building. PARTY was responsible for the planning and overall direction. Period: Friday, December 3, 2021 – Monday, January 10, 2022 (national holiday) Location: Amu Hiroba (Shirakawa Exit Station Plaza, in front of Kumamoto Station) Show Direction: HIKING SEASONS The theme is the four seasons of Aso. This is an immersive art experience in which visitors walk through a giant object modeled after the Aso Caldera and enjoy the changing, majestic scenery of Aso. From January, when the land is covered in snow and ice, to controlled grass burning, fresh greenery, Miyama kirishima azaleas, grass and blue skies, and pampas grass tinged by the setting sun, leading to a December landscape sparkling with countless stars. A vast projection spread across approximately 600㎡ brings to life Aso’s magnificent scenery as it transforms with the seasons.
1 1 3
Slumbers Valley - 映像作家: takumanakata
3DCGArt workReal-time Graphics

Slumbers Valley

2020
00:02:26
A real-time video work independently produced while reflecting on 2020. As the COVID-19 pandemic made it impossible to create the installation works I specialize in, I began spending more time honing my visual skills. While continuing my Daily Render practice in vvvv, my main tool, I also wanted to challenge myself with richer visual expression, so I started working with UE4. Around that time, I was approached about exhibiting in the virtual museum of MUTEK JP x MX, and I created this piece to visualize the world inside the computer—the world within the screen that I wanted to show.
1 1 6
Fluctuation landscape｜The MixC - 映像作家: wow-inc
3DCGInstallationMotion graphics

Fluctuation landscape｜The MixC

2021
WOW was responsible for the planning, direction, and production of a permanent installation to be installed in the outdoor plaza, Sunken Square, of The MixC, a massive shopping mall in Shanghai. The installation consists of 20 towers, each approximately 2.3 meters tall, with glass tiled over LED, spanning more than 10 meters in width. It was placed within the existing overflow structure in the plaza so that it would harmonize with the environment. There are two types of presentation, themed around natural phenomena and Shanghai’s nightscape, and the projected images repeatedly reflect and refract through the glass. Like a landscape of nature in constant transformation, the appearance of the work continually changes depending on the surrounding environment and the viewer’s position. Video works are often considered best when they are high-resolution and have a clearly defined beginning and end within a fixed timeline. However, this work was born from the idea that human imagination may possess infinite resolution and an infinite timeline. When you carefully observe the rippling surface of water or the bottom of a river, you seem to see reflected images of the surrounding scenery repeatedly forming and falling apart, creating a mysterious sensation as if you were seeing abstract and representational landscapes over and over again. Based on such an experience, this work expresses, through a visual interpretation, the distinctive scenery created by the properties of light—reflection and refraction.
1 1 9
KIBO Space Broadcasting Station - 映像作家: bascule
ARBroadcastInteractive

KIBO Space Broadcasting Station

2020 ~
01:50:41
A space live entertainment project that opens up the universe to everyone. We want to open up the stage of space, where only astronauts have been able to play an active role until now, to everyone through the power of the internet and design. With that vision, we established a live broadcast studio in Kibo, the Japanese Experiment Module aboard the International Space Station, to connect space and Earth in both directions. While gazing at the blue Earth, people around the world freely express themselves and talk about KIBO. Together with artists and companies, we will co-create this entirely new borderless form of entertainment.
1 2 2
Vertical Sketch Drama LINE VISION “The Last ___ of Humanity” - 映像作家: kazuyukimiyabe
ComedyOriginal縦型コントドラマ

Vertical Sketch Drama LINE VISION “The Last ___ of Humanity”

2021
Only Image
Vertical comedy videos streamed on LINE NEWS VISION. Under the grand premise of “What if Yuno Ohara were the last of humankind’s ____!?” she takes on brand-new roles for the first time, including a superhero, a delinquent schoolgirl, and a track and field official! A collection of fantasy skits across eight episodes, designed to let you enjoy a never-before-seen side of Yuno Ohara. Comedy! Comedy! Comedy! Serious! A slapstick comedy that unfolds in a world where only one person exists as the “last of humankind’s ____” is now streaming, so please enjoy it on LINE NEWS VISION.
1 2 4
Tokyu Agency V.I. - 映像作家: yuukikamida
2D animation3DCGMotion graphicsMotion logoSignage

Tokyu Agency V.I.

2021
Only Image
Tokyu Agency, which marked its 60th anniversary, relocated its office from Akasaka in Minato-ku, Tokyo, to Nishi-Shimbashi in Minato-ku on November 1, 2021. We created a film that visualizes its new slogan. It is used on signage in the new office and as the hero visual on the website. We were responsible for the overall direction, design, and motion of the video. To leave a strong impression of the new slogan, we incorporated the process of the logo design taking shape throughout the film, while expressing the elements of the logo design through a variety of textures and depicting how they dynamically resonate with one another.
1 3 0
To Future Scientists #16: "Energy Conversion" - 映像作家: EUPHRATES
Web movie

To Future Scientists #16: "Energy Conversion"

