西野朝来

西野朝来

unverified

Credited on 3 works from 2022 to 2026. Main genres: 2D animation, Animation, CM.

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Animator Colorist
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Work

BEASTARS FINAL SEASON Part 2 Non-Credit ED | SEVENTEEN "Tiny Light" - 映像作家: hohobun
2D animationAnimationEnding movieIllustrationImageShort filmTVアニメ ending

BEASTARS FINAL SEASON Part 2 Non-Credit ED | SEVENTEEN "Tiny Light"

2026
00:01:30
Concept In a world where the species you are born into determines the course of your life, Legoshi and Haru were beings destined to walk separate paths. Even so, they are drawn to each other, reaching out to one another amid the instability of interspecies romance. Though uncertain, Legoshi keeps moving forward, confronting his inner conflict and instincts. And beyond that, with everyone cheering him on, he continues to run straight ahead. Technique This work was created through a wider range of experiments than ever before, combining commercial production methods with independent, handmade approaches such as rough drawings, hand-painted backgrounds, and real paper confetti. While retaining the collage-style animation in which each sheet and every individual part is moved piece by piece, it also continues to explore ways to adapt to a greater variety of works.
PLAY! MUSEUM Animal Exhibition: Advertising and Exhibition Animation - 映像作家: hohobun
2D animationAnimationCM

PLAY! MUSEUM Animal Exhibition: Advertising and Exhibition Animation

2025
00:00:37
This animation was created for the advertisement and exhibition of “Animal Exhibition” (Special cooperation: National Museum of Nature and Science), held at PLAY! MUSEUM. Featuring taxidermy specimens from the WHO ARE WE exhibition kit for this exhibition (Yoshimoto Collection), it is composed to bring the specimens to life as they make their way to the urban exhibition venue during the night. While continuing to produce animation in PS as before, I increased the proportion of background work done with AE keyframes, taking on the challenge of moving the main characters clearly while also coordinating the background with them. This time, thanks to meeting a collaborator who could handle a certain amount of the animation work, I was able to make time for shooting, and have begun experimenting with incorporating light and shadow in an illustration-like way. In the illustration, I am challenging myself to use color to express the changing time of day.
Vaundy × Morisawa Fonts “Okigigami” - 映像作家: whatever
Music video

Vaundy × Morisawa Fonts “Okigigami”

2022
00:04:29
We planned and produced “Okitegami,” a tie-up music video with multi-artist Vaundy for Morisawa Fonts, Morisawa’s cloud-based font service that leads Japan’s font industry. We also handled the production of the special website released alongside the music video. https://okitegami.morisawafonts.com/ This work is a Font Specimen Music Video that uses 77 fonts provided by Morisawa Fonts, including Gothic and Mincho typefaces, and colors the lyrics with a wide variety of fonts like a font specimen book. Centered on the “magic words” featured in the song that Vaundy wrote specially for this collaboration, we used different fonts to match the meaning, weight, fragility, and emphasis of the lyrics, resulting in a vibrant music video that conveys the emotions of the lyrics more powerfully.

Frequent collaborators