Taro Ishida

Taro Ishida

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Credited on 7 works from 2018 to 2025. Main genres: 2D animation, 3DCG, Projection mapping.

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Work

Digital Cultural Heritage Museum KOISHIKAWA XROSS - 映像作家: daisukehashimoto
3DCGAnimationArt workGenerative ArtInstallationMovieOpening movieProjection mappingVR

Digital Cultural Heritage Museum KOISHIKAWA XROSS

2025
00:00:52
We were responsible for the video direction and production for the Digital Cultural Heritage Museum KOISHIKAWA XROSS®, a facility opened at TOPPAN’s headquarters that offers a new way to experience cultural assets through digital technology. In the GATE, we created an introductory sequence that draws guests in with a torii-shaped LED vision display. In the VR Theater, a 20-meter-long, 5-meter-high, ultra-high-definition 16K visual presentation delivers an overwhelming sense of presence and immersion. In the Exhibition Room, we brought to life the long-lost work of Jakuchu Ito, “Shaka Jūrokurakan-zu Byōbu,” through animation using immersive projection.
Hoshino Resorts Aomoriya "Michinoku Matsuriya" - 映像作家: daisukehashimoto
2D animation3DCGPerformanceProjection mapping

Hoshino Resorts Aomoriya "Michinoku Matsuriya"

2022
00:03:29
At Hoshino Resorts Aomoriya, a hot spring inn where you can fully immerse yourself in the culture of Aomori, the stage show “Michinoku Matsuriya,” which expresses the seasonal scenery and festive energy of Aomori through an original performance, reopened on April 1, 2022. At the same facility, Daisuke Hashimoto (P.I.C.S. management) of LIL served as general director and producer for the currently running program.
"NEXT VISION JAPAN 2021 XR LIVE" Online Live Without Audience - 映像作家: pics
Concert movieEventLive opening animationXR

"NEXT VISION JAPAN 2021 XR LIVE" Online Live Without Audience

2021
Only Image
P.I.C.S. participated as a planner and producer in “NEXT VISION JAPAN 2021 XR LIVE,” a no-audience online live event for the new normal era utilizing XR, held on Tuesday, March 16, 2021. The overall visual direction was handled by Daisuke Hashimoto (P.I.C.S. management). Under the theme of “TRANSFORM,” the live event took on the challenge of creating a new online live experience, making full use of IMAGICA GROUP’s creativity and cutting-edge visual technologies such as XR from three perspectives: 1. space, 2. performers, and 3. communication. A main stage was specially set up in front of the “Geo-Cosmos,” the Earth display made with the world’s first organic EL panels and the symbolic exhibit of Miraikan, the National Museum of Emerging Science and Innovation, the venue for the event. By fusing this with XR visual technology, the production created an unprecedented spatial presentation worthy of the dawn of future entertainment.

Frequent collaborators