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NHK Sing and Learn: "When You're in a Bear-y Bad Spot" - 映像作家: erikasahara
2D animationAnimation

NHK Sing and Learn: "When You're in a Bear-y Bad Spot"

2026
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Created the animation for “Kuma Toki wa,” broadcast on ETV’s Utatte Manabo. I was in charge of character design, direction, and backgrounds. The content teaches three kinds of measures: measures to take if you encounter a bear, measures to avoid coming across one, and measures to prevent bears from entering town. The aim was to convey these measures in a fun, approachable way, so that children can actually reenact them from the video and learn how people and bears can coexist in their respective environments.
[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san - 映像作家: shizukaamano
Music videoTV

[NHK E-tele] Miitsuketa! “Raku-da Katabura” Rakudashi-san

2026
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NHK E-TV’s “Miitsuketa!” music video for “Rakuda Katabura.” This is a song about “Rakudashi-san,” a traveling camel character played by Toma Ikuta. Written and composed by Rekishi (Takafumi Ikeda), it’s a pop number full of healing vibes that helps ease your mind when you’re tired. We were responsible for the direction, CG production, and editing (including all compositing). Editing environment: Adobe Premiere Pro, After Effects, DaVinci Resolve
NHK Special "2030: A Turning Point for the Future" - 映像作家: whatever
TV drama opening title

NHK Special "2030: A Turning Point for the Future"

2021
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For the NHK Special series “2030: A Turning Point for the Future,” we were responsible for planning and producing the program logo design and opening title sequence. The program reports on the environmental issues facing the world. It examines 2030, said to be a “turning point” for global challenges. Over the next decade, it considers how we can avoid crisis and achieve a sustainable future. In the logo and opening title, we used animation to portray the importance of confronting the real issues humanity faces and making our own choice at this turning point in the future. https://www6.nhk.or.jp/nhkpr/post/original.html?i=26703
YOASOBI "Comet" Official Music Video - 映像作家: kadowakikouhei
2D animationAnimationArt workMusic videoShort filmTV

YOASOBI "Comet" Official Music Video

2020, 2021
00:03:40
A music video set in the world of the manga BEASTARS. The first 89 seconds also serve as the ending sequence for the second season of the TV anime BEASTARS. The blue-world portion in the first half was colored frame by frame entirely with watercolor paints. By combining this blue segment with the red-world segment that begins in the second half, which is expressed digitally, the video presents two extremes within a single music video, contrasting the tenderness and happiness that have filled the past in the story behind this song with the cruel reality that is to come. For the production of this video, three-dimensional models of each character were created. Using these as references for the drawings made it possible to depict the BEASTARS characters, whose complex shapes are difficult to express through animation, with hand-drawn animation.
[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky - 映像作家: shizukaamano
Music videoTV

[NHK Etele] Mii tsuketa! “Mōretsu ni Hassan!” Ofurosky

2026
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NHK E-tele’s “Mittsuketa!” “Mouretsu ni Hassan!” music video. This song’s theme is to sing, dance, and “Hassan” away the stress you carry every day. From the nostalgic feel of the melody, we aimed for a high-energy video with a cheap, funny vibe reminiscent of the early days of CG in the Showa and Heisei eras. I was responsible for the direction, CG production, and editing, including compositing. Editing software used: Adobe Premiere Pro, After Effects

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Sakai Complex Gel Project - 映像作家: judau
2D animationAnimationMotion graphics

Sakai Complex Gel Project

2025
00:00:52
An opener created for a symposium featuring Takayoshi Sakai, a world-renowned authority in gel research. Through cartoon-inspired visuals, the piece connects Dr. Sakai’s approachable personality with the precision of his research, aiming to bridge the gap between advanced science and the general public. The graphic style was later adopted as a visual identity for the Sakai Laboratory, and has since been expanded across logos, web design, presentation templates, and academic illustrations in the same unified style.
21 Works
Meg Bonus Is… - 映像作家: tamuraikuho 3 days remaining
3DCGConcept MovieLive Video