2022
00:05:30
Description: A new science video released on NIMS’s public relations website, “Materials Power,” and on the official NIMS YouTube channel, created to promote the National Institute for Materials Science (NIMS), a Japanese public research organization. Centered on one of the fundamental principles of science, “energy conversion,” it uses simple and clear visuals to depict how energy such as heat, electricity, and motion is transformed from one form to another.
1 3 1
RIM『NEUROMANCE』 - 映像作家: nnnuventus
Music video

RIM『NEUROMANCE』

2022
00:04:09
Inspired by the title “The Last Man in Europe,” one of the other proposed titles for George Orwell’s science fiction novel 1984, I created a story about a protagonist being swallowed up by internet society. For the world-building, I drew influence not only from 1984 but also from PSYCHO-PASS and Discipline and Punish. I tried to portray contemporary society as a sacred yet eerie world permeated by gods, likening the internet itself, or the “sense of common decency” fostered there, to God as an omnipresent watcher, and smartphones, as internet devices, to angels as God’s messengers. The protagonist, an existence before being exposed to God’s surveillance—that is, before internalizing the watcher—is modeled on the devil, the symbol of chaos and the antithesis of angels. I personally like the atmosphere in which mischief and a sense of tragedy coexist, so the overall design ended up having a cute quality. Since the comic panel layout was a familiar structure for depicting the story, I organized the sequence of information toward the climax and carefully examined the role and function of each cut.
1 3 2
Kitan Club 15th Anniversary Video: The History of Capsule Toys (Japanese Dubbed Version) - All 3 Parts - 映像作家: ryofujii
AnimationWeb movie

Kitan Club 15th Anniversary Video: The History of Capsule Toys (Japanese Dubbed Version) - All 3 Parts

2021
00:04:33
Kitanklub’s 15th anniversary video work. A fake documentary that depicts the history of capsule toys entirely through lies. Three parts in all. A documentary from a program in a fictional country, with every detail fabricated, became a major topic on social media. Part 2: Modern Era https://www.youtube.com/watch?v=7iyPhcs9REg Part 3: Future Era https://www.youtube.com/watch?v=V8ckIfMr97s
1 3 3
Cynthia One-Day S - 映像作家: inaikosuke
Art workDocumentary

Cynthia One-Day S

2021
Only Image
A “muchūjin” is someone who is totally absorbed and passionate about something, regardless of form or genre. As contact lenses that support every pair of eyes that’s immersed in what they love, Cincia 1day S, a daily disposable soft contact lens, gently backs the enthusiasm of those muchūjin. With the tagline, “The eyes of muchūjin are always busy,” this commercial presents the process of artist Choo Hikaru—who is both a muchūjin and a contact lens user—creating a work, through visuals and music that you can’t help but get absorbed in yourself.
1 3 5
Gekā Natomi "You’re Not Dead" - 映像作家: takahiroshibata
Animation

Gekā Natomi "You’re Not Dead"

2021
00:04:30
Description: I want to keep a hamster. But someday, they will die. Could I endure that sadness and pain? No, I probably couldn’t. “Then why not just keep something that is already dead?” Thinking this way, the girl breathes life into various lifeless objects around her. So when will those already dead things die again? This work is an animation depicting the moment when “death” dies once more. By combining simplified, fancy characters with vividly shot live-action footage, the work creates a coexistence of cuteness and grotesquery, enhancing the appeal of each.
1 3 6
[PYLONORG] ∈Y∋ × COSMICLAB - 映像作家: cosmiclab
3DCGARAudio visual performanceEventExperimental filmGenerative ArtInteractiveOriginalPerformanceReal-time GraphicsShowreelXR

[PYLONORG] ∈Y∋ × COSMICLAB

2021 ~
00:00:26
An XR audio-visual showcase by COSMIC LAB, which has continually explored spatial expression where the visible and invisible intersect as VJs. Using the XR (Expanded Reality) Live System, developed and advanced by COSMIC LAB, the performance was live-streamed from an expanded reality space at Universe in Misono, Osaka. COSMIC LAB amplified into an XR visual space a luminous sound performance by ∈Y∋, who continues to push experimental expression to its limits, performed with the body connected to two specialized devices: a wrist-mounted type and a cone-shaped type.
1 3 9
OPEN HUB for Smart World - 映像作家: whatever
2D animationInstallationInteractiveMotion graphics

OPEN HUB for Smart World

2022
00:02:16
【OPEN HUB Monoliths】 An entrance that recognizes visitors as partners in co-creation and welcomes them in. Seven life-size displays stand around the entrance space, linked to the check-in system, and project immersive visuals featuring personal graphics (OPEN HUB Personal Logo) generated from each guest’s initials, profession, and other details, welcoming them as members of OPEN HUB. The generated “OPEN HUB Personal Logo” becomes a symbol of communication that bridges the real and virtual, changing in response to online and offline activities at “OPEN HUB.” 【OPEN HUB Visualizer】 A massive display where you can experience the Smart World through data visualization. Data held by companies engaged in co-creation is collected, stored, and analyzed using the “Smart Data Platform,” then visualized on a huge LED display measuring approximately 3 m × 10 m. Through this dynamic, data-driven installation experience, it encourages the creation of new value.
1 4 0
Ahare! Meisaku-kun (Season 6) - 映像作家: taketoshinkai
2D animationAnimationComedyTV

