A real-time, online game-like video installation that changes as it unfolds. Visitors can participate and experience it through their own smartphones or tablets installed in the exhibition space. By answering psychological test-like questions presented in the dedicated app, they can create “their own face.” By uploading that face, they can add “their own face” to the planet within the work. The planet is composed of nine faces, and as they respond to one another, they continue to generate a wide range of dramas. Like human beings, the lively faces on the planet speak of everything from the mundane to the lofty, laugh, cry, affirm each other’s existence, and, however briefly, clearly show that they once existed on this “Planet of Faces.”

A work that depicts a romance between humans and technology as a performance installation. Humans and technology (a skin-colored gorilla) attempt to become one through “skin garments.” Technology turns its thoughts to the finite twilight that humans possess, while humans gaze toward the infinite galaxy that technology possesses. Whether they are embracing each other or restraining each other, both are drowning in a sea of intimate distance. Humans are addicted to technology, and at the same time, technology is also addicted to humans. While loving technology, how can we also love humans? By finding an intermediate zone between pleasure and despair, I want to project it onto the sexuality of us humans living in the present.