Meg Bonus Is…

2026
00:06:49
A video work created for Space Shower’s new artist project “SPACE SHOWER NEW FORCE.” Through visual expression that blends live-action footage and 3DCG, it explores the artist Meg Bonus from multiple angles through the narrator’s perspective. By overlaying the image of Meg Bonus heading toward a new frontier with the metaphor of “birds,” it depicts a sense of anticipation for the changes and leaps to come. The live-performance scenes were shot in collaboration with Chiaki Machida, who is active in video and still photography centered on Tokyo’s music scene.
X VORDER RUNWAY - 映像作家: tamuraikuho
2D animation3DCGLive VideoMotion graphics

X VORDER RUNWAY

2026
00:00:10
Responsible for the video production for “X VORDER RUNWAY,” held at Makuhari Messe. For the stage blending a fashion show and a music live performance, where the real and virtual intersect, produced performance visuals for three songs: M2 “Tokyo Shandy Rendezvous,” M5 “True Story -Revival-,” and M9 “Chateaubriand.” Developed custom tools to manage color scripts aligned with each performer’s theme color, as well as tools that generate ASCII art–style effects based on the brightness information of the original footage. Built a consistent visual tone across multiple videos.
SKYTOPIA EP "Inner Layers" Teaser Movie - 映像作家: tamuraikuho
3DCGArt workVertical Video

SKYTOPIA EP "Inner Layers" Teaser Movie

2026
00:00:19
Artwork for SKYTOPIA’s EP “Inner Layers,” by the Tokyo-based producer/DJ. Featuring four tracks in total: two new songs, the melodic, driving 4x4 groove “Denim Skies” and the weighty, bass-heavy 2-step track “Into The Unknown,” along with the pre-released “Rain” and “Pressure” (with Ogasawara), both of which have gained underground support. The release reimagines the influence of UK club music and a melodic sensibility through a distinctly Tokyo perspective.
17 Works
"Number_i LIVE TOUR No.III" 2026 Nationwide 5-Dome Tour Live Background Video - 映像作家: lunaterasaka
3DCGAudio visual performanceConcert movieEventGraphic designLive opening animationMain VisualMotion graphicsMotion logoMusic videoMusic VisualizationVJ

"Number_i LIVE TOUR No.III" 2026 Nationwide 5-Dome Tour Live Background Video

2026
Only Image
Number_i (Sho Hirano, Yuta Jinguji, Yuta Kishi) Nationwide Five-Dome Tour "Number_i LIVE TOUR No.III" Hokkaido performance encore songs ♪ JELLY ♪ Romi Juri ♪ i-mode We were in charge of producing the live background visuals. This will be a nationwide five-dome tour held from 2026 to 2027 (Sapporo Dome, Kyocera Dome Osaka, Tokyo Dome, Vantelin Dome Nagoya, and Mizuho PayPay Dome Fukuoka).
7 Works
NEW CHITOSE 2026 Signal Film - 映像作家: kojiaramaki 1 days remaining
3DCGEventMotion graphics

NEW CHITOSE 2026 Signal Film

2026
00:00:17
This film is the official trailer for the 13th New Chitose Airport International Animation Festival, held inside New Chitose Airport in Hokkaido, Japan. The idea came from my experience of attending the festival the previous year. What stayed with me was the feeling of the festival temporarily appearing inside the everyday space of the airport. People are constantly arriving, leaving, and passing through, but during the festival another kind of space briefly emerges within that flow. I wanted to translate that experience into the film. We wanted the visuals to feel a little like a mirage — something that appears, changes form, and disappears again. To express that idea, we used a single visual rule for every appearance and disappearance throughout the film. People, architecture, objects, and abstract forms continuously emerge, dissolve, and transform into one another, creating a sense that the entire world of the film is temporarily taking shape and then fading away. The film gradually brings these different elements together toward the cinema screen. For me, the important part was that the motion was not added afterwards simply as an effect. The way things appear and disappear is directly connected to the idea of the festival itself: people gather for a short period of time, share the same place and experience, and then disperse again.
CRMC - 映像作家: kojiaramaki
3DCGMusic VisualizationOriginal

