滝沢潤

滝沢潤

unverified

Credited on 3 works from 2022 to 2023. Main genres: Broadcast, 2D animation, Animation.

Category
Animator
Status

Is this you?

Claim your profile for free — edit your bio, works, and contact info.

Claim this profile

Work

"Mobile Suit Gundam: The Witch from Mercury" Ending Video - 映像作家: 大橋史Takashi Ohashi
Broadcast

"Mobile Suit Gundam: The Witch from Mercury" Ending Video

2022
00:01:31
Ending animation for Mobile Suit Gundam: The Witch from Mercury, which aired from October to December 2022. This work is the first school-themed story in the Gundam series. The two characters appearing in the film are Suletta, a girl who transferred in from Mercury, and Miorine, the daughter of the president of a mobile suit development corporation group. Their relationship is portrayed through enclosed, garden-like spaces such as cockpits and the academy, as well as the curses they each bear, with mirrors and barriers evoked from the motif of “witch,” and those images are rendered more symbolically through reflected and refracted spaces using minerals as a metaphor.
Mobile Suit Gundam: The Witch from Mercury Season 2 Ending Video - 映像作家: 大橋史Takashi Ohashi
Broadcast

Mobile Suit Gundam: The Witch from Mercury Season 2 Ending Video

2023
00:01:31
Ending animation for Mobile Suit Gundam: The Witch from Mercury Season 2, broadcast from April to July 2023. To weave the story of Season 2 together through symbolic visuals, the main keywords were “synesthesia” and “dreamlike theater,” and the animation was created to move between the hearts of the protagonist Suletta (the red-haired girl) and Miorine (the white-haired girl). In the story, the two protagonists’ hearts continue to miss each other, and this was symbolically expressed by showing Suletta standing on a theater stage and Miorine projected from a film projector, physically passing by one another, representing their relationship. Within the main story, there are references reminiscent of Shakespeare’s play The Tempest, and the ED animation also begins with an opening shot inspired by stage drama. It was created with the image of characters who operate behind the scenes, as if making the two protagonists dance on the stage set called the school. On the other hand, by giving it a strong film-grain look, the animation symbolically expresses how the protagonists struggle against the story burned into film as “the curse of Gundam.”

Frequent collaborators