Ahare! Meisaku-kun (Season 6)

2021, 2022
00:04:59
A conversational comedy short anime featuring the protagonist, Matsuda Meisaku, who aspires to become a masterpiece himself, along with his eccentric classmates. By blending modern themes with a variety of classic works—such as “three little pigs aiming to become YouTubers” and “a tsundere Cinderella”—it creates high-quality humor that can be enjoyed by both adults and children. The series began in 2016 on NHK E Tele’s “Bitworld” and aired through Season 6 (230 episodes). It was selected as a Jury Recommended Work at the Japan Media Arts Festival organized by the Agency for Cultural Affairs. Its YouTube channel has surpassed 300 million total views.
1 4 3
Yuma Saito Reel -2022 - 映像作家: yumasaito
2D animation3DCGMusic video

Yuma Saito Reel -2022

2019, 2020, 2021, 2022
00:01:18
This is a demo reel of recent video productions. ------------------------------------------------------------- DECO*27 - Dilemma feat. Hatsune Miku https://www.youtube.com/watch?v=E_PfhNftyh4 DECO*27 × Shota Horie (kemu) - SEKAI feat. Hatsune Miku https://www.youtube.com/watch?v=9vyIPWBeRes © SEGA / © Colorful Palette Inc. / © Crypton Future Media, INC. www.piapro.net All rights reserved. DECO*27 - Vampire feat. Hatsune Miku (TeddyLoid Remix) https://www.youtube.com/watch?v=M_24AlRm1cs RAINBOW / Watame Tsunomaki [original] https://www.youtube.com/watch?v=RMZNjFkJK7E Run / Suisei Hoshimachi (official) https://www.youtube.com/watch?v=IqT6cHCT1TE PinocchioP - Antenna feat. Hatsune Miku / Antenna https://www.youtube.com/watch?v=bwMGqyTmoro PinocchioP - I Just Hate People+ feat. Hatsune Miku / I Just Hate People+ https://www.youtube.com/watch?v=cm2Xz8WKf-4 INNOSENT in FORMAL “my peaches feat. PES” Music Video https://www.youtube.com/watch?v=wRh9HHJpuqM INNOSENT in FORMAL “Love Is Something to Worship feat. Chiproso” Music Video https://www.youtube.com/watch?v=ZEllQnHIy_I [sajou no hana] “Memosepia” (Music Video) https://www.youtube.com/watch?v=uEp2OvxjWP4 [sajou no hana] “Parole” (Music Video) https://www.youtube.com/watch?v=tkh6nnlf9bs Elma (Album Trailer) https://www.youtube.com/watch?v=I0KPgxLcGnk Because I Wanted to Stop Music (Album Trailer) https://www.youtube.com/watch?v=JFFedRQpqg8 Sumire Uesaka “Drops” Visual Movie (short ver.) https://www.youtube.com/watch?v=96ojlNxr1Co CIVILIAN “It’s All Your Fault” https://www.youtube.com/watch?v=WzhI65Ubq48 Neru - Just Praying feat. Wolpis Carter https://www.youtube.com/watch?v=xaSCyuDpxXI Tsukuyomi “Mede” Music Video https://www.youtube.com/watch?v=Y_zSSxVyK0U SWALLOW “Fraud’s Fountain Pen” (Official Lyric Video) https://www.youtube.com/watch?v=c0dh_BQJWY0 SWALLOW “The Brief, Blue Spring” (Official Lyric Video) https://www.youtube.com/watch?v=RBpbWlVw7vc lasah - i feat. mito (Music Video) https://www.youtube.com/watch?v=CYAVfhRfI6o lasah - WELCOME TO THE MABOROSHI CLUB feat. i am robot and proud (Music Video) https://www.youtube.com/watch?v=8C5YHRwGWc4
1 4 4
14,000Hz (29.97/60fps) - 映像作家: mamoruwatanabe
3DCGArt work

14,000Hz (29.97/60fps)

2022
00:00:29
In this work, we explore the function by which we become aware of and experience stimuli, especially the perceptible boundaries of hearing and vision, through media technology. Embodiment based on perceptual capacity continues to be reshaped by the influence of our everyday choices, which in postmodern society are deeply dependent on media technology. Building on this, this work was created with the aim of transforming the concept of 14,000 Hz into an audiovisual piece synchronized to that frequency, for playback in a variety of media environments.
1 4 5
Animation Showreel 2010-2021 / 軌跡_HaruSHAO - 映像作家: kiseki
2D animationAnimationArt workCMMusic videoPromotionPVWeb CM

Animation Showreel 2010-2021 / 軌跡_HaruSHAO

2010, 2012, 2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020, 2021
00:01:27
I create with attention to the art style, the beautiful texture of the materials, and the unique effects made possible by 2D animation. Depending on the style and amount of work involved, I adjust the production flow for each project. I also strive to incorporate collaborative work while preserving the distinctive texture needed to achieve a painterly style.