CRMC

2024
00:01:00
This research work is a reworking of a video that was shown as a SIGNIF reel at Motion Plus Design Tokyo 2024. By incorporating the unique silhouettes of ceramics and sculpture as motifs for motion graphics, we aimed to achieve both a graphical image and a tactile feeling clean coldness and craftlike warmth. The overall structure of the work, which progresses in an intertwining sequence of multiple patterns, is a motion graphics analogy of the production process of ceramics, from the chaos before the shape is determined, to the determination of the shape, to the change of material through firing.
Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening - 映像作家: kojiaramaki
Animation

Fate/Grand Order -Absolute Demonic Front: Babylonia- Opening

2019, 2020
The second opening for the TV anime Fate/Grand Order - Absolute Demonic Front: Babylonia. Set against the backdrop of the ancient Mesopotamian civilization of the BCE era, the animation features an organic visual direction that blends earth and sand with the gold and wealth of Gilgamesh, one of the story’s main characters. For the chorus section, the team explored new ways of combining key animation, motion graphics, and CG, aiming for visuals in which character animation, hand-drawn effects, and particle expressions influence one another. The production team consisted of the members who had previously worked on the opening of DARLING in the FRANXX, with Shun Yamaguchi, Kita, and Hanasaka joining the team to handle their respective parts.
13 Works
Gen Hoshino - Glitch [Official Video] - 映像作家: _karudo
3DCGMotion graphicsMusic video

Gen Hoshino - Glitch [Official Video]

2025
00:02:40
Gen Hoshino - Glitch [Official Video] Director: Migitakaru Meta In this work, I was responsible for the motion graphics / window design. Within a visual structure where glitches occur in a chain reaction across the desktop, I implemented a browser-crasher-like window proliferation effect using p5.js. Drawing on early internet culture and the UI context of PC screens, I designed the interface and motion of windows that self-replicate.
17 Works
Dannie May「DAME DAME」（MUSIC VIDEO） - 映像作家: BONJIN
2D animation3DCGADAdvertisementAIAnimationArt workAudio visual performanceBrand movieBroadcastCMCo-CreationComedyExperienceExperimental film

Dannie May「DAME DAME」（MUSIC VIDEO）

2022-2026
00:02:53
A music video inspired by Japanese yokai, blending collage, pixel art, and psychedelic colors. Through “toggled images” in which tear-streaked faces turn into smiles, and hand gestures that fill the screen, it depicts the twisted love and hatred hidden within the song as a strange, pop-style procession of a hundred demons.
ANGERME - 映像作家: BONJIN
Art workMotion graphics

ANGERME

2022-2026
00:04:02
A music video that moves between monochrome, quiet expressions and vivid, light-filled colors, portraying the desire to believe in love and a heart shaken by lies through contrasting imagery. With the members’ gaze directed at the camera, and through a blend of fragility and strength, this work vividly expresses the wish that “love should remain love.” This piece aims to coexist with the rapid-fire cutting style that is a hallmark of BONJIN, together with the essence of an idol production.
68 Works
My Crazy Feminist Girlfriend - 映像作家: tamura_bsk
Web movie

