Using the latest visual technology that fuses 3D projection mapping and lasers, this is a performance of shomyo, imagery, and light linking the monk, the pagoda, Kobo Daishi, and Dainichi Nyorai. Celebrating the 1,200th anniversary of the founding of Koyasan, a World Heritage site, it is a prayer of gratitude and thanksgiving dedicated to Odaishi-sama, themed on “Namu Daishi Henjo Kongo.” http://www.koyasan1200-hikari.jp/

Participated as an XRVJ in the performance by Hakushi Hasegawa, the young musician drawing global attention, on “THE HIT,” the music program hosted by Flying Lotus. By integrating LiDAR and ARKit into COSMIC LAB’s XR live system, an audio-reactive VFX performance was improvised as live VJing, transforming the musician’s physical presence.

A showcase using “QUASAR,” a musical instrument developed by COSMIC LAB that plays sound and visuals simultaneously. A live session with Plant Records, led by DJ YASA, formerly of KIREEK, who achieved the remarkable feat of winning the DMC World Championship five years in a row. YoshimiO (OOIOO) and TOKIO AOYAMA also took part in this work.

EYE (BOREDOMS)'s new project "FINALBY( )" with COSMIC LAB & Niimi Taiki & Kanta Horio COSMIC LAB, which explores the expansion of perception through spatial expressions where the visible and invisible intersect; Kanta Horio of the art-engineering group Ponoor Experiments, who explores the relationship between sound and machines based on physical phenomena through art and system development; programmer Taiki Niimi, who handles everything from circuit design to sound synthesis; and Shinji Mashiko, who has worked with BOREDOMS for many years as sub-director—through this collaboration, they create a new audiovisual experience centered on device objects. It made its debut on the WHITESTAGE at FUJIROCK FESTIVAL’21.

Special rebroadcast of the XR live show from “NEWVIEW DOMMINE Vol.7”! LOST TAPES MIX is a conceptual DJ set made possible by digitizing a large number of open-reel tapes unearthed in the attic of the “Misono Universe Building.” The mix primarily features recordings made in the 1960s and 70s by the actual house band of “Cabaret Universe,” with many arrangements by Taro Kidan. An XR live stream set on a virtual universe that faithfully recreates in CG the peak of the original Misono Universe in 1956. The DJ and VJ played from the COSMIC LAB studio in Osaka, while virtual lighting joined the session remotely in real time from an undisclosed location in Tokyo via VPN, with the final output streamed from the DOMMUNE studio in Shibuya. UNIVERSE 1956- https://www.universe1956.com/ COSMIC LAB https://cosmiclab.jp/

An XR audio-visual showcase by COSMIC LAB, which has continually explored spatial expression where the visible and invisible intersect as VJs. Using the XR (Expanded Reality) Live System, developed and advanced by COSMIC LAB, the performance was live-streamed from an expanded reality space at Universe in Misono, Osaka. COSMIC LAB amplified into an XR visual space a luminous sound performance by ∈Y∋, who continues to push experimental expression to its limits, performed with the body connected to two specialized devices: a wrist-mounted type and a cone-shaped type.