My Crazy Feminist Girlfriend

2026
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Even though he loves her, he can’t understand her. Because he loves her, he wants her to understand him. A value-gap romance comedy about a feminist girlfriend and a self-proclaimed kind boyfriend Starring Mei Nagano. With solid acting, she vividly brings to life “her,” a woman who became a feminist for a certain reason. Playing the self-proclaimed kind boyfriend who wants to get back together with her is Taisei Kido. He portrays Haruki, the former boyfriend who is still hopelessly in love with “her,” with a relatable, endearing charm as he’s tossed around by the girl he can never forget. In the newly released footage, Haruki’s sweet recollections begin with the innocent, happy couple from their college days, accompanied by his lines: “You always smile so happily” and “I want to protect you.” But seven years after their sudden breakup, the girl he once loved (“her,” played by Mei Nagano) unexpectedly appears before Haruki, who turns around after being called out to by her. What stands there is his first love, transformed in every way from the “cute, earnest girlfriend who healed me” he once knew—. Even while struggling to accept that the woman he has reunited with has become a feminist, Haruki throws himself into trying to win her back because he loves her. But whenever they meet face to face, they clash head-on over what is “normal” and what is “obvious.” As a fast-paced battle of words unfolds, can the two of them, burdened by such a gap in values, really get back together!? What does the message on the T-shirt, “GOOD GIRLS GO TO HEAVEN, BAD GIRLS GO TO EVERYWHERE,” mean—? She was always smiling beside me—“her.” But after one certain incident, Haruki is unilaterally dumped by his first love. Even though he resents her, he can’t forget her. Seven years after their breakup, “her” still lingered in his heart. Now a company employee working for a stationery manufacturer, Haruki one day encounters a group of women protesting on his way home from work. The one who calls out to him there is the girl he once loved so deeply. But the woman he reunites with is nothing like the earnest, adorable “her” who once comforted him. She’s become a feminist!? To Haruki, who wishes, “I want to date you again,” “her” shuts him down flatly with, “No way.” Whenever they face each other, a battle erupts over what is “normal” and what is “obvious.” Can these two, whose values are completely out of sync, become lovers again?
TV Aichi Special Drama "Hinomaru Brothers: The Brothers Who Pioneered Japan-U.S. Trade" - 映像作家: tamura_bsk
TV

TV Aichi Special Drama "Hinomaru Brothers: The Brothers Who Pioneered Japan-U.S. Trade"

2026
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Seiichi Tanabe and Shunsuke Kazama co-star! The story of two brothers who pioneered Japan-U.S. trade during the turbulent transition from the late Edo period to the Meiji era. TV Aichi is airing and streaming in prime time this November, the milestone 150th year, the first-ever television drama adaptation of the story of the two brothers who founded Morimura Gumi (now Morimura Shoji), the forerunner of global manufacturing companies such as Noritake, TOTO, NGK, and NICHIAS. Their relentless challenge to open up Japan-U.S. trade through private-sector power and conquer the world with a “pure white dinner set” is also a message of encouragement to modern-day Japanese people, who are losing their sense of conviction and adventurous spirit. The Morimura brothers are played by actors Seiichi Tanabe and Shunsuke Kazama. Also look out for Yokohama Port as it was when it first opened, and the streets of Japan and the U.S. in the early Meiji period, recreated using the latest generative AI technology. 150 years ago, we set out to change Japan for real and take on the world— In the late Edo period, Japan was forced to open its doors, and although it began trading with the Western powers, vast amounts of gold (kobans) were flowing out of the country. “If Japan is to prosper, we must recover the gold taken by foreign countries,” Morimura Ichizaemon, driven by righteous indignation, founded the trading company Morimura Gumi with his younger brother, Yutaka. Dividing their efforts between Japan and New York, they launched into Japan-U.S. trade, exporting and selling general merchandise. Amid countless hardships, including anti-Asian discrimination and the decline of Japonisme, they found a breakthrough in original domestically produced ceramics and eventually achieved explosive success with their “pure white dinner set.” Why were Japanese people from a small island nation in the Far East able to succeed? Why did “Made in Japan” astound the world? This is the story of the courage and decisions of those who turned the upheaval that began with the opening of Yokohama Port into an opportunity.
MBS “A Downpour When It Rains” Mellow Rain - 映像作家: tamura_bsk
TV

MBS “A Downpour When It Rains” Mellow Rain

2026
Only Image
Hagiwara Kazuaki (Junnosuke Muto), who works in the sales department of a home appliance manufacturer, and Nakarai Sei (Asahi Ito), his同期 in the general affairs department, grew close after an accidental misdirected email, and eventually both went through breakups with their respective partners, confirming their love for each other. Four months later, Kazuaki returns to the head office after completing his assignment in Osaka, and the two reunite. During that time, Sei had moved into an old, 37-year-old apartment building and started living alone. Kazuaki promptly visits Sei’s new place, but because they haven’t seen each other in four months, the two are at first somewhat awkward with one another... “You said you’d never go anywhere.” Sei worries that Kazuaki’s feelings may have changed over these four months. Through casual conversation and gentle touches, the distance between them gradually shrinks. But Kazuaki wants to confirm Sei’s true feelings... And then, one torrential downpour awakens the heat between them once more—.
Tokai TV "Uzume of Rebirth" - 映像作家: tamura_bsk
TVTV drama opening title

Tokai TV "Uzume of Rebirth"

2026
Only Image
A Sunday drama from the network that created buzz with “Yell for Love” and “Ossan’s Love” A gentle, medicine-like story that wraps around the hearts of exhausted modern people 40 years old, a shut-in for 12 years A woman who had given up on life is about to step back into the “outside world” Tamura Uzume, 40 years old. She was once a child actress who dreamed of becoming a performer who could make people smile. But at 28, after one certain incident, she quit acting and withdrew into her room at her parents’ home. Twelve years have passed since then. Having neither married nor worked, Uzume spends her days in self-indulgence, until her mother, Sakiko, can no longer stand to watch and finally calls a “handyman service” to have her daughter’s room cleaned up. The person who arrives is Koorogi, the representative of the handyman service “Kyu-chan.” Noticing from a photograph in the room that Uzume had once acted as a child performer, Koorogi scouts her, asking if she would like to work as a substitute staff member. “Maybe you’ve been given a chance to start over in life. I want to tell you that the time of despair has ended, and the time of hope has come.” And so, Uzume is half-forced into society by Koorogi. Through a variety of jobs, such as pretending to be a lover’s affair partner and apologizing to his wife, or impersonating the “secret child” of a famous female author in order to meet the man she once loved, she begins to interact with other people. Though bewildered at first, as she comes into contact with the lives of her clients, Uzume herself also begins to confront the life that had stopped moving, as well as the wounds of her past. And the people she meets through Uzume, too, come face to face with the emotional scars and worries they had been carrying, and slowly begin to move forward. Uzume, who had stopped living for 12 years, starts walking again. Her name comes from the myth of Amano-Iwato, where the goddess Ame-no-Uzume-no-Mikoto lured Amaterasu-Omikami, who had hidden herself inside a rock, back out into the world through dance. Delicate, yet fundamentally powerful. At times comical and somewhat clumsy, Uzume opens the doors to people’s hearts—. “Life can be restarted at any age.” A human drama of recovery and hope that gently stays close to the hearts of weary modern people and tenderly gives a push to those who have been hurt. Please look forward to this warm, gentle story that softly supports the backs of those who have been hurt.
28 Works
adidas x ABC MART 2026FW - 映像作家: SEIKOARIMORI
ADAdvertisementBrand movieFashion filmPromotionPV

adidas x ABC MART 2026FW

2022-2026, 2024〜
00:00:30
“Everyday is a good day” I was responsible for the concept, planning, and direction of this campaign video for adidas and ABC-MART. The goal was to portray the appeal of adidas’ material pack through a lifestyle perspective. A breathtaking moment can happen in the midst of an ordinary day, and by shifting your perspective, you can turn that day into a “Good Day.” Finding a Good Day is always up to you. That’s the story I wrote while thinking about